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Research matters - Illuminating Engineering Society

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LIGHTING FOR QUALITY Is Cutoff Really In The Eye Of The Beholder?<br />

Doug Paulin, LC<br />

ONE OF THE MOST<br />

misunderstood areas of lighting<br />

performance is wrapped up in<br />

words like “cutoff,” “glare control ”<br />

and “shielding.” Nothing toasts my<br />

cookies more than someone pontificating<br />

on these subjects and<br />

demonstrating that they really don’t<br />

have a good handle on what cutoff<br />

really is, what it does or how it’s<br />

measured. I usually bite my tongue<br />

during these times, and once in a<br />

while I even learn something new<br />

by hearing a layman express his<br />

views on the subject.<br />

The laymen I refer to here are<br />

the “city fathers” who are trying to<br />

deal with their lighting issues. Often,<br />

they are speaking on full cutoff [or<br />

“FCO” as it’s known in quasi-lighting<br />

circles] and they don’t know<br />

exactly what full cutoff is, but they<br />

know what they like about it. And<br />

what they like is that it tends not to<br />

cause light trespass problems.These<br />

laymen tend to generalize full cutoff<br />

into any luminaire that acts in a similar<br />

fashion. In other words, it has its<br />

aperture parallel to the ground, and<br />

it “runs out of light” not too far<br />

away from the pole.<br />

It was interesting to me when a<br />

village planning commission chairman<br />

went on and on about how<br />

great some “lantern lights” are,<br />

which were just installed near his<br />

house. “How do you like those new<br />

full cutoff lights . . .?” he says. I knew<br />

these Colonial Lanterns (with cutoff<br />

optics in the hood) were not truly full<br />

cutoff, but since he liked them, why<br />

argue the fine points? Besides, I get<br />

enough strange looks when I talk<br />

about lighting minutia on a daily<br />

basis. But the impression this person<br />

had was a good one, and it<br />

made me think about what is really<br />

important to ordinary people:<br />

Controlling light to a given area, and<br />

not worrying about the small stuff<br />

(the light reflecting off the vertical<br />

corners of the lantern). Indeed, this<br />

Colonial Lantern was definitely not<br />

full cutoff, because there was incidental<br />

light emitted at 90 deg vertical,<br />

but it was close enough to do<br />

what the neighbors wanted.<br />

Structural Elements<br />

Play A Role<br />

Let’s take this to the next logical<br />

step. This incidental light was a<br />

product of structural elements necessary<br />

to the mechanical support of<br />

the luminaire (the vertical corners<br />

of the lantern were an integral part<br />

of the luminaire, yet caused some<br />

light to be emitted at 90 deg, thereby<br />

knocking it out of full cutoff classification.*<br />

Another logical step<br />

takes us to any post-top luminaire<br />

classified as full cutoff. What about<br />

the “yoke” or “spider” attachment<br />

that allows the luminaire to “hover”<br />

over the pole? The answer to that<br />

is the luminaire is tested without the<br />

yoke. Then how different is a “shoebox”<br />

mounted on a post-top yoke<br />

from the Colonial Lantern from the<br />

previous paragraph?<br />

From here, it’s only a short jump<br />

to poles. No, not North or South,<br />

nor natives of Poland, but the poles<br />

to which we fasten our lighting<br />

apparati. Poles reflect light and<br />

block light. Ergo, the “glint” that we<br />

get from a brushed aluminum pole,<br />

and the “pole shadow” that never<br />

shows up on iso-footcandle diagrams.<br />

Should we factor-in reflections<br />

off of poles and pole-shadows?<br />

Probably not, but as good little<br />

lighting nerds, we need to know<br />

that these things are present, and<br />

stop thinking in absolute terms.<br />

All of this builds a case for a little<br />

tolerance...for the classification<br />

called “IESNA Cutoff” which allows<br />

a small amount of light at 90 deg and<br />

above.** Yes,there is a small amount<br />

of light above 90 deg if there is light<br />

at 90 deg. Optics are just not that<br />

precise because our light sources<br />

do not come from a true, point<br />

source. All light “beams” have a<br />

thickness depending on the orientation<br />

of the arc-tube. But this little<br />

bit of “fuzz” above horizontal can do<br />

some good things in certain environments.<br />

In a commercial/ retail<br />

area where the buildings are taller<br />

than the luminaires, those buildings<br />

get some light on them and don’t<br />

form a “cave” of light and darkness.<br />

Semi-Tough<br />

Lastly, let’s dissect semi-cutoff<br />

luminaires briefly. There are some<br />

semi-cutoff luminaires that look like<br />

they should be full cutoff but aren’t.<br />

Luminaires that have flat-glass lenses<br />

(parallel to the ground) and are<br />

classified as semi-cutoff tell you that<br />

they failed the full cutoff “test” at<br />

80 deg vertical. They emit more<br />

than 10 candelas per 1000 lamp<br />

lumens at this angle. If they have<br />

the “magical” flat glass lens, they<br />

probably don’t miss it by much, and<br />

they might miss it in only one direction.<br />

I know of at least one “forward<br />

throw” luminaire that only<br />

misses the criteria in one direction<br />

. . . “forward.” Duh. Is this bad? It<br />

depends on the application, and the<br />

. . . . . . . . . . . . . . . . . . . . . . June . . 2004 . . . LD+A . . . . 22. . www.iesna.org<br />

. . . . . . . . . . . . . . . . . . . . . . . . . . . .

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