EGTA-Journal 11-2017

Andreas Stevens / Gerhard Penn
Ribouillot, Danielle Guitar Interpretation in the 20th Century- from Segovia to the New Brilliant Talents 2007
Ruck, Jürgen Caprichos Goyescos – New Compositions for the Guitar after the Etchings of Francisco Goya 2013
„Salut für Caudwell“ revisited - Helmut Lachenmann‘s masterwork at the occasion of his 80th birthday 2015
Savijoki, Jukka A Portrait of Anton Diabelli 2007
The Guitar in 19th Century Finland - Work in Progress 2011
Guitar Music for Sale in Friedrich Anton Meyer’s bookshop and a circle of Finnish Guitar amateurs in Helsinki in 2015
the 1830s
Sieberichs-Nau, Michael Urtext Editions of Guitar Music. An Overview on the Problems of Editing Guitar Music 2007
Johann Dubez – Guitar Virtuoso in the Period of Decline in Vienna 2009
Sinier de Ridder, Francoise Restauration of an Important Baroque Guitar (Venice circa 1630) 2007
& Daniel
Stampa, Harald The Different Versions of Frank Martin‘s Quatre Pieces Breves 2009
Steinkogler, Siegfried Barna Kovats and the Art of Miniature 2013
Stenstadvold, Erik Meissonnier´s Sor Editions: Problems of Dating and Authenticity 2007
Guitar Methods 1760-1860: an Historical Survey 2009
Leonhard Schulz and His Studies for Guitar 2001
Why did Sor leave London? New light on his activities in 1822-23 2015
Sor’s Appogiaturas: Long or short? 2017
Stevens, Andreas Heinrich Albert (1870-1950) and the Italian Guitar School and its Music 2007
The Munich Guitar Ensembles (Münchner Gitarren Quartett, Münchener Gitarre Kammertrio), Genesis, Literature
2009
and Activities
A Book on Romulo Ferarri 2009
The Search Has Come to an End. One of the Main Mysteries in Guitar History Solved 2011
Josephine Mertz‘ Letters to the Gitarristische Vereinigung München 2013
Anton Stingl - Guitarist and Composer from Konstanz 2015
Andrès Segovia: Basic Technical Studies - Diatonic Scales- Aspects away from the Practise Room 2017
Sugawara, Jun Fernando Sor: Lost Works and Unknown Works 2007
Takeuchi, Taro Lecture recital: Regency Plucked Instruments and their Music 2017
Tappert, Johannes Early German Guitars from Jacob Otto 2009
Timmerman, Alex The Chitarra Terzina and its Place in Music – Its origin, development, music, performers and makers 2009
Timofeyev, Oleg The Seven-string Guitar in Russia from the 19th Century to Today 2011
Russian Guitar Music of the 1930ies 2013
Torres, Rita The Technique of Guitar Multiphonics 2017
Van Amersfoort, Jelma The Guitar Songs of Pauline Duchambge (1776- 1858) 2013
Monsieur Darme, who teaches both kinds of guitars - Common ground between wire- and gut strung guit(t) 2015
tars between 1750 and 1810
Van Vliet, Ari New Shores in Coste-Research: Le Zuyderzée 2011
Guitar Music Inside-Out, Style and Reference in Romantic Compositions of Napoléon Coste‘ 2013
On the situation of artists and their position in society.’ - F. Liszt, in La Gazette musicale de Paris, vol. II, 1835. 2015
What about the guitar?
Modern Times: The shifting Style, Romanticism, Nationalism, Modernism 2017
Westbrook, James The Spanish Influence on the Guitars of the Panormo School 2007
Investigative Methods for the Study of Historical Guitars: A Case Study of the Work of Antonio de Torres 2009
Who Made the First Spanish Guitars in London? 2011
The London-made ‘melophonic’ guitar and its subsequent influence upon the American steel-string acoustic 2013
guitar
The Road to Ramirez 2017
Zeoli, Patricio
Sixth Irish Songs op. 125 Sixth Scottish Songs op. posth. by Mauro Giuliani – Neglected Jewels of the Early 19th
Century Guitar Music
2013
48 EGTA-Journal