READ NOW - Jakarta Magazine
READ NOW - Jakarta Magazine
READ NOW - Jakarta Magazine
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
MOVIES<br />
TiMe crusader<br />
By: riZaL iWan<br />
KidsFest – a film festival at the end of last month, where kids got to clap<br />
and cheer with children-themed films from around the world – is just<br />
ebbing out, but the young ones who missed it don’t have to feel bad, and<br />
those who didn’t can still continue to keep that whimsical spirit alive, as<br />
Erasmus Huis is bringing us another entertaining kid flick this month.<br />
Crusade in Jeans, or Kruistocht in<br />
Spijkerbroek, is a screen adaptation of a<br />
popular Dutch novel by Thea Beckman,<br />
written in 1973 and has endured to be<br />
one of the most beloved Dutch books for<br />
the young at heart.<br />
The film centers on a sixteen-yearold<br />
boy named Rudolf, or Dolf, who, at<br />
the beginning of the film, screws up a<br />
very important football match. Driven<br />
by guilt, he sneaks into his mother’s<br />
laboratory, where an experimental time<br />
machine is being developed, and uses<br />
the device to go back in time and have<br />
the football match replayed.<br />
In a hasty action in fear of getting<br />
caught by the security guard, Dolf types<br />
in the wrong number and gets sent back<br />
to the year 1212. An incident, in which<br />
he gets attacked by some juvenile thieves,<br />
leads him to an encounter with Jenne, a<br />
pretty and feisty girl. Jenne, it turns out,<br />
is taking part in a crusade – a children’s<br />
crusade, no less – in which eight<br />
thousand children, called the Army of<br />
the Innocents, are marching to Jerusalem<br />
to free the city from the Persians.<br />
Dolf ’s encounter with Jenne leads<br />
him to tag along in this crusade. He<br />
joins the journey, marches with them,<br />
and be a part of their community. He<br />
befriends the crusade’s leaders, a teenage<br />
boy, Nicolas, and his father, Anselmus.<br />
After a while, Dolf ’s modern-day skills,<br />
knowledge, and gadgets – his watch,<br />
iPod, and mobile phone – impresses the<br />
troops because those things help them<br />
and even save lives in many occasions.<br />
He gains their respect and before long<br />
he becomes the informal leader of the<br />
crusade, although his modern way of<br />
thinking and disbelief in ancient magic –<br />
the leaders expect the sea to part to give<br />
way to them – almost gets him executed<br />
for blasphemy.<br />
So Dolf leads the children on<br />
adventures through mountains and<br />
terrains, fighting troops and knights<br />
along the way. However, soon, he realizes<br />
something fishy going on. Anselmus<br />
seems to have an agenda of his own, and<br />
uses the crusade to manipulate his way<br />
for some darker purposes.<br />
Fans of the book might find some<br />
principal differences in the screen<br />
adaptation. There is no football match<br />
in the book, and it is woven into the<br />
story only for the film; which is a good<br />
thing because it adds a dramatic drive<br />
and bookends the story pretty nicely.<br />
Surprisingly, Jenne, which appears to<br />
be an essential and indispensable part<br />
of the narrative, is also not found in the<br />
book. Originally, Dolf is accompanied<br />
by two sidekicks, one boy and one girl,<br />
in his adventures. The presence of Jenne,<br />
however, lends a romantic twist in the<br />
story and adds a little extra tension and<br />
complication toward the climax.<br />
Although a Holland production, the<br />
film is entirely in English, with British<br />
actress Emily Watson in the role of<br />
Dolf ’s mother. Made on a relatively low<br />
budget, the film manages to have some<br />
pretty slick production values – good<br />
cinematography, realistic set and special<br />
effects – and comes out as a nifty epic.<br />
It even won some awards along the<br />
way, including the Children’s Jury Award<br />
in Chicago International Children’s<br />
Film Festival, a Best Film award in<br />
Nederlands Film Festival, and a Young<br />
People’s Jury Award for Best Feature<br />
Film in Toronto Sprockets International<br />
Film Festival for Children.<br />
Part epic, part sci-fi, and altogether<br />
an amusing adventure, Crusade in Jeans<br />
will whet children’s appetite for thrills,<br />
heroism, and entertainment.<br />
Crusade in Jeans is scheduled to screen<br />
on May 28 in Erasmus Huis, Jl. H.R.<br />
Rasuna Said Kav. S-3, Kuningan. Call<br />
524 1069 or check out www.erasmushuis.<br />
org for further details.<br />
The educaTion<br />
By: craig Money<br />
Rod Stewart. Bee Gees. Linda Rondstadt.<br />
Music. This was my mother’s education into<br />
the English language back in the early 70’s in<br />
Indonesia. She, like many of her friends at<br />
the time, let music shape her escape and appreciation<br />
of language as a manner that spoke the most basic and<br />
purest of human emotions. If you had to choose 10<br />
albums that define you as an individual, what would<br />
they be? Better yet, take a moment this month to create<br />
a list accompanied with a note and send it to a friend,<br />
a loved one or as a keepsake for your children as they<br />
grow older. For music is an education unlike no other.<br />
Foo Fighters – Wasting Light<br />
RCA – Hard Rock<br />
While the Foo Fighters have always strived for<br />
consistency, they’ve also reserved the right<br />
to change their minds. And where rock has<br />
fallen by the wayside amidst the sea of R&B<br />
and digerati, Dave Grohl and Co. have taken it<br />
upon themselves to send a spectacular missive<br />
to the world reminding us all that the genre<br />
should never be dismissed. From the opening<br />
title ‘Burning Bridges,’ to the spectacular single<br />
‘Rope,’ the Foo Fighters have returned to bare<br />
their heaviest record in their 15-year existence.<br />
Their 7th album accompanies a film release of<br />
the making of Wasting Light that doubles as a<br />
retrospective history of the Foos’ improbable<br />
rise to their stadium heavy rock post Nirvana.<br />
MUSIC<br />
Alison Krauss &<br />
Union Station –<br />
Paper Airplane<br />
Rounder – Contemporary<br />
Bluegrass<br />
Alison Krauss helped bring<br />
bluegrass to new audiences<br />
by blending folk into the mix<br />
during the 1990’s. Her regimen<br />
for classical upbringing brought<br />
a precision to the fiddle that<br />
few could muster, but with<br />
thanks to the creative twang<br />
served by the mandolin, banjo,<br />
bass and guitar, she regimented<br />
a sound unto itself. From the<br />
highly acclaimed soundtrack<br />
to O Brother, Where Art Thou?,<br />
Krauss helped push the<br />
boundaries to country over<br />
the past decade with her band<br />
Union Station. This year she<br />
does it again with her fellow<br />
journeyman writers on a set of<br />
well-braced covers.<br />
Cold War Kids –<br />
Mine Is Yours<br />
Interscope – Alternative,<br />
Indie Rock<br />
The narrative of Cold War<br />
Kids reads like a band you<br />
would follow in your youth. A<br />
rusty debut with homage to<br />
their influences, a follow-up with<br />
yearning mightier than delivery,<br />
then finally a shockingly beautiful<br />
moment where the turf and toil,<br />
hours and touring, suddenly align<br />
to make the best original album<br />
of their career. Few albums unfold<br />
beautifully from start to finish and<br />
the Cold War Kids have arguably<br />
hit their collective sweet spot. With<br />
an earnestness of U2, a lilt of Bob<br />
Dylan, some Pixies, Radiohead and<br />
Jeff Buckley vocals, the band has a<br />
polish and maturity that will be the<br />
envy of indie music this year.<br />
Paul Simon – So<br />
Beautiful or So What<br />
Hear Music – Contemporary<br />
Pop/Rock, Singer/Songwriter<br />
“A man walks down the street and<br />
says, ‘Why am I soft in the middle<br />
now?, Why am I soft in the middle<br />
now, when the rest of my life is so<br />
hard.” 25 years on from Graceland,<br />
it seems Paul Simon has come out<br />
of any burgeoning midlife crisis<br />
with the ‘shot at redemption’ he<br />
was yearning for. From humble<br />
career beginnings in the 50’s in<br />
Queens, NY, to his pivotal role<br />
in music with Garfunkel, Simon<br />
has eclipsed a genre, generation<br />
and stature amongst the true<br />
traditional songwriters such as<br />
James Taylor, Cat Stevens, Carly<br />
Simon, Van Morrison, Billy Joel and<br />
Sirs Paul and Elton. On his latest<br />
release this is such a return, with<br />
a modern take on composing, but<br />
with a trademark methodology<br />
that is distinctly engaged in the<br />
present. This is 38 minutes of<br />
arresting storytelling from one of<br />
music’s true living legends.<br />
80 | MAY 2011 www.nowjakarta.co.id www.nowjakarta.co.id MAY 2011 | 81