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GIOVANNI PAOLO CIMA Concerti Eccles
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Prefazione Quando Ludovico Viadana
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col passato, mostrando in più punt
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Lo scopo di queste due tipologie 19
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Preface When Ludovico Viadana print
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The motets are the most innovative
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The aim of these two notations 41 w
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TO THE MOST EMINENT SIR AND MY HONO
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2 21 26 30 qui - [ ]
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4 4 Canto 8 a du
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6 4 Canto 8 12 16
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8 4 Canto 8 12
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110 12 17 21
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112 39 43 47
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114 13 in to - to
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116 40 44 48
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118 13 17 te
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120 40. Assumpta est Maria à 8, à
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122 20 Coe - lum, 25
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124 41 46
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126 61 li. Al
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128 6 Canto Alto Tenore Basso
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130 11 - mus te, gra -
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132 41 de - pre-ca - ti -
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134 Pa - 7 13
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136 36 41 46
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138 68 73 - sus est,
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140 97 103 tre fi - li -
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142 6 San - - - - -
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144 11 ni. ni - - - - -
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146 5 10 Canto Alto Tenor
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148 31 36 se - ri - cor -
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150 64 69 75 sra -
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152 5 10 Canto
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154 30 36 41
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156 64 69 75
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158 4 Canto Quinto Alto Tenore Bass
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160 19 ra - ti - o - -
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162 43 47 5
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164 11 - nis au - re -
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166 5
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168 43 48
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170 18 22 26
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172 51 55 58
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174 18 21 26 30
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176 56 60 67 73
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178 13 19
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182 12 16
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186 71 76
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190 34
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192 .S.
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THE AUTHOR TO THE READERS Dear Sirs
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T A V O L A D E L L I C O N C E R T
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1. Source: Critical Notes Concerti
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. 18, n. 1 P b : sharp before c and
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. 25, n. 5 ff. P c1 : a, g, f, e (d
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20. Quam pulchrae sunt. Canto & Bas
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30. Beata es Virgo Maria. Doi Sopra
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. 70 P a : half, half, dotted half.