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Amiga Computing - Commodore Is Awesome

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fthough there's been a number of<br />

video tutorial companies plying<br />

their wares to the <strong>Amiga</strong> world<br />

over the years, it must be said the overall<br />

standard has been pretty poor Having<br />

said that, there is one very notable example,<br />

namely Desktop Images, a company<br />

from across the pond who've made their<br />

name via a range of highly acclaimed<br />

Lightwave and Toaster-specific tutorials.<br />

When it comes to professionalism, presentation<br />

and overall quality, Desktop<br />

Images quite literally set a standard others<br />

rarely match. The question is, will that<br />

tradition continue with their latest efforts?<br />

Studio 16 pro Iludio for Video<br />

Amidst the graphical euphoria that sometimes<br />

dppears to completely engulf the <strong>Amiga</strong>, its<br />

success in the sound department often gels<br />

Dvertooked.<br />

At the forefront of this success has been the<br />

SunRize Industries AD1012 and A0516 directlo-disk<br />

sampling systems. It's no exaggeration<br />

!• place both alongside the very best on any<br />

:omputer platform. As a result. Desktop<br />

images have wisely set out to complement this<br />

amazing hardware with a tutorial video hosted<br />

by a professional Studio 16 demonstrator and<br />

a three time Emmy Award winning dialogue<br />

editor. Basically, the video is designed to offer<br />

all the insider knowledge needed to master the<br />

techniques required for pro-quality video post<br />

production.<br />

In the first section, our anchor man and professional<br />

demonstrator, Tony Shannon. takes<br />

you through a step-by-step guide to adding a<br />

complete sound track to a movie trailer.<br />

During the demo Tony adds sound effects,<br />

hp synchs vocals from the original rushes and<br />

narration, as well as a stereo musical backing<br />

track. After adding and synching samples.<br />

Tony moves on to the mix down process.<br />

As mentioned eadier, Ligh!wave and<br />

Toaster tutorials are what Desktop<br />

Images are best known for, and in<br />

an attempt to build on their existing<br />

success they've now targeted a<br />

specific, and often lucrative area for<br />

many commercial animators.<br />

Flying logos may lack the glamour of<br />

Babylon5 or RoboCop but they're nevertheless<br />

the bread and butler that<br />

keep many an animator in business. As<br />

a result, who better to take you through<br />

the finer points than the maestro of the<br />

flying logo Mr Tony Stutterheim.<br />

During Tony's inside guide you're<br />

shown some interesting tips on how to<br />

make more effective use of the cameras<br />

within layout. However, the<br />

video's real strength has to be Tony's<br />

explanation on how to create the kind<br />

of effects that make the difference<br />

between enthusiasts and professionals,<br />

while avoiding the sort of mistakes and<br />

production methods that can put hours,<br />

Instant<br />

PHOPiti5P<br />

detailing all the necessary skills needs to link<br />

tracks for automated lades and pans.<br />

In short, after Tony's excellent introduction<br />

- which takes up roughly 14 of the tape -<br />

you should be well versed in the Timeline<br />

Cuelist, Digital Waveform Editor, Automated<br />

if not days on the job. As well as layout<br />

hints, Tony also offers some essential<br />

tips for making the most of modeller<br />

when creating actual logos and adding<br />

bevels. However it's back in layout<br />

where most of the real points are<br />

scored, with the most valuable information<br />

being how to produce streak<br />

effects, the use of null objects and the<br />

creation of the ubiquitous moving<br />

sheen effect.<br />

Being an experienced Lightwave<br />

user, I must admit to being slightly<br />

disappointed with the overall content,<br />

as the majority of the tape will almost<br />

certainly run over familiar ground for<br />

anyone who's been using Lightwave<br />

regularly.<br />

Having said that, there are some real<br />

pearls in among the more obvious<br />

examples - with the most notable<br />

being the aforementioned moving<br />

sheen effect. Like most, I've had a<br />

bash at this effect and met with less<br />

Product:<br />

Studio 16 Pro Audio<br />

for Video<br />

Product:<br />

Pro Flying Logo<br />

Techniques<br />

Supplier:<br />

Premier Vision<br />

Price:<br />

5:38.95 each<br />

Tel:<br />

0171 721 7050<br />

than favourable results. Fortunately,<br />

Tony does have an easy solution which<br />

I guarantee will leave many animators<br />

slapping their foreheads in a 'why didn't<br />

I think of that' manner<br />

Like it's counterpart, the tape concludes<br />

with a separate section, during<br />

Torus dosing address attention turns,<br />

rather ironically, to WaveMaker_<br />

If you're a regular reader you may<br />

recall that WaveMaker is a standalone<br />

Lightwave add-on, designed by Tony,<br />

in conjunction with Axiom software. For<br />

those who are unfamiliar with the product,<br />

WaveMaker is a highly automated<br />

flying logo generator The irony is that<br />

WaveMaker largely negates the need<br />

for any practical modelling and design<br />

skills when it comes to quality flying<br />

logo animation.<br />

Admittedly. WaveMaker couldn't<br />

replicate the techniques covered in the<br />

tape, but after Tony's guided tour it's<br />

very tempting to put your new found<br />

<strong>Amiga</strong> <strong>Computing</strong><br />

MAY 1995<br />

a m Lqa<br />

1715 month the 5potlight fd115 on<br />

the aril latot 117 Well tuition<br />

for lightulaue and Studio 16 —<br />

Mixer, Sample List and of course the<br />

Recorder. To put the icing, or rather the marketing<br />

on the cake, Tony's efforts are followed<br />

by a rather brief, but nevertheless<br />

informative overview by David Scharf.<br />

During Mr Scharf's section you're taken<br />

through a basic tutorial on adding ambient<br />

sound and removing unwanted elements in<br />

the original rushes. In short, useful but not<br />

exactly inspiring stuff.<br />

However, overall, and primarily thanks to<br />

Tony Shannon, the tape does offer some<br />

excellent advice and tricks of the trade. I've<br />

been running Studio16 for quite some time<br />

and would still be happy to cough-up the<br />

necessary cash for this kind of essential<br />

information. Highly recommended.<br />

knowledge aside and simply invest in a<br />

copy ot WaveMaker.<br />

Obviously, there's been some serious<br />

horse trading when it comes to<br />

content. Stilt it must be said the overall<br />

package does deliver the goods, especially<br />

for those who are either new to<br />

Lightwave or make their money exclusively<br />

from corporate and commercial<br />

animation.

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