Concerti Ecclesiastici

20. Quam pulchrae sunt. Canto & Basso.
by Giovanni Andrea Cima
(P= two staves; C and continuo)
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21. Cor mundum. Canto & Basso.
(P= two staves; C and continuo)
b. 2, n 1 f P c : a, b (dotted quarter, crochet)
b. 3, n. 5 ff P c : f, e, d (dotted quarter, crochet, half note)
b. 4, n. 1 ff P c : c, f, e (quarter, half, quarter)
b. 8, n. 5 f P c : a, g (dotted quarter, crochet)
b. 9, n. 1-2 P c : f, e (dotted quarter, crochet)
b. 10, n. 5 f P c : b, a (half notes)
b. 13, n. 1 P c : b (quarter note)
b. 19, n. 3 ff P c : d, e, f, g (dotted quarter, crochet, two half notes)
b. 21, n. 5 ff P c : g, a (dotted quarter, crochet)
b. 22, n. 1 P c : e (half note)
b. 23, n. 3 ff P c : g, a, b, a, b (dott. quarter, crochet, half, dott. quarter, crochet)
b. 24 P c : c, c, g, g (half, dotted half, quarter, half)
b. 27, n. 4 P c : c (half note)
b. 31, n. 3 P c : b (half note)
b. 32, n. 1 P c : c (half note)
b. 38, n. 4 ff. P c : g, e (half notes)
b. 39 P c : d, c (2 whole notes)
b. 45, n. 7 P c : b natural (half); C: b (flat?) a (crochets)
b. 46 P c : c, b, c (whole, half, whole)
b. 51 P c : g (half note)
22. Gustate et videte. Doi Canti e Basso.
(P= three staves; C1, C2 and continuo)
C1 is printed in C part book with the indication “Canto over Tenor”; C2 is printed in
Tenor part-book and is labelled “Canto”. Most probably in composer’s intentions, if
C1 is sung by a tenor, also C2 should be sung by a man.
b. 25, n. 4 P b : missing tie
23. Ardens est. Canto, Tenore e Basso.
(P= three staves; C1, C2 and B)
When T do not sing, in continuo staff Tenor line has been added. On continuo cfr.
also n. 9.
b. 11, n. 4 T: orig. half note, corrected according to P t and other parts’ rhythm
b. 21, n. 1 P c2 : missing flat
b. 22, n. 3 T: missing flat
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