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MOVIES<br />

TiMe crusader<br />

By: riZaL iWan<br />

KidsFest – a film festival at the end of last month, where kids got to clap<br />

and cheer with children-themed films from around the world – is just<br />

ebbing out, but the young ones who missed it don’t have to feel bad, and<br />

those who didn’t can still continue to keep that whimsical spirit alive, as<br />

Erasmus Huis is bringing us another entertaining kid flick this month.<br />

Crusade in Jeans, or Kruistocht in<br />

Spijkerbroek, is a screen adaptation of a<br />

popular Dutch novel by Thea Beckman,<br />

written in 1973 and has endured to be<br />

one of the most beloved Dutch books for<br />

the young at heart.<br />

The film centers on a sixteen-yearold<br />

boy named Rudolf, or Dolf, who, at<br />

the beginning of the film, screws up a<br />

very important football match. Driven<br />

by guilt, he sneaks into his mother’s<br />

laboratory, where an experimental time<br />

machine is being developed, and uses<br />

the device to go back in time and have<br />

the football match replayed.<br />

In a hasty action in fear of getting<br />

caught by the security guard, Dolf types<br />

in the wrong number and gets sent back<br />

to the year 1212. An incident, in which<br />

he gets attacked by some juvenile thieves,<br />

leads him to an encounter with Jenne, a<br />

pretty and feisty girl. Jenne, it turns out,<br />

is taking part in a crusade – a children’s<br />

crusade, no less – in which eight<br />

thousand children, called the Army of<br />

the Innocents, are marching to Jerusalem<br />

to free the city from the Persians.<br />

Dolf ’s encounter with Jenne leads<br />

him to tag along in this crusade. He<br />

joins the journey, marches with them,<br />

and be a part of their community. He<br />

befriends the crusade’s leaders, a teenage<br />

boy, Nicolas, and his father, Anselmus.<br />

After a while, Dolf ’s modern-day skills,<br />

knowledge, and gadgets – his watch,<br />

iPod, and mobile phone – impresses the<br />

troops because those things help them<br />

and even save lives in many occasions.<br />

He gains their respect and before long<br />

he becomes the informal leader of the<br />

crusade, although his modern way of<br />

thinking and disbelief in ancient magic –<br />

the leaders expect the sea to part to give<br />

way to them – almost gets him executed<br />

for blasphemy.<br />

So Dolf leads the children on<br />

adventures through mountains and<br />

terrains, fighting troops and knights<br />

along the way. However, soon, he realizes<br />

something fishy going on. Anselmus<br />

seems to have an agenda of his own, and<br />

uses the crusade to manipulate his way<br />

for some darker purposes.<br />

Fans of the book might find some<br />

principal differences in the screen<br />

adaptation. There is no football match<br />

in the book, and it is woven into the<br />

story only for the film; which is a good<br />

thing because it adds a dramatic drive<br />

and bookends the story pretty nicely.<br />

Surprisingly, Jenne, which appears to<br />

be an essential and indispensable part<br />

of the narrative, is also not found in the<br />

book. Originally, Dolf is accompanied<br />

by two sidekicks, one boy and one girl,<br />

in his adventures. The presence of Jenne,<br />

however, lends a romantic twist in the<br />

story and adds a little extra tension and<br />

complication toward the climax.<br />

Although a Holland production, the<br />

film is entirely in English, with British<br />

actress Emily Watson in the role of<br />

Dolf ’s mother. Made on a relatively low<br />

budget, the film manages to have some<br />

pretty slick production values – good<br />

cinematography, realistic set and special<br />

effects – and comes out as a nifty epic.<br />

It even won some awards along the<br />

way, including the Children’s Jury Award<br />

in Chicago International Children’s<br />

Film Festival, a Best Film award in<br />

Nederlands Film Festival, and a Young<br />

People’s Jury Award for Best Feature<br />

Film in Toronto Sprockets International<br />

Film Festival for Children.<br />

Part epic, part sci-fi, and altogether<br />

an amusing adventure, Crusade in Jeans<br />

will whet children’s appetite for thrills,<br />

heroism, and entertainment.<br />

Crusade in Jeans is scheduled to screen<br />

on May 28 in Erasmus Huis, Jl. H.R.<br />

Rasuna Said Kav. S-3, Kuningan. Call<br />

524 1069 or check out www.erasmushuis.<br />

org for further details.<br />

The educaTion<br />

By: craig Money<br />

Rod Stewart. Bee Gees. Linda Rondstadt.<br />

Music. This was my mother’s education into<br />

the English language back in the early 70’s in<br />

Indonesia. She, like many of her friends at<br />

the time, let music shape her escape and appreciation<br />

of language as a manner that spoke the most basic and<br />

purest of human emotions. If you had to choose 10<br />

albums that define you as an individual, what would<br />

they be? Better yet, take a moment this month to create<br />

a list accompanied with a note and send it to a friend,<br />

a loved one or as a keepsake for your children as they<br />

grow older. For music is an education unlike no other.<br />

Foo Fighters – Wasting Light<br />

RCA – Hard Rock<br />

While the Foo Fighters have always strived for<br />

consistency, they’ve also reserved the right<br />

to change their minds. And where rock has<br />

fallen by the wayside amidst the sea of R&B<br />

and digerati, Dave Grohl and Co. have taken it<br />

upon themselves to send a spectacular missive<br />

to the world reminding us all that the genre<br />

should never be dismissed. From the opening<br />

title ‘Burning Bridges,’ to the spectacular single<br />

‘Rope,’ the Foo Fighters have returned to bare<br />

their heaviest record in their 15-year existence.<br />

Their 7th album accompanies a film release of<br />

the making of Wasting Light that doubles as a<br />

retrospective history of the Foos’ improbable<br />

rise to their stadium heavy rock post Nirvana.<br />

MUSIC<br />

Alison Krauss &<br />

Union Station –<br />

Paper Airplane<br />

Rounder – Contemporary<br />

Bluegrass<br />

Alison Krauss helped bring<br />

bluegrass to new audiences<br />

by blending folk into the mix<br />

during the 1990’s. Her regimen<br />

for classical upbringing brought<br />

a precision to the fiddle that<br />

few could muster, but with<br />

thanks to the creative twang<br />

served by the mandolin, banjo,<br />

bass and guitar, she regimented<br />

a sound unto itself. From the<br />

highly acclaimed soundtrack<br />

to O Brother, Where Art Thou?,<br />

Krauss helped push the<br />

boundaries to country over<br />

the past decade with her band<br />

Union Station. This year she<br />

does it again with her fellow<br />

journeyman writers on a set of<br />

well-braced covers.<br />

Cold War Kids –<br />

Mine Is Yours<br />

Interscope – Alternative,<br />

Indie Rock<br />

The narrative of Cold War<br />

Kids reads like a band you<br />

would follow in your youth. A<br />

rusty debut with homage to<br />

their influences, a follow-up with<br />

yearning mightier than delivery,<br />

then finally a shockingly beautiful<br />

moment where the turf and toil,<br />

hours and touring, suddenly align<br />

to make the best original album<br />

of their career. Few albums unfold<br />

beautifully from start to finish and<br />

the Cold War Kids have arguably<br />

hit their collective sweet spot. With<br />

an earnestness of U2, a lilt of Bob<br />

Dylan, some Pixies, Radiohead and<br />

Jeff Buckley vocals, the band has a<br />

polish and maturity that will be the<br />

envy of indie music this year.<br />

Paul Simon – So<br />

Beautiful or So What<br />

Hear Music – Contemporary<br />

Pop/Rock, Singer/Songwriter<br />

“A man walks down the street and<br />

says, ‘Why am I soft in the middle<br />

now?, Why am I soft in the middle<br />

now, when the rest of my life is so<br />

hard.” 25 years on from Graceland,<br />

it seems Paul Simon has come out<br />

of any burgeoning midlife crisis<br />

with the ‘shot at redemption’ he<br />

was yearning for. From humble<br />

career beginnings in the 50’s in<br />

Queens, NY, to his pivotal role<br />

in music with Garfunkel, Simon<br />

has eclipsed a genre, generation<br />

and stature amongst the true<br />

traditional songwriters such as<br />

James Taylor, Cat Stevens, Carly<br />

Simon, Van Morrison, Billy Joel and<br />

Sirs Paul and Elton. On his latest<br />

release this is such a return, with<br />

a modern take on composing, but<br />

with a trademark methodology<br />

that is distinctly engaged in the<br />

present. This is 38 minutes of<br />

arresting storytelling from one of<br />

music’s true living legends.<br />

80 | MAY 2011 www.nowjakarta.co.id www.nowjakarta.co.id MAY 2011 | 81

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