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Télécharger le pdf de la publication - Reynald Drouhin

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...................<br />

ALTERACTION<br />

Un site expérimental, composé <strong>de</strong> 12 propositions<br />

p<strong>la</strong>stiques. Les propositions que l’on y trouve s’articu<strong>le</strong>nt<br />

autour du sujet <strong>de</strong> l’i<strong>de</strong>ntité-altérité ; <strong>de</strong> ces 2<br />

notions décou<strong>le</strong>nt d’autres concepts hybri<strong>de</strong>s comme<br />

«alteractivité, altération, altercation, autre moi, alter<br />

ego, aliénation, intérité, interactivité, etc... »<br />

An experimental site, consisting of 12 p<strong>la</strong>stic proposals.<br />

These proposals are articu<strong>la</strong>ted around the subjects of<br />

i<strong>de</strong>ntity and otherness; from these 2 notions arise other<br />

hybrid concepts such as “alteractivity, <strong>de</strong>terioration,<br />

dispute, other me, alter ego, alienation, interity, interactivity,<br />

etc…”<br />

...................<br />

METAORIGINES<br />

1996-1998<br />

1999<br />

1999-2000<br />

..................................................................................................................................................................................................................................................<br />

http://www.ensba.fr/alteraction/ http://inci<strong>de</strong>nt.net/works/metaorigine/<br />

Une communication entre l’artiste et <strong>le</strong> spectateur.<br />

Les internautes sont invités à réaliser <strong>le</strong>ur propre<br />

interprétation <strong>de</strong> <strong>la</strong> photographie proposée en première<br />

page du site. <strong>Reynald</strong> <strong>Drouhin</strong> est l’organisateur,<br />

<strong>le</strong> réceptionneur et parfois l’acteur <strong>de</strong>s<br />

propositions p<strong>la</strong>stiques archivées sur <strong>le</strong> site.<br />

An exchange/communication between the viewer and<br />

the artist. <strong>Reynald</strong> <strong>Drouhin</strong> conceived and organized<br />

this initiative by inviting web visitors to respond to a<br />

photographic image posted on the project's home page.<br />

The artist also took part in this process.<br />

...................<br />

RHIZOMES<br />

http://rhizomes.cicv.fr<br />

http://www.ensba.fr/rhizomes/<br />

..................................................................................................................................................................................................................................................<br />

Une oeuvre col<strong>le</strong>ctive et éphémère sur internet...<br />

«Un rhizome ne commence et n’aboutit pas, il est<br />

toujours au milieu, entre <strong>le</strong>s choses, inter-être, intermezzo.<br />

L’arbre est filiation, mais <strong>le</strong> rhizome est alliance,<br />

uniquement d’alliance. L’arbre impose <strong>le</strong> verbre<br />

“être”, mais <strong>le</strong> rhizome a pour tissu <strong>la</strong> conjonction<br />

“et... et... et...”.» Gil<strong>le</strong>s De<strong>le</strong>uze & Félix Guattari,<br />

Rhizome in Mil<strong>le</strong> p<strong>la</strong>teaux.<br />

A col<strong>le</strong>ctive and ephemeral work on Internet…<br />

"A rhizome does not begin or end, it is always in the<br />

midd<strong>le</strong>, between things, interbeing, intermezzo. The<br />

tree is lineage, but rhizome is alliance, only alliance.<br />

The tree imposes the verb ‘to be,’ but the rhizome’s<br />

fabric is the conjunction ‘and... and... and...’.”<br />

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