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IP66 - Magia Luminii

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www.magialuminii.md<br />

Ghisamestieri<br />

The story of Ghisamestieri goes back to the XIX century,<br />

coinciding with the story of public lighting and the beginning of<br />

industrial production on the Italian territory. Though its trademark<br />

is recent, the heritage of such a glorious past has been handed<br />

down to clever men, technicians and managers, together with the<br />

know-how they have acquired. They are nowadays Ghisamestieri’s<br />

pulsing heart and boast. Ghisamestieri was founded and is wellknown<br />

with foundries in Italy and abroad for the manufacture<br />

of artistic lighting systems. Now, thanks to the farsightedness of<br />

its founder, Leardo Ravaioli, Ghisamestieri can show, beside its<br />

prestigious historical castings, a series of contemporary products<br />

characterized by careful design and great functionality.<br />

Among the “heavy industries” in the Nineteenth century, Forlì<br />

numbered only the “Società anonima per il gas e fonderia di<br />

ferro” (Gas and Iron Foundry Joint-stock Company), established in<br />

1863. It was founded as a private enterprise, by Ulisse Fioruzzi and<br />

partners. This factory began since 1864 producing also low-grade<br />

anthracite gas, used to light the city, thanks to a contract with the<br />

City Council of Forlì. In 1865 the Company counted already 40<br />

employees. The business, only two years after its foundation, was<br />

taken over by the Cassa dei Risparmi di Forlì (Forlì Savings Bank).<br />

The turning point for the managerial equilibrium occurred when<br />

the executive management passed since 1878 to Enrico Forlanini:<br />

he was an aeronautical engineer and well-known airship builder<br />

from Milan, who conceived the first steam-engine helicopter. The<br />

enterprise, a serious and efficient competitor among the most<br />

important industrial plants in our Country, achieved success under<br />

his management also at a national level, obtaining considerable<br />

orders. In 1888 the workshop was able to feed 371 public lighting<br />

burners, employing 10 ignition men and 5 workers. The employees<br />

rose to about 150 in 1894. This is the period when an operative<br />

sector of carpenters, patternmakers, carvers, draftsmen, designers<br />

and decorators arose in the “Società Anonima Officine di Forlì”<br />

(Forlì Workshops, Joint-Stock Co.), busy designing and realizing<br />

artistic street lamps intended to light so many towns in Italy. In<br />

1895 the enterprise was bought by Enrico Forlanini, manager in the<br />

business. In mid-20’s the factory owned a global area of 30,000sq.<br />

m., assuring work for over 300 workmen. The following years were<br />

characterized by the first difficulties and the enterprise began<br />

feeling the effects of great shortage of ferrous materials that were<br />

reserved for civil utilizations. The factory owners declared the<br />

Company’s actual closing down and contemporaneous setting up<br />

of the “Società Anonima Officine di Forlì” in 1942.<br />

The plant was then acquired by E.Bartoletti S.p.A. in 1958.<br />

In 1987 E.Bartoletti S.p.A. hived off the branch of business<br />

“Fonderia e Modelleria” (Foundry and Patterns) and established,<br />

together with “Fondart s.r.l.” from Bertinoro, a new Company<br />

named “Fonderie di Forlì” (Forlì Foundries Co.) having its head<br />

office inside the premises of former “Officine di Forlì”. The new<br />

Company’s management was entrusted to Sergio Mangano, with<br />

the cooperation of Leardo Ravaioli, trusted with the commercial<br />

direction. In this very period a heritage of drawings, dating back<br />

from the end of the Nineteenth century to the fascist period, were<br />

found in the archives of former “Officine di Forlì”. These drawings<br />

will be the reference matrix for the most important Italian firms<br />

in this field. The “Fonderie di Forlì”, with the stylistic know-how of<br />

these drawings and the acquisition of the trade mark, patterns,<br />

and dies of FOA, a company from Bologna operating since the<br />

60’s, proposed again the enterprise in the field of artistic lighting,<br />

a business sector inherited from its precursors since 1863. In<br />

1992, after the great structural crisis that fell upon casting houses,<br />

the “Fonderie di Forlì” met big problems in facing competitive<br />

markets: the business did not reach managerial equilibrium,<br />

due to the lack of support by its most representative partner,<br />

Bartoletti S.p.A. The Company was thus obliged to close down<br />

in 1993. The direction of the “Fonderie di Forlì” was handed<br />

over during the same year to Milco Piraccini, a determined<br />

young entrepreneur who started up a business and, acquiring<br />

machinery, patterns and dies, started again the designing activity<br />

and realization of lamp-posts and articles for urban decoration,<br />

formerly carried out by the Fonderie di Forlì. During the same<br />

year Mr Piraccini achieved the co-operation of three assistants<br />

who turned out to be basic for the success and growth of the<br />

business: Domenico Tarducci, a valid foundry expert, Nadia Fucci,<br />

an efficient executive, and Leardo Ravaioli, already mentioned<br />

as commercial superintendent for the Fonderie di Forlì. It was<br />

L.Ravaioli, a true business leader, who trusted this team and<br />

established a new Company in the name of Ghisamestieri.<br />

The rest is recent history and marks Ghisamestieri with a steady<br />

and dynamic growth, with achievements on the Italian and<br />

foreign markets, with structural expansion, but primarily with<br />

plans, designs, qualities that wisely make the best use of the<br />

heritage of drawings from the Officine di Forlì and at the same<br />

time worthily inherit its business mission. Today Ghisamestieri is a<br />

Company loving and enhancing the value of its past as well as the<br />

artisan tradition of its origins, looking ahead and being successful<br />

also owing to its designs and innovations.<br />

009<br />

Introduction

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