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Concerti Ecclesiastici

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208<br />

38. Confitebor. Canto, Alto, Tenore e Basso.<br />

(P= two staves; upper part and continuo)<br />

———<br />

39. Gaudeamus omnes in Domino. Canto, Alto, Tenore e Basso.<br />

(P= four staves; C, A, T, B)<br />

b. 25, n. 1 P b : missing flat<br />

40. Assumpta est Maria. A 8, à doi chori.<br />

(P= two staves; upper part and continuo)<br />

———<br />

41. Missa. Canto, Alto, Tenore e Basso.<br />

(P= four staves; C, A, T, B)<br />

Without number in all part-books.<br />

In all part books lyrics are “Kyrie eleyson; Christe eleyson”. It’s not clear if “ei” in<br />

“Christe eleison” should be considered as two different syllables (according to<br />

general use) or as one diphthong (cf. b. 17 in B where “ei” is clearly a diphthong).<br />

Kyrie<br />

b. 20 P b : f; B: d<br />

Gloria<br />

b. 17-18 P a : missing sharp before both f<br />

b. 49 P a : missing sharp before g<br />

Credo<br />

b. 73, n. 1 P t : missing sharp before c<br />

42. Magnificat Quinti Toni. Canto, Alto, Tenore e Basso.<br />

(P= four staves; C, A, T, B)<br />

Without number in all part-books.<br />

b. 56 P a : a, b (crochets); A: b (half)<br />

43. Magnificat Sesti Toni. Canto, Alto, Tenore e Basso<br />

(P= four staves; C, A, T, B)<br />

Without number in all part-books.<br />

In P this piece is placed after nn. 43 and 44.<br />

b. 57, n. 2-3 P c : dotted quarter, crochet; C: dotted half, quarter

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