Montana LOOKBOOK #08 / 2023
MontanaCans LOOKBOOK 2023 Issue #8 It's that time again to welcome the release of the Montana Cans Lookbook 2023 edition #8. There is no rewind button on life, making it all the more important to reflect on the year that was, and the things that happened during that period. The Montana-Cans Lookbook does just that and reflects on some of the highlights from the year prior. A moment to reflect on those things that may not have received as much shine as they deserved while being "in the moment". www.montana-cans.blog
MontanaCans LOOKBOOK 2023 Issue #8
It's that time again to welcome the release of the Montana Cans Lookbook 2023 edition #8. There is no rewind button on life, making it all the more important to reflect on the year that was, and the things that happened during that period. The Montana-Cans Lookbook does just that and reflects on some of the highlights from the year prior. A moment to reflect on those things that may not have received as much shine as they deserved while being "in the moment".
www.montana-cans.blog
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↑ “COMPASION”. Reminding<br />
us to be<br />
compassionate.<br />
↓ A postcard for<br />
home. For most, an<br />
image of a place they<br />
would rather not be at.<br />
That said, I do like to try and stay away from that<br />
sometimes as it can become quite toxic and destructive.<br />
The whole aspect of today’s concept on words I<br />
paint stems from my incarceration in prison in the UK in<br />
2012. I was sentenced to 19 months in prison of which I<br />
spent a third of that time behind bars. It was during that<br />
time that I managed to read and learn a lot about<br />
freedom and decided to redirect some of my interests<br />
into wanting to convey a message that went beyond<br />
writing for a graffiti scene.<br />
MC<br />
During your experiences and the capturing of the<br />
photos in your projects like the “Artists in violent<br />
contexts” button on your website, was meeting up with<br />
other writers the same as connecting in any other<br />
country? Or is there a whole different procedure when<br />
in a violent city?<br />
I was sentenced to 19 months in<br />
prison of which I spent a third of<br />
that time behind bars.<br />
PA<br />
It was just like meeting graffiti writers that I would have<br />
the opportunity to meet in less violent countries. In fact,<br />
graffiti was the opening door. Had I introduced myself<br />
as a journalist or a photographer, I reckon I would not<br />
have been able to approach the people in the same way.<br />
As a matter of fact, I was recently in Iraq to expand on<br />
this particular project you refer to and wanted to<br />
interview urban artists. Introducing myself as a graffiti<br />
writer as opposed to a documentary photographer<br />
helped with the access and trust 100 percent, I think.<br />
68 Artist in focus/Interview Pablo Allison