- Page 1 and 2:
GIOVANNI PAOLO CIMA Concerti Eccles
- Page 3 and 4:
Prefazione Quando Ludovico Viadana
- Page 5 and 6:
col passato, mostrando in più punt
- Page 7 and 8:
Lo scopo di queste due tipologie 19
- Page 9 and 10:
Preface When Ludovico Viadana print
- Page 11 and 12:
The motets are the most innovative
- Page 13 and 14:
The aim of these two notations 41 w
- Page 17:
TO THE MOST EMINENT SIR AND MY HONO
- Page 20 and 21:
2 21 26 30 qui - [ ]
- Page 22 and 23:
4 4 Canto 8 a du
- Page 24 and 25:
6 4 Canto 8 12 16
- Page 26 and 27:
8 4 Canto 8 12
- Page 28 and 29:
10 4 8 Alto ve -
- Page 30 and 31:
12 4 8 12 Alto
- Page 32 and 33:
14 Canto 5 Alto 10 oom-nis
- Page 34 and 35:
16 30 35 me - ae 39
- Page 36 and 37:
18 12 immacu-la - ta me
- Page 38 and 39:
20 Canto Tenore 4 7
- Page 40 and 41:
22 23 27 31 34
- Page 42 and 43:
24 12 16 20 23
- Page 44 and 45:
26 Canto Canto II over Tenore 4
- Page 46 and 47:
28 32 37 41 45
- Page 48 and 49:
30 12 16 20 25
- Page 50 and 51:
32 Basso I Basso II 4 8
- Page 52 and 53:
34 27 31 34 38
- Page 54 and 55:
36 17 21 26 31
- Page 56 and 57:
38 Canto Basso 5 10
- Page 58 and 59:
40 Canto Basso 5 vi - am, O
- Page 60 and 61:
42 Canto Basso 4 8 12
- Page 62 and 63:
44 Canto Basso 4 8
- Page 64 and 65:
46 Canto Basso 4 8 12
- Page 66 and 67:
48 33 i et de-lec -
- Page 68 and 69:
50 15 19 23 27 no e
- Page 70 and 71:
52 Canto Basso 4 8 12
- Page 72 and 73:
54 34 38 43 san
- Page 74 and 75:
56 13 19 23 vir qui
- Page 76 and 77:
58 5 9 Canto Tenore Basso
- Page 78 and 79:
60 26 30 35
- Page 80 and 81:
62 Canto I Cantus II 4 Tenore
- Page 82 and 83:
64 22 25 29
- Page 84 and 85:
66 10 14 fu - - - m
- Page 86 and 87:
68 5 9 Canto Alto Basso
- Page 88 and 89:
70 25 29 34 gnan -
- Page 90 and 91:
72 12 16 dum as-sump-
- Page 92 and 93:
74 32 strum et gau-de
- Page 94 and 95:
76 15 o-cu-lo- rum t
- Page 96 and 97:
78 5 Canto Alto Tenore 10
- Page 98 and 99:
80 29 ius, ius:
- Page 100 and 101:
82 13 sti Cre - a - to
- Page 102 and 103:
84 37 le - lu -
- Page 104 and 105:
86 14 19 23 lau -
- Page 106 and 107:
88 42 47 51
- Page 108 and 109:
90 14 18 22
- Page 110 and 111:
92 38 - - - a
- Page 112 and 113:
94 5 Canto Alto Tenore Basso
- Page 114 and 115:
96 26 sit et sit sit
- Page 116 and 117:
98 6 Canto Alto Tenore 12
- Page 118 and 119:
100 35 40 45 mun -
- Page 120 and 121:
102 13 17 21 can
- Page 122 and 123:
104 39 44 -le - lu-ia,
- Page 124 and 125:
106 12 17 21
- Page 126 and 127:
108 39 44 4
- Page 128 and 129:
110 12 17 21
- Page 130 and 131:
112 39 43 47
- Page 132 and 133:
114 13 in to - to
- Page 134 and 135:
116 40 44 48
- Page 136 and 137:
118 13 17 te
- Page 138 and 139:
120 40. Assumpta est Maria à 8, à
- Page 140 and 141: 122 20 Coe - lum, 25
- Page 142 and 143: 124 41 46
- Page 144 and 145: 126 61 li. Al
- Page 146 and 147: 128 6 Canto Alto Tenore Basso
- Page 148 and 149: 130 11 - mus te, gra -
- Page 150 and 151: 132 41 de - pre-ca - ti -
- Page 152 and 153: 134 Pa - 7 13
- Page 154 and 155: 136 36 41 46
- Page 156 and 157: 138 68 73 - sus est,
- Page 158 and 159: 140 97 103 tre fi - li -
- Page 160 and 161: 142 6 San - - - - -
- Page 162 and 163: 144 11 ni. ni - - - - -
- Page 164 and 165: 146 5 10 Canto Alto Tenor
- Page 166 and 167: 148 31 36 se - ri - cor -
- Page 168 and 169: 150 64 69 75 sra -
- Page 170 and 171: 152 5 10 Canto
- Page 172 and 173: 154 30 36 41
- Page 174 and 175: 156 64 69 75
- Page 176 and 177: 158 4 Canto Quinto Alto Tenore Bass
- Page 178 and 179: 160 19 ra - ti - o - -
- Page 180 and 181: 162 43 47 5
- Page 182 and 183: 164 11 - nis au - re -
- Page 184 and 185: 166 5
- Page 186 and 187: 168 43 48
- Page 188 and 189: 170 18 22 26
- Page 192 and 193: 174 18 21 26 30
- Page 194 and 195: 176 56 60 67 73
- Page 196 and 197: 178 13 19
- Page 198 and 199: 180 44 5
- Page 200 and 201: 182 12 16
- Page 202 and 203: 184 34 42
- Page 204 and 205: 186 71 76
- Page 206 and 207: 188 12 16
- Page 208 and 209: 190 34
- Page 210 and 211: 192 .S.
- Page 213 and 214: THE AUTHOR TO THE READERS Dear Sirs
- Page 215 and 216: T A V O L A D E L L I C O N C E R T
- Page 217 and 218: 1. Source: Critical Notes Concerti
- Page 219 and 220: . 18, n. 1 P b : sharp before c and
- Page 221 and 222: . 25, n. 5 ff. P c1 : a, g, f, e (d
- Page 223 and 224: 20. Quam pulchrae sunt. Canto & Bas
- Page 225 and 226: 30. Beata es Virgo Maria. Doi Sopra
- Page 227 and 228: . 70 P a : half, half, dotted half.