ST:A:R_36
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14<br />
Buch II Nr. <strong>36</strong>/2013<br />
THE GALLERY<br />
IS AN OUTMODED CON<strong>ST</strong>RUCT,<br />
SERVING COLLECTORS AT THE CO<strong>ST</strong><br />
OF ARTI<strong>ST</strong>S. COLLECTORS ARE AN<br />
OUTMODED CON<strong>ST</strong>RUCT, VIEWING<br />
ARTI<strong>ST</strong>S THROUGH THE DIMINISHED LENS<br />
OF COMMODITY; LOBBYING TO PROTECT<br />
THE EQUITY IN THEIR PORTFOLIOS BY<br />
DISCOURAGING THE UNPREDICTABILITY<br />
OF RADICAL INNOVATION.<br />
ART’S EVOLUTION HAS <strong>ST</strong>ALLED UNDER THE WEIGHT<br />
OF THESE GLUTTONOUS MARKET PRESSURES;<br />
THE TIMELINE OF ART HI<strong>ST</strong>ORY<br />
MU<strong>ST</strong> THEREFORE BE ABANDONED<br />
IN THE NAME OF PROGRESS.<br />
THE DEFINITION OF CONCEPTUAL POETICS<br />
HAS BROADENED ENOUGH FOR ARTI<strong>ST</strong>S TO<br />
HIJACK POETRY‘S FUTURE—TO CONTINUE<br />
THEIR WORK, UNALTERED, AS POETS.<br />
THE ACT OF INFECTING POETICS RETURNS<br />
ARTI<strong>ST</strong>S TO AN EMPOWERED POSITION OF<br />
RADICAL SUBVERSION WHILE ALLOWING<br />
THEM TO SIDE<strong>ST</strong>EP THE RAMPANT<br />
PROFITEERING THAT <strong>ST</strong>RANGLES THEIR<br />
OWN CULTURE. the gallery
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