Concerti Ecclesiastici

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124 41 46 - dent Ar-chan-ge - Gau - - - - - - - Gau - - - - - - - - li. Gau - - - - - - - - ten - - - - tur Ar - can - - - - - - - - dent An - ge - dent An - ge - dent An - ge - et lae - ge - li, et lae - li li li. Et lae - ten - - - ten - - - © 2004 Andrea Friggi Urtext Non-commercial copying welcome
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GIOVANNI PAOLO CIMA Concerti Eccles
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Prefazione Quando Ludovico Viadana
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col passato, mostrando in più punt
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Lo scopo di queste due tipologie 19
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Preface When Ludovico Viadana print
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The motets are the most innovative
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The aim of these two notations 41 w
Page 17:
TO THE MOST EMINENT SIR AND MY HONO
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2 21 26 30 qui - [ ]
Page 22 and 23:
4 4 Canto 8 a du
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6 4 Canto 8 12 16
Page 26 and 27:
8 4 Canto 8 12
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10 4 8 Alto ve -
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12 4 8 12 Alto
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14 Canto 5 Alto 10 oom-nis
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16 30 35 me - ae 39
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18 12 immacu-la - ta me
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20 Canto Tenore 4 7
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22 23 27 31 34
Page 42 and 43:
24 12 16 20 23
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26 Canto Canto II over Tenore 4
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28 32 37 41 45
Page 48 and 49:
30 12 16 20 25
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32 Basso I Basso II 4 8
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34 27 31 34 38
Page 54 and 55:
36 17 21 26 31
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38 Canto Basso 5 10
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40 Canto Basso 5 vi - am, O
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42 Canto Basso 4 8 12
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44 Canto Basso 4 8
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Page 66 and 67:
48 33 i et de-lec -
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50 15 19 23 27 no e
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Page 72 and 73:
54 34 38 43 san
Page 74 and 75:
56 13 19 23 vir qui
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58 5 9 Canto Tenore Basso
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60 26 30 35
Page 80 and 81:
62 Canto I Cantus II 4 Tenore
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64 22 25 29
Page 84 and 85:
66 10 14 fu - - - m
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68 5 9 Canto Alto Basso
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70 25 29 34 gnan -
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72 12 16 dum as-sump-
Page 92 and 93: 74 32 strum et gau-de
Page 94 and 95: 76 15 o-cu-lo- rum t
Page 96 and 97: 78 5 Canto Alto Tenore 10
Page 98 and 99: 80 29 ius, ius:
Page 100 and 101: 82 13 sti Cre - a - to
Page 102 and 103: 84 37 le - lu -
Page 104 and 105: 86 14 19 23 lau -
Page 106 and 107: 88 42 47 51
Page 108 and 109: 90 14 18 22
Page 110 and 111: 92 38 - - - a
Page 112 and 113: 94 5 Canto Alto Tenore Basso
Page 114 and 115: 96 26 sit et sit sit
Page 116 and 117: 98 6 Canto Alto Tenore 12
Page 118 and 119: 100 35 40 45 mun -
Page 120 and 121: 102 13 17 21 can
Page 122 and 123: 104 39 44 -le - lu-ia,
Page 124 and 125: 106 12 17 21
Page 126 and 127: 108 39 44 4
Page 128 and 129: 110 12 17 21
Page 130 and 131: 112 39 43 47
Page 132 and 133: 114 13 in to - to
Page 134 and 135: 116 40 44 48
Page 136 and 137: 118 13 17 te
Page 138 and 139: 120 40. Assumpta est Maria à 8, à
Page 140 and 141: 122 20 Coe - lum, 25
Page 144 and 145: 126 61 li. Al
Page 146 and 147: 128 6 Canto Alto Tenore Basso
Page 148 and 149: 130 11 - mus te, gra -
Page 150 and 151: 132 41 de - pre-ca - ti -
Page 152 and 153: 134 Pa - 7 13
Page 154 and 155: 136 36 41 46
Page 156 and 157: 138 68 73 - sus est,
Page 158 and 159: 140 97 103 tre fi - li -
Page 160 and 161: 142 6 San - - - - -
Page 162 and 163: 144 11 ni. ni - - - - -
Page 164 and 165: 146 5 10 Canto Alto Tenor
Page 166 and 167: 148 31 36 se - ri - cor -
Page 168 and 169: 150 64 69 75 sra -
Page 170 and 171: 152 5 10 Canto
Page 172 and 173: 154 30 36 41
Page 174 and 175: 156 64 69 75
Page 176 and 177: 158 4 Canto Quinto Alto Tenore Bass
Page 178 and 179: 160 19 ra - ti - o - -
Page 180 and 181: 162 43 47 5
Page 182 and 183: 164 11 - nis au - re -
Page 184 and 185: 166 5
Page 186 and 187: 168 43 48
Page 188 and 189: 170 18 22 26
Page 190 and 191: 172 51 55 58
Page 192 and 193:
174 18 21 26 30
Page 194 and 195:
176 56 60 67 73
Page 196 and 197:
178 13 19
Page 198 and 199:
180 44 5
Page 200 and 201:
182 12 16
Page 202 and 203:
184 34 42
Page 204 and 205:
186 71 76
Page 206 and 207:
188 12 16
Page 208 and 209:
190 34
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192 .S.
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THE AUTHOR TO THE READERS Dear Sirs
Page 215 and 216:
T A V O L A D E L L I C O N C E R T
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1. Source: Critical Notes Concerti
Page 219 and 220:
. 18, n. 1 P b : sharp before c and
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. 25, n. 5 ff. P c1 : a, g, f, e (d
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20. Quam pulchrae sunt. Canto & Bas
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30. Beata es Virgo Maria. Doi Sopra
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. 70 P a : half, half, dotted half.
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