09.08.2023 Views

Montana LOOKBOOK #08 / 2023

MontanaCans LOOKBOOK 2023 Issue #8 It's that time again to welcome the release of the Montana Cans Lookbook 2023 edition #8. There is no rewind button on life, making it all the more important to reflect on the year that was, and the things that happened during that period. The Montana-Cans Lookbook does just that and reflects on some of the highlights from the year prior. A moment to reflect on those things that may not have received as much shine as they deserved while being "in the moment". www.montana-cans.blog

MontanaCans LOOKBOOK 2023 Issue #8

It's that time again to welcome the release of the Montana Cans Lookbook 2023 edition #8. There is no rewind button on life, making it all the more important to reflect on the year that was, and the things that happened during that period. The Montana-Cans Lookbook does just that and reflects on some of the highlights from the year prior. A moment to reflect on those things that may not have received as much shine as they deserved while being "in the moment".

www.montana-cans.blog

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In a world being separated ever more every day by the<br />

notion of the haves and the have not’s, artists like Pablo<br />

Allison play a strong role in the shaping of social<br />

opinions regarding the topic of migration. With one<br />

The reaction from a non-graffiti<br />

audience has gone beyond my<br />

expectations. People are more<br />

aware of graffiti as an agent for<br />

change. The general public has<br />

slightly shifted its perception on<br />

this art form, whether that be a<br />

good or a bad thing I don’t know.<br />

hand on the nozzle of a spray can and the other on the<br />

trigger of his camera, Allison’s work is bound to have<br />

more social relevance as the knowledge of its existence<br />

grows. We look forward to seeing which countries it<br />

takes him to next and pray that he always manages to<br />

return home safely.<br />

↓ Man and nature. In<br />

Mexico the two merge<br />

in a unique way in<br />

the absence of abundance.<br />

↗ “DEMOCRACY”. Depicted<br />

in a light here<br />

that is probably closest<br />

to its actual<br />

state of reality.<br />

→ Allison showing he<br />

definitely comes from<br />

a graffiti background<br />

where hand style still<br />

has its place.<br />

Artist in focus/Interview Pablo Allison<br />

75

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