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Conference Proceedings 2010 [pdf] - Art & Design Symposium ...

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For 15 years the exhibition of a work commissioned from Spanish artist Miquel Navarro, SOUS LA LUNE II<br />

("Under the Moon II"), has been on tour. It is an approach to urban planning for children, enabling them to build<br />

an imaginary city with over 1000 polished-aluminum elements.<br />

Today, I'd like to share two of my experiences with you. "Enfance de l’<strong>Art</strong>" took place in 1996.It involved<br />

teenagers from low-income housing projects in Lyon interacting with work by Kurt Schwitters. Kids’ Guernica in<br />

Atelier Picasso was completed in 2009 with 6 to 12-year olds from an outlying neighborhood, Centre de Loisirs<br />

Noguères Paris (19e), who were in residence in the Left Bank studio in Paris where Picasso painted the<br />

famous canvas "Guernica" in 1937 and the children produce in 2009 “Guernica a painting which screams”.<br />

One of the themes common to both experiences seems to be the idea of bricolage developed early in the<br />

1960s by the anthropologist Claude Lévi-Strauss in The Savage Mind. He compares two scenarios, two<br />

possible approaches to creation: that of the engineer and that of the bricoleur, or hand-crafter. While the<br />

engineer projects a finished idea of his work and then goes off in search of the tools and materials to carry it<br />

out, the bricoleur uses the tools and materials at hand, with no idea of the end product. Similarly, in the<br />

workshop, the tools and materials, brushes, paints, words, images, and thoughts of the young people<br />

determine what the group will finally create or paint.<br />

Adolescents with Kurt Schwitters<br />

"Enfance de l’art" is a program designed to increase young people's awareness and appreciation of art based<br />

on the works of Kurt Schwitters. It was carried out in 1996, at the request of the city of Villefontaine, a recentlybuilt<br />

suburb of Lyon, France. Fifty classes participated in the project with contemporary artists.<br />

The professional college Aragon is a junior high school which trains young people in the realities of a career in<br />

cooking and hotel work. Based on Schwitters' work, the students were assigned to organize a cocktail party for<br />

400 guests, with all the work involved in such an event (paperwork, purchasing, cake-making, drinks,<br />

presentation, tables, a harmonious composition of the table colors and shapes, and the service during the<br />

event itself, etc.)<br />

When I first arrived to assist them at the school, I was expecting to see lively, dynamic young people. However,<br />

in the workshop, the students were apathetic, putting their heads on their desks, asking nothing, indifferent.<br />

Their difficult lives could not be left outside the school gates. We had to break out of the routine, and approach<br />

learning a trade in a different, non-academic way, which would be more meaningful to them.<br />

This was a class of eighth-graders on a vocational track in the hotel trade. The students Amandine, Djamila,<br />

Nathalie, Mickael, Christelle, Marie-Laure, and Sabrina, all 14 to 15 years old, were struggling with their<br />

schoolwork. Many were facing severe problems at home, and were socially deprived. Many were suffering<br />

including one who was undergoing chemotherapy for cancer. Another's mother had been killed by his father<br />

when she was 8 and she feared the father's release from prison. Another had arrived at junior high infested<br />

with lice. The family never washed. To solve the problem, the junior high had to build a shower.<br />

For this event two oval tables were created. There was a great deal of talk about the life and work of<br />

Schwitters. The young people chose to write a poem on a poster, the totemic word MERZ, the letter "i," and a<br />

page of poetry ("To Eve Blossom") in almond paste on chocolate sponge cake. They created a special drink<br />

"Le Rêve Bleu" ("Blue Dream"), a cocktail based on Curacao, gin, and pineapple juice, was a great hit with the<br />

public.<br />

"As the project advanced," the children's head teacher wrote to me, "I was able to observe positive<br />

development and a growing interest on the part of the students for the workshop. They still recall it as an<br />

outstanding experience. These students have faced so many negative academic experiences in the past that<br />

their childhood dreams, their desire to plan for the future, has been destroyed. This workshop was an<br />

opportunity to feel hopeful again, to see new potentials and possibilities in themselves, and to see a need to<br />

develop. It reconciled them with themselves, making them more relaxed, optimistic, and light-hearted about the<br />

road that lies ahead of them… But it certainly took a lot of energy to achieve this goal!"<br />

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