Amiga Computing - Commodore Is Awesome
Amiga Computing - Commodore Is Awesome
Amiga Computing - Commodore Is Awesome
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I<br />
rigami? In a DTP column? Well, only in<br />
the loosest sense of the word I'm<br />
talking about folded paper - two-fold<br />
and three-fold brochures, greetings cards, paper<br />
aeroplanes and so on. They might seem like<br />
tough tasks when you first look at them, but they<br />
can actually be quite easy and a lot of fun to do.<br />
The only thing they really rely on is the ability to<br />
rotate graphics and text. So your PageStream,<br />
ProPage, Wordworth 3.1 and Final Writer will be<br />
fine, but things like PageSetter or kindWords<br />
aren't suitable<br />
The very first thing to bear in mind is that you<br />
cant do this solely on the computer (well, not<br />
unless you have a brain the site of a planet) So<br />
get out a spare piece of A4 arid have a good<br />
look at rt.<br />
What sort of printer do you have? If rts one<br />
that relies on tractor or friction feed you know<br />
you won't be able to print on the bottom inch or<br />
so of the paper If it's a laser. you wont be able<br />
to phM nght up to the side edges. Know the<br />
limitations you are stuck with and don't jump<br />
straight into your design without considenng<br />
these elements of space<br />
MEHUREMER5<br />
The n e xt th in g yo u w<br />
ruler , out. Fold Me paper so that it resembles the<br />
11 n a v e<br />
final shape you want, whether it be the complex<br />
t o<br />
folds d of a o paper aeroplane or simply folded into<br />
quarters i s for a birthday card Then measure<br />
where g the e Crease t marks are.<br />
y o u<br />
The best way of assuring accuracy is to draw<br />
r<br />
your fold lines in your DIP package and then<br />
adjust them numerically, rather than by eye. For<br />
lines at an angle, you might find it easier to use a<br />
protractor to calculate the angle from the edge<br />
of the page and enter it this way, instead of<br />
trying to fix start and end points in space.<br />
Once you have marked up your page with<br />
lines, you are then ready to proceed onto the<br />
design side of things. As a birthday card is the<br />
simplest example, we will have a look at that first.<br />
Your page should be divided into four quarters.<br />
Looking at the piece of paper you nave folded<br />
you will see you need to use the toplett hand<br />
corner for the inside of the card and the bottom<br />
nght-hand corner for the (over.<br />
The inside of the card has to be upside-down,<br />
so your best bet is to create your greeting in that<br />
section of the page the right way up), and once<br />
you are satisfied that it fits, looks nice, and is<br />
going to print, you can then select all the items<br />
in the section, and group them together if<br />
Faling into plam<br />
1<br />
• Web.<br />
111 rhi• <strong>Is</strong> the atrt•<br />
sIde of our<br />
three- fold brochure<br />
(sections two, eie<br />
end one)<br />
necessary, before rotating the whole bunch<br />
through 180 degrees. A three-fold brochure is<br />
somewhat more difficult to plan as you will<br />
almost certainly want to print on both sides of<br />
the paper. You will need two pages. both divided<br />
Into three in the same places lir you have a<br />
master page facility in the program you are<br />
using, I would suggest you use that).<br />
Then you wit need to decide which flap will<br />
inow on the outside, whether you want a<br />
The illustranom On this page show the two Imges I have clone in PageAream 2 1 tor this sort of<br />
brixnure The quality of the globe seems shoddy but as It is an EPS graphtc it will print okay. This type<br />
of three-fold brochure takes a lot more thought, and in this instance was achieved using three copies<br />
of the clip, one on sections three, four and five, and one on section one - moved so this section had<br />
the middle of the cyaphsc in It The remainder of the graphIc falls off the tight-hand side of the page<br />
and also cOverS section stir.<br />
The last dip is used on section two. again with the middle pan of the graphic over it and the left-<br />
hand portron of the graphic has fallen off the left-hand side of the page and the other third is covering<br />
secOon six. This is why I have covered the whole of section six with a white tKirclecless box to cover up<br />
the overlapping images<br />
Play around with these concept- and try your rand at the paper aeroplane idea The techniques<br />
have explained might prove more protilernatir with one of me<br />
, bit wof oingenuity. r d p you u bshould l i sbe haf:Xe & to cope<br />
p r o g r a m s<br />
b u t<br />
W<br />
a<br />
i t h<br />
Turning<br />
Japane5e<br />
continuation of a graphic from one half Of toe<br />
brochure to the other, and if you are going to<br />
need to print on the back or the middle section.<br />
For ease of use, you will probably find it less<br />
conftsung to sketch out your idea onto your sheet<br />
of A4 first and numtier Me sections from one to<br />
six Repeat dm numbering in your DTP program -<br />
you can always get rid of them once the design is<br />
complete.<br />
Imagine a three-foicl brochure folded up in<br />
front of you. The section you can see first (the first<br />
flap) is called section one, the next flap is section<br />
two, then the three spread sections are three.<br />
four and five, leaving the middle panel on Me<br />
back of the brochure as section so<br />
One of the nicest examples of continuity in a<br />
three-fold brochure is where there is a picture on<br />
the cover (section II which, when opened,<br />
reveals the same picture on the second flap, but<br />
perhaps with some more text on it 'section 2),<br />
which also continues onto the inside of the first<br />
section 'section 31 When you open the second<br />
Rap, Me entire inside of the brochure is revealed<br />
to show The complete picture.<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
MAY 1995<br />
T . to Sibo<br />
inside of OW<br />
throw- told twochon,<br />
(sections three,<br />
lour and Ilse)<br />
take5 a look<br />
at thu<br />
intrkaties of<br />
DIP origami