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1/19: Around The Avenues And Alleyways Of Cape May The Riddles family — Zion, Judah, Angel and Andrew — with the first snowman of the season in Cape May. PHOTOGRAPH BY ROVING CORRESPONDENT Page 36 EXIT ZERO February 8, 2024
Welcome back to a new year of movie columns, and how cliche is this: “I don’t know where to begin!” Oscar nominations? Golden Globes? Emmy? Who are we kidding? You know I’m going to start with Oscar. Some favorites have representation this year. How about yours? Godzilla Minus One (reviewed last year here) at least got a visual effects nomination. It’s up against Mission Impossible 7. Tough one to call. Damn, the MI7 train scene alone… And there were snubs. As predicted here last year, Viola Davis was snubbed despite outstanding work in Air (about Nike pursuing Michael Jordan to start his legendary sneaker line). The entire movie was snubbed. Not one nomination. Greta Gerwig should’ve been nominated for Barbie as director. Snub. The blockbuster got other nominations. Oppenheimer led the pack with the most. Email me about it? I’d like to hear your impressions at flixyoumissed@gmail.com. Let’s look at a quirky film from a favorite The Movie Column By arts columnist Tom Sims Alexander Payne that was beautifully done and nominated for best picture. The Holdovers is set in a boy’s boarding school in the year 1970. The plot revolves around a grumpy teacher, played by Paul Giamatti, and a troubled student, played by newcomer Dominic Sessa. The student is forced to stay on campus during the Christmas break, and Giamatti must watch him. Da’Vine Joy Randolph plays the school’s cook, who also stays on campus. After a sluggish start, this movie really develops into a wonderful character study and in-depth analysis of the human condition. It takes on a lot of important topics but in a way that’s not stodgy or forced. The storytelling is compelling but tender. The movie earned five well-deserved Oscar nominations, including Best Picture. Giamatti is up for Best Actor and Randolph for Best Supporting Actress. It’s also up for original screenplay and film editing. This is a movie that you can really feel. It certainly puts enough emotion into the narrative. It’s a movie that does what a movie is supposed to do — present images and sound that tells the story without having to beat you over the head. Brilliant. So let’s cover some more bases. Golden Globes were OK... I didn’t watch them. I still don’t get them! And what about the Weird Al Yankovic movie getting some Primetime Emmys? That’s all I got for ‘round the horn. Kind of light. What can I say? Oscar dominates. Any favorites? Email to let me know. February 8, 2024 EXIT ZERO Page 37
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