24.03.2020 Aufrufe

Dance for You Magazine Issue 76 (2017)

Seit mehr als 15 Jahren auf dem Markt, hat sich DANCE FOR YOU MAGAZINE bei einer breiten Leserschaft etabliert. Von der Schule zum Theater – den ganzen Tanz sehen! Mit bewegenden Erfahrungsberichten, Informationen und Trends, exklusiven Interviews und Portraits, informieren internationale Korrespondenten über die neuesten Entwicklungen im künstlerischen Tanzbereich und dem Ballroom Dance.

Seit mehr als 15 Jahren auf dem Markt, hat sich DANCE FOR YOU MAGAZINE bei einer breiten
Leserschaft etabliert. Von der Schule zum Theater – den ganzen Tanz sehen! Mit bewegenden Erfahrungsberichten, Informationen und Trends, exklusiven Interviews und Portraits, informieren
internationale Korrespondenten über die neuesten Entwicklungen im künstlerischen Tanzbereich und dem Ballroom Dance.

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DANCEforYOU magazine

15

The American Dream must have seemed

a utopian dream for a boy from San

Fernando de Henares - a small town 14

kms away from Madrid - who, in the early

80s, was taking his first ballet lessons from

Víctor Ullate. However, he did not only

made his debut in VU’s ballet (1992-1995)

but took a leap to the USA, where he has

developed most of his career: Pennsylvania

Ballet (1996-1997), American Ballet

Theatre (1997-2002) and from 2003, New

York City Ballet (NYCB). Principal Dancer

in the NYCB since 2005, De Luz, was

awarded the “Oscar of ballet” (Benois de

la Danse award) in 2009, and has recently

been awarded the Spanish National Dance

Award. In this interview for DANCE FOR

YOU MAGAZINE, Joaquín de Luz reflects

on his career and recent successes.

At age 40, how do you feel at this point of

your career?

I'm at the best moment of my life and career, where I enjoy

at its fullest every moment I have onstage; I go out there

as if it was the last. And even though I have to do a lot of

extra work to keep it finely tuned, my body is responding.

There are always unachieved goals. I would have liked to

dance at Teatro Real in Madrid (Royal Theatre) and for The

Spanish Royal Family, and collaborate with Ballet Nacional

de España (Spanish National Ballet) –one of my favorite

companies in the world. But there are also things that

I hope to achieve before I retire. I'm transitioning into the

health and conditioning world. 8 years ago, I had a bad

injury in my back. Three different doctors told me I would

have to quit dancing. Through research, and developing

a program at the gym, I found a way to stay away from

surgery and to continue dancing. I have now designed

a successful strengthening/injury prevention program for

NYCB both for dancers and non dancers, which I hope to

be teaching to trainers from other companies.

What has it meant to you to be awarded the

Spanish National Dance Award?

It is a great honor. Though I have been living in America

for the past 20 years, I feel very Spanish. I carry my country

in my heart, and I am always proud to represent it.

The award is my country’s acknowledgement of my

career and I feel very proud. I come from a very humble

place. As a little boy growing up in a small town, mid class

family, if anyone had told me I would be where I am today,

I would not have believed it for a second. I have always

kept my feet on the ground, never taken things for granted.

I have earned every single thing I have been blessed

with through sweat and sacrifice. Awards do not change

any part of that: where I come from, where I am headed...

Has the award got the monkey off your back?

Yes, indeed. In these past 20 years, I have danced for two

of the most prominent companies in the world, premiered

pieces by important choreographers, been guest

for major companies and danced at really important

events… And not once has the Spanish media shown

any interest. But the problem comes from above, from

the politicians that don't foster culture. Perhaps, I should

have dated an actress or a TV celebrity to become famous,

haha. Spain could have one of the foremost dance

companies in the world. The talent is there, but has

to migrate because of lack of government backing and

infrastructure. Although I am very grateful, the award is

not going to erase all that. That doesn’t mean I feel bitter.

Perhaps not having that extra attention has made

me more humble. With the head down, one is able to

keep focused and drive forward. >>

Joaquin De Luz

in Jerome Robbins’

Andantino´

Photo by Paul Kolnik

www.danceforyou-magazine.com

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