Patrick Süskinds Der Kontrabass - UWSpace - University of Waterloo
Patrick Süskinds Der Kontrabass - UWSpace - University of Waterloo
Patrick Süskinds Der Kontrabass - UWSpace - University of Waterloo
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Abstract<br />
This thesis provides a psychological insight <strong>of</strong> the protagonist in <strong>Patrick</strong> Süskind’s<br />
monodrama <strong>Der</strong> <strong>Kontrabass</strong> in order to reveal his suffering from a contemporarily increasing<br />
psychical disease. This mental illness is called “borderline personality disorder” (BPD). One<br />
theory concerning the causes <strong>of</strong> this disease locates its roots in societal changes. Therefore, the<br />
contemporary society is even labelled as “borderline-era” in Kreisman’s and Straus’ book I<br />
Hate You – Don’t Leave Me (1989). In terms <strong>of</strong> definition, I will explain the eight distinctive<br />
criteria, out oh which five have to be applicable on the respective person. This psychological<br />
work makes up one part <strong>of</strong> the theoretical basis for my interpretation and shows the up-to-<br />
datedness <strong>of</strong> the protagonist’s problems. Besides this approach, I will also refer to some <strong>of</strong><br />
Sigmund Freud’s psychoanalytical theories, because the protagonist himself utters allusions to<br />
the oedipal complex and the human drives. In this respect, I will give a short summary <strong>of</strong><br />
Freud’s descriptions <strong>of</strong> the relevant concepts. Here, the role <strong>of</strong> the instrument will be<br />
appreciated, as well, since the contrabass player refers to it as he would refer to an other human<br />
being. Thus, I will briefly point out the different ways, in which the contrabass is<br />
personificated by its owner.<br />
However, not only these aspects are interesting in order to achieve a convincing<br />
interpretation <strong>of</strong> the protagonist’s character. Therefore, the formal aspects <strong>of</strong> this play will be<br />
considered as well, since they contribute to the creation <strong>of</strong> its overall mood. This mood reflects<br />
the inner disruption <strong>of</strong> the tragicomic protagonist, since it is ambivalent as well. Concluding<br />
the interpretation, the different possibilities concerning the open ending will be discussed.<br />
Afterwards, I will give a short summary <strong>of</strong> my results and finish my thesis with suggestions for<br />
further research on Süskind’s <strong>Der</strong> <strong>Kontrabass</strong>.<br />
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