Conference Proceedings 2010 [pdf] - Art & Design Symposium ...
Conference Proceedings 2010 [pdf] - Art & Design Symposium ...
Conference Proceedings 2010 [pdf] - Art & Design Symposium ...
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housing method for refugees. The project proposed here does not just examine nature and natural processes;<br />
it uses these natural processes to create a structure that helps sustain humans and nature simultaneously.<br />
The Growing Home project is also a study of the subsequent interiors in these structures, likewise comprised<br />
of growing elements. The interior of a structure must interact with its user in a more immediate way than the<br />
exterior. This project will examine how such a design can fulfill the need for shelter, and the traditions of home,<br />
as opposed to house. This project would promote the idea of making living spaces that are deeply connected<br />
with the earth; a house made of living plants.<br />
The project will be comprised of two different types of structures to test two separate theories. The first type of<br />
living structure will be planted and grown into its design. For the second type of living house, mature bamboo<br />
with be pleached, or grown together as it stands in the ground. In both cases, the procedure will involve<br />
creating the structure’s frame entirely of bamboo. An established agricultural technique, pleaching, will be used<br />
to grow the structure bamboo into a unified whole. Pleaching involves the creation of a smaller frame of cut<br />
and living bamboo within the larger frame of living, structural bamboo. This woven framework around the<br />
pleached growing elements will act as a flexible moisture barrier for the structural bamboo.<br />
A bamboo structural framework will be grown and kept growing as the rest of the structure is built. There will be<br />
a layer of weaving using strips of bamboo in such a way as to separate the structure from the adobe cob<br />
mixture so that the interior is able to function as needed and so the exterior planted structure can grow as<br />
intended. The estimated cost for required materials is dependent on the size of the end product structure. For<br />
this thesis a small home to accommodate the typical family of the Bhutanese stateless person is being<br />
modeled. This sample family will include one paternal grandmother, one paternal aunt, both maternal<br />
grandparents a mother and father, as well as two children. This structure could be grown as large as<br />
necessary to allow the extended family living situation as traditional in Nepal (Andrea Matles Savada, 1991).<br />
An adobe-cob mixture would be used as the interior for the structure. There is a range of soils in Nepal, from<br />
thin, desert type solids on the highest mountains, to rich alluvial soils in the valleys; all but the desert type soils<br />
have clay substance (Negi, 1994). Residual soils are mostly coarse and dry but mixing water and residue plant<br />
matter can help to create the needed cob composition.<br />
In creating an effective adobe or cob mixture Gerot Minke, author of Building with Earth, provides excellent<br />
reasons for why an adobe-cob mixture is a positive choice for building. Adobe- cob is molded, much like clay<br />
to incorporate built in storage, and other design features within the walls. Adobe-cob is also a material that can<br />
be created and used by unskilled workers with little training, but has efficient and effective insulation and<br />
shelter properties (Minke, 2006).<br />
Neomorphism<br />
The idea of creating structures out of live biological materials, like the “Growing Home” as this thesis proposes,<br />
is being experimented with as more sustainable ways of building are sought. Although many of these projects<br />
are still conceptual, the integration of them into the narrative of design is necessary for the growth of design as<br />
a whole, in this author’s opinion. Such a combination of nature and human building requires a new design<br />
vocabulary to describe the design project. This design language, termed Neomorphism, is the new design term<br />
illustrated in this poster.<br />
The Latin root neo means new and morphism descends from morph, which means to change. Literally, “New<br />
Growing” symbolizes the progressive nature of the projects without creating a definitive label that would<br />
constrict or limit the concept of what neomorphism is or could be.<br />
Neomorphic <strong>Design</strong> describes all projects that use living organic materials in the design. Because of the use of<br />
actual living elements within Neomorphic designs, each has the potential of constant evolution as a design<br />
product and creation. Neomorphism is a language that combines neoplasmatism, morphogenesis, bioarchitecture<br />
and other terms within design and art in which the growing elements of the design program<br />
change in some way as a contribution of the creation. This design language uses adjectives and verbs<br />
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