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JURE 2012 Programme book - EARLI Jure 2012

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<strong>JURE</strong> <strong>2012</strong> Conference <strong>Programme</strong> Friday, July 27<br />

programmes; receiving guidance and feedback from professors and thesis supervisors; sharing<br />

with peers and more experienced colleagues; and having specific individual abilities.<br />

Teacher as Improviser -­‐ An Exploratory Research between Teaching and Performing Arts<br />

(first step)<br />

Eleonora Zorzi<br />

This paper presents the first part of a PhD research. The PhD research’s hypothesis is that the<br />

exploration of the concept and practice of improvisation could be useful to rethink the classroom<br />

teaching and to look at teacher’s competences and profile from a new perspective.<br />

Since improvisation is more formally recognized as a valuable expertise to be acquired, trained<br />

or implemented in arts fields and literature rather than in the educational ones, arts fields and<br />

arts professionals were chosen as a starting point for this research.<br />

The aim of this first research phase is revealing some significant features of improvisational<br />

practice emerging from the experience in artistic fields where improvisation is recognized as an<br />

expert competence and performing methodology.<br />

The data are being gathered through some interviews (will be approximately 9) to “privileged<br />

witnesses” such as performing arts professionals. They regularly have worked on improvisation<br />

for ten years at least and they make improvisation the object of teaching activities (workshop,<br />

laboratories, training courses).<br />

All the results will be drawn by a content-­‐analysis made upon the interviews’ transcriptions,<br />

implemented also by further possible integrations made by the witnesses. The categories and<br />

dimensions emerging from the analysis will be compared with the literature reference, following<br />

a mixed approach: a bottom-­‐up (data collected) plus top-­‐down (categories emerged from<br />

literature) process.<br />

The data analysis will concern the identification of some common aspects and attitudes among<br />

the privileged witnesses’ experiences. The analysis results will be used to elaborate such an<br />

“improviser profile” and to identify some procedural features of the “educational processes”<br />

implied during improvising activities.<br />

These profile and procedural features will be used as a focus to think at the teaching features,<br />

hypothesizing where and how they could be present in the classroom practice. These<br />

educational implications will be proposed and submitted to discussion.<br />

PA.6.4 Affect and Autonomy in Reading Strategies<br />

Paper Session, 15.15-­‐16.15, Room: H25<br />

Chair: Eva Wennås Brante<br />

Is following the natural order always the right thing to do? Strategic reading to deeply<br />

comprehend texts<br />

Marta Minguela<br />

Reading comprehension is a complex process that requires the conscious and self-­‐regulated use<br />

of reading strategies. The main goal of this article is to describe the different reading patterns<br />

used by skilled and less skilled readers, and to find out the relation between these patterns and<br />

reading comprehension when students confront simple or complex comprehension questions.<br />

The reading process followed by 60 secondary school students was examined. Participants, who<br />

differed in their general comprehension ability, read an expository text; during reading, they<br />

could follow any sequence, rereading if necessary, and had no time limit. Once they finished the<br />

text, they answered reading comprehension questions. Reading comprehension questions were<br />

constructed to measure different comprehension levels (low and high level questions).<br />

Four reading patterns were identified on the basis of the sequence of reading, recursion, and<br />

reading speed (from more mechanical to more strategic). Regarding the use of these reading<br />

89

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