Research matters - Illuminating Engineering Society
Research matters - Illuminating Engineering Society
Research matters - Illuminating Engineering Society
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LIGHTING FOR QUALITY Is Cutoff Really In The Eye Of The Beholder?<br />
Doug Paulin, LC<br />
ONE OF THE MOST<br />
misunderstood areas of lighting<br />
performance is wrapped up in<br />
words like “cutoff,” “glare control ”<br />
and “shielding.” Nothing toasts my<br />
cookies more than someone pontificating<br />
on these subjects and<br />
demonstrating that they really don’t<br />
have a good handle on what cutoff<br />
really is, what it does or how it’s<br />
measured. I usually bite my tongue<br />
during these times, and once in a<br />
while I even learn something new<br />
by hearing a layman express his<br />
views on the subject.<br />
The laymen I refer to here are<br />
the “city fathers” who are trying to<br />
deal with their lighting issues. Often,<br />
they are speaking on full cutoff [or<br />
“FCO” as it’s known in quasi-lighting<br />
circles] and they don’t know<br />
exactly what full cutoff is, but they<br />
know what they like about it. And<br />
what they like is that it tends not to<br />
cause light trespass problems.These<br />
laymen tend to generalize full cutoff<br />
into any luminaire that acts in a similar<br />
fashion. In other words, it has its<br />
aperture parallel to the ground, and<br />
it “runs out of light” not too far<br />
away from the pole.<br />
It was interesting to me when a<br />
village planning commission chairman<br />
went on and on about how<br />
great some “lantern lights” are,<br />
which were just installed near his<br />
house. “How do you like those new<br />
full cutoff lights . . .?” he says. I knew<br />
these Colonial Lanterns (with cutoff<br />
optics in the hood) were not truly full<br />
cutoff, but since he liked them, why<br />
argue the fine points? Besides, I get<br />
enough strange looks when I talk<br />
about lighting minutia on a daily<br />
basis. But the impression this person<br />
had was a good one, and it<br />
made me think about what is really<br />
important to ordinary people:<br />
Controlling light to a given area, and<br />
not worrying about the small stuff<br />
(the light reflecting off the vertical<br />
corners of the lantern). Indeed, this<br />
Colonial Lantern was definitely not<br />
full cutoff, because there was incidental<br />
light emitted at 90 deg vertical,<br />
but it was close enough to do<br />
what the neighbors wanted.<br />
Structural Elements<br />
Play A Role<br />
Let’s take this to the next logical<br />
step. This incidental light was a<br />
product of structural elements necessary<br />
to the mechanical support of<br />
the luminaire (the vertical corners<br />
of the lantern were an integral part<br />
of the luminaire, yet caused some<br />
light to be emitted at 90 deg, thereby<br />
knocking it out of full cutoff classification.*<br />
Another logical step<br />
takes us to any post-top luminaire<br />
classified as full cutoff. What about<br />
the “yoke” or “spider” attachment<br />
that allows the luminaire to “hover”<br />
over the pole? The answer to that<br />
is the luminaire is tested without the<br />
yoke. Then how different is a “shoebox”<br />
mounted on a post-top yoke<br />
from the Colonial Lantern from the<br />
previous paragraph?<br />
From here, it’s only a short jump<br />
to poles. No, not North or South,<br />
nor natives of Poland, but the poles<br />
to which we fasten our lighting<br />
apparati. Poles reflect light and<br />
block light. Ergo, the “glint” that we<br />
get from a brushed aluminum pole,<br />
and the “pole shadow” that never<br />
shows up on iso-footcandle diagrams.<br />
Should we factor-in reflections<br />
off of poles and pole-shadows?<br />
Probably not, but as good little<br />
lighting nerds, we need to know<br />
that these things are present, and<br />
stop thinking in absolute terms.<br />
All of this builds a case for a little<br />
tolerance...for the classification<br />
called “IESNA Cutoff” which allows<br />
a small amount of light at 90 deg and<br />
above.** Yes,there is a small amount<br />
of light above 90 deg if there is light<br />
at 90 deg. Optics are just not that<br />
precise because our light sources<br />
do not come from a true, point<br />
source. All light “beams” have a<br />
thickness depending on the orientation<br />
of the arc-tube. But this little<br />
bit of “fuzz” above horizontal can do<br />
some good things in certain environments.<br />
In a commercial/ retail<br />
area where the buildings are taller<br />
than the luminaires, those buildings<br />
get some light on them and don’t<br />
form a “cave” of light and darkness.<br />
Semi-Tough<br />
Lastly, let’s dissect semi-cutoff<br />
luminaires briefly. There are some<br />
semi-cutoff luminaires that look like<br />
they should be full cutoff but aren’t.<br />
Luminaires that have flat-glass lenses<br />
(parallel to the ground) and are<br />
classified as semi-cutoff tell you that<br />
they failed the full cutoff “test” at<br />
80 deg vertical. They emit more<br />
than 10 candelas per 1000 lamp<br />
lumens at this angle. If they have<br />
the “magical” flat glass lens, they<br />
probably don’t miss it by much, and<br />
they might miss it in only one direction.<br />
I know of at least one “forward<br />
throw” luminaire that only<br />
misses the criteria in one direction<br />
. . . “forward.” Duh. Is this bad? It<br />
depends on the application, and the<br />
. . . . . . . . . . . . . . . . . . . . . . June . . 2004 . . . LD+A . . . . 22. . www.iesna.org<br />
. . . . . . . . . . . . . . . . . . . . . . . . . . . .