Concerti Ecclesiastici
Concerti Ecclesiastici
Concerti Ecclesiastici
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208<br />
38. Confitebor. Canto, Alto, Tenore e Basso.<br />
(P= two staves; upper part and continuo)<br />
———<br />
39. Gaudeamus omnes in Domino. Canto, Alto, Tenore e Basso.<br />
(P= four staves; C, A, T, B)<br />
b. 25, n. 1 P b : missing flat<br />
40. Assumpta est Maria. A 8, à doi chori.<br />
(P= two staves; upper part and continuo)<br />
———<br />
41. Missa. Canto, Alto, Tenore e Basso.<br />
(P= four staves; C, A, T, B)<br />
Without number in all part-books.<br />
In all part books lyrics are “Kyrie eleyson; Christe eleyson”. It’s not clear if “ei” in<br />
“Christe eleison” should be considered as two different syllables (according to<br />
general use) or as one diphthong (cf. b. 17 in B where “ei” is clearly a diphthong).<br />
Kyrie<br />
b. 20 P b : f; B: d<br />
Gloria<br />
b. 17-18 P a : missing sharp before both f<br />
b. 49 P a : missing sharp before g<br />
Credo<br />
b. 73, n. 1 P t : missing sharp before c<br />
42. Magnificat Quinti Toni. Canto, Alto, Tenore e Basso.<br />
(P= four staves; C, A, T, B)<br />
Without number in all part-books.<br />
b. 56 P a : a, b (crochets); A: b (half)<br />
43. Magnificat Sesti Toni. Canto, Alto, Tenore e Basso<br />
(P= four staves; C, A, T, B)<br />
Without number in all part-books.<br />
In P this piece is placed after nn. 43 and 44.<br />
b. 57, n. 2-3 P c : dotted quarter, crochet; C: dotted half, quarter