ALIEN INTERVIEW - THE NEW EARTH - Earth Changes and The ...
ALIEN INTERVIEW - THE NEW EARTH - Earth Changes and The ...
ALIEN INTERVIEW - THE NEW EARTH - Earth Changes and The ...
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during these experiments led directly to his widespread promotion of the drug <strong>and</strong> the<br />
subsequent development of hippie culture."<br />
Reference: Wikipedia.org<br />
83 ..."Dark Ages"...<br />
"It is generally accepted that the concept (Dark Ages)was created by Petrarch in the 1330s.<br />
Writing of those who had come before him, he said, "Amidst the errors there shone forth<br />
men of genius, no less keen were their eyes, although they were surrounded by darkness<br />
<strong>and</strong> dense gloom." Christian writers had traditional metaphors of "light versus darkness" to<br />
describe "good versus evil". Petrarch was the first to co-opt the metaphor <strong>and</strong> give it secular<br />
meaning by reversing its application. Classical Antiquity, so long considered the "dark" age<br />
for its lack of Christianity, was now seen by Petrarch as the age of "light" because of its<br />
cultural achievements, while Petrarch's time, lacking such cultural achievements, was seen<br />
as the age of darkness.<br />
As an Italian, Petrarch saw the Roman Empire <strong>and</strong> the classical period as expressions of<br />
Italian greatness. He spent much of his time traveling through Europe rediscovering <strong>and</strong><br />
republishing the classic Latin <strong>and</strong> Greek texts. He wanted to restore the classical Latin<br />
language to its former purity. Humanists saw the preceding 900-year period as a time of<br />
stagnation. <strong>The</strong>y saw history unfolding, not along the religious outline of St. Augustine's Six<br />
Ages of the World, but in cultural (or secular) terms through the progressive developments of<br />
classical ideals, literature, <strong>and</strong> art.<br />
Petrarch wrote that history had had two periods: the classic period of the Greeks <strong>and</strong><br />
Romans, followed by a time of darkness, in which he saw himself as still living. Humanists<br />
believed one day the Roman Empire would rise again <strong>and</strong> restore classic cultural purity, <strong>and</strong><br />
so by the late 14th <strong>and</strong> early 15th century, humanists such as Leonardo Bruni believed they<br />
had attained this new age, <strong>and</strong> that a third, Modern Age had begun. <strong>The</strong> age before their<br />
own, which Petrarch had labeled dark, thus became a "middle" age between the classic <strong>and</strong><br />
the modern."<br />
Reference: Wikipedia.org<br />
84 "... the basic laws of physics..."<br />
"<strong>The</strong> early modern period is seen as a flowering of the Renaissance, in what is often known<br />
as the "Scientific Revolution", viewed as a foundation of modern science. Historians like<br />
Howard Margolis hold that the Scientific Revolution began in 1543, when Nicolaus<br />
Copernicus received the first copy of his De Revolutionibus, printed in Nuremberg<br />
(Nürnberg) by Johannes Petreius. Most of its contents had been written years prior, but the<br />
publication had been delayed. Copernicus died soon after receiving the copy.<br />
Further significant advances were made over the following century by Galileo Galilei,<br />
Christiaan Huygens, Johannes Kepler, <strong>and</strong> Blaise Pascal. During the early seventeenth<br />
century, Galileo made extensive use of experimentation to validate physical theories, which<br />
is the key idea in the modern scientific method. Galileo formulated <strong>and</strong> successfully tested<br />
several results in dynamics, in particular the Law of Inertia. In Galileo's Two New Sciences,<br />
a dialogue between the characters Simplicio <strong>and</strong> Salviati discuss the motion of a ship (as a<br />
moving frame) <strong>and</strong> how that ship's cargo is indifferent to its motion. Huygens used the<br />
motion of a boat along a Dutch canal to illustrate an early form of the conservation of<br />
momentum.<br />
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