03.02.2014 Aufrufe

Werner Egk - Schott Music

Werner Egk - Schott Music

Werner Egk - Schott Music

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1926 Beginning of the year: Moved to Cavi di Lavagna (Italy)<br />

1927 End of September: Returned to Munich<br />

Worked as musical director of an orchestra at the cinema<br />

“Phöbus-Palast”<br />

1928 Moved to Berlin, looking for commissions, while his family<br />

stayed in Munich<br />

July: Worked with the puppet theatre “Marionettentheater<br />

Münchner Künstler” in summer<br />

Wrote music for the “Funkstunde” Berlin commissioned by<br />

the director Hans Flesch, later also for the Bavarian Radio,<br />

then “Deutsche Stunde in Bayern”<br />

Berlin contacts with Kurt Weill, Erich Mühsam, Jürgen Fehling,<br />

Bert Brecht, Erwin Piscator among others<br />

August: Returned to Munich-Obermenzing<br />

1931 Was awarded an honorary gift of the Münchner Volksbühne<br />

Summer: Moved from Munich-Obermenzing to Lochham,<br />

Lindenstraße 1<br />

1932 Was commissioned by the Munich Radio to write an opera for<br />

the radio; discussed the “Columbus” plan in detail with<br />

Hermann Scherchen<br />

16 December: The contract for “Quattro canzoni” marked the<br />

beginning of his collaboration with the <strong>Schott</strong> publishing<br />

house<br />

1933 Broadcast of the radio opera “Columbus” by the Bavarian<br />

Radio, Munich<br />

1934 Enforced end of his work as a free-lance with the Bavarian<br />

Radio, Munich<br />

Started to work on the opera “Die Zaubergeige”<br />

1935 World première of the opera “Die Zaubergeige” in Frankfurt<br />

on the Main on 22 May<br />

1936 11 February: Met the director of the Preußisches Staatstheater,<br />

Heinz Tietjen, for the first time<br />

9 March: Was appointed musical director at the Preußische<br />

Staatsoper Berlin<br />

Began his new job on 31 October with a new production of<br />

Verdi’s “Don Carlos”<br />

12

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