Werner Egk - Schott Music
Werner Egk - Schott Music
Werner Egk - Schott Music
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1926 Beginning of the year: Moved to Cavi di Lavagna (Italy)<br />
1927 End of September: Returned to Munich<br />
Worked as musical director of an orchestra at the cinema<br />
“Phöbus-Palast”<br />
1928 Moved to Berlin, looking for commissions, while his family<br />
stayed in Munich<br />
July: Worked with the puppet theatre “Marionettentheater<br />
Münchner Künstler” in summer<br />
Wrote music for the “Funkstunde” Berlin commissioned by<br />
the director Hans Flesch, later also for the Bavarian Radio,<br />
then “Deutsche Stunde in Bayern”<br />
Berlin contacts with Kurt Weill, Erich Mühsam, Jürgen Fehling,<br />
Bert Brecht, Erwin Piscator among others<br />
August: Returned to Munich-Obermenzing<br />
1931 Was awarded an honorary gift of the Münchner Volksbühne<br />
Summer: Moved from Munich-Obermenzing to Lochham,<br />
Lindenstraße 1<br />
1932 Was commissioned by the Munich Radio to write an opera for<br />
the radio; discussed the “Columbus” plan in detail with<br />
Hermann Scherchen<br />
16 December: The contract for “Quattro canzoni” marked the<br />
beginning of his collaboration with the <strong>Schott</strong> publishing<br />
house<br />
1933 Broadcast of the radio opera “Columbus” by the Bavarian<br />
Radio, Munich<br />
1934 Enforced end of his work as a free-lance with the Bavarian<br />
Radio, Munich<br />
Started to work on the opera “Die Zaubergeige”<br />
1935 World première of the opera “Die Zaubergeige” in Frankfurt<br />
on the Main on 22 May<br />
1936 11 February: Met the director of the Preußisches Staatstheater,<br />
Heinz Tietjen, for the first time<br />
9 March: Was appointed musical director at the Preußische<br />
Staatsoper Berlin<br />
Began his new job on 31 October with a new production of<br />
Verdi’s “Don Carlos”<br />
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