09.08.2023 Views

Montana LOOKBOOK #08 / 2023

MontanaCans LOOKBOOK 2023 Issue #8 It's that time again to welcome the release of the Montana Cans Lookbook 2023 edition #8. There is no rewind button on life, making it all the more important to reflect on the year that was, and the things that happened during that period. The Montana-Cans Lookbook does just that and reflects on some of the highlights from the year prior. A moment to reflect on those things that may not have received as much shine as they deserved while being "in the moment". www.montana-cans.blog

MontanaCans LOOKBOOK 2023 Issue #8

It's that time again to welcome the release of the Montana Cans Lookbook 2023 edition #8. There is no rewind button on life, making it all the more important to reflect on the year that was, and the things that happened during that period. The Montana-Cans Lookbook does just that and reflects on some of the highlights from the year prior. A moment to reflect on those things that may not have received as much shine as they deserved while being "in the moment".

www.montana-cans.blog

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↑ “COMPASION”. Reminding<br />

us to be<br />

compassionate.<br />

↓ A postcard for<br />

home. For most, an<br />

image of a place they<br />

would rather not be at.<br />

That said, I do like to try and stay away from that<br />

sometimes as it can become quite toxic and destructive.<br />

The whole aspect of today’s concept on words I<br />

paint stems from my incarceration in prison in the UK in<br />

2012. I was sentenced to 19 months in prison of which I<br />

spent a third of that time behind bars. It was during that<br />

time that I managed to read and learn a lot about<br />

freedom and decided to redirect some of my interests<br />

into wanting to convey a message that went beyond<br />

writing for a graffiti scene.<br />

MC<br />

During your experiences and the capturing of the<br />

photos in your projects like the “Artists in violent<br />

contexts” button on your website, was meeting up with<br />

other writers the same as connecting in any other<br />

country? Or is there a whole different procedure when<br />

in a violent city?<br />

I was sentenced to 19 months in<br />

prison of which I spent a third of<br />

that time behind bars.<br />

PA<br />

It was just like meeting graffiti writers that I would have<br />

the opportunity to meet in less violent countries. In fact,<br />

graffiti was the opening door. Had I introduced myself<br />

as a journalist or a photographer, I reckon I would not<br />

have been able to approach the people in the same way.<br />

As a matter of fact, I was recently in Iraq to expand on<br />

this particular project you refer to and wanted to<br />

interview urban artists. Introducing myself as a graffiti<br />

writer as opposed to a documentary photographer<br />

helped with the access and trust 100 percent, I think.<br />

68 Artist in focus/Interview Pablo Allison

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