24.03.2020 Aufrufe

Dance for You Magazine Issue 76 (2017)

Seit mehr als 15 Jahren auf dem Markt, hat sich DANCE FOR YOU MAGAZINE bei einer breiten Leserschaft etabliert. Von der Schule zum Theater – den ganzen Tanz sehen! Mit bewegenden Erfahrungsberichten, Informationen und Trends, exklusiven Interviews und Portraits, informieren internationale Korrespondenten über die neuesten Entwicklungen im künstlerischen Tanzbereich und dem Ballroom Dance.

Seit mehr als 15 Jahren auf dem Markt, hat sich DANCE FOR YOU MAGAZINE bei einer breiten
Leserschaft etabliert. Von der Schule zum Theater – den ganzen Tanz sehen! Mit bewegenden Erfahrungsberichten, Informationen und Trends, exklusiven Interviews und Portraits, informieren
internationale Korrespondenten über die neuesten Entwicklungen im künstlerischen Tanzbereich und dem Ballroom Dance.

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DANCEforYOU magazine

7

Marcin Kupinski in ´Apollo´ © Costin Radu

As

he enthusiastically sits down to answer my

questions, Marcin Kupinski reveals both a polite,

nearly shy disposition and a passionate

love for his profession.

Born and raised in Gdynia, Poland, he was 18 when he

won the Grand Prix at the Eurovision Young Dancers contest.

The following year, after finishing the ballet school, he

got the Special Jury Prize at the Varna International Ballet

Competition and flew to Copenhagen to join the world’s

third oldest ballet company – the Royal Danish Ballet.

«I am happy I’ve found my place in such a company»

Marcin tells me. «I’ve never thought about leaving

Copenhagen».

His promotion to the rank of Principal came at the end

of a performance of “A Folk Tale”, one of the best-known

ballets created by August Bournonville, the ballet master

and choreographer who founded his methodology for

the Danish ballet school. Besides Bournonville, Kupinski’s

roles have included Siegfried in “Swan Lake”, the prince in

“The Nutcracker”, Basile in “Don Quijote” and prince Désiré

in “The Sleeping Beauty” among many others.

You started studying ballet in Poland, your

home county.

I did, while I was attending the elementary school. And it

was not my idea, at the very beginning!

You didn’t want to take ballet lessons?

I just didn’t know anything about that…! But I remember

the National Ballet School in Gdansk, close to my home city,

was missing boys among the students, and they made an

audition inviting young kids that were attending the elementary

school. They checked my body skills and so on…

and offered me the opportunity to join the school. Everything

looked new to my eyes. There was not a ballet tradition

in my family.

That’s surprising, in a way, to know no one

in your family had a ballet career, as your

brother Dawid followed your footsteps and

has become a ballet dancer too. Many would

think you to come from a ballet family.

I know. But it is not like that! And I’ll tell you something

more: Dawid wasn’t happy at all me to start attending ballet

lessons. He is one year younger than me and, at the very

beginning, he thought ballet was girls’ stuff. He would have

preferred me to do karate or something similar. But then

he came to see my first school show – he liked it! He asked

our mother to attend the National Ballet School with me,

and the following year he was also admitted.

You moved to Copenhagen at nineteen, right?

Yes, that’s right. I met Frank Andersen, former director of

the Royal Danish Ballet, in Japan. I was taking part in a

competition there and he was in the jury. He proposed

me to join the company here. I had just finished the ballet

school in Poland and was about to go to Munich for a ballet

scholarship, but I preferred to come to Denmark and

join the Royal Danish Ballet. My brother Dawid came with

me to start working with the company and, during the

first season, he went back and forth between Denmark

and Poland to finish the ballet school. >>

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