Amiga Computing - Commodore Is Awesome
Amiga Computing - Commodore Is Awesome
Amiga Computing - Commodore Is Awesome
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fthough there's been a number of<br />
video tutorial companies plying<br />
their wares to the <strong>Amiga</strong> world<br />
over the years, it must be said the overall<br />
standard has been pretty poor Having<br />
said that, there is one very notable example,<br />
namely Desktop Images, a company<br />
from across the pond who've made their<br />
name via a range of highly acclaimed<br />
Lightwave and Toaster-specific tutorials.<br />
When it comes to professionalism, presentation<br />
and overall quality, Desktop<br />
Images quite literally set a standard others<br />
rarely match. The question is, will that<br />
tradition continue with their latest efforts?<br />
Studio 16 pro Iludio for Video<br />
Amidst the graphical euphoria that sometimes<br />
dppears to completely engulf the <strong>Amiga</strong>, its<br />
success in the sound department often gels<br />
Dvertooked.<br />
At the forefront of this success has been the<br />
SunRize Industries AD1012 and A0516 directlo-disk<br />
sampling systems. It's no exaggeration<br />
!• place both alongside the very best on any<br />
:omputer platform. As a result. Desktop<br />
images have wisely set out to complement this<br />
amazing hardware with a tutorial video hosted<br />
by a professional Studio 16 demonstrator and<br />
a three time Emmy Award winning dialogue<br />
editor. Basically, the video is designed to offer<br />
all the insider knowledge needed to master the<br />
techniques required for pro-quality video post<br />
production.<br />
In the first section, our anchor man and professional<br />
demonstrator, Tony Shannon. takes<br />
you through a step-by-step guide to adding a<br />
complete sound track to a movie trailer.<br />
During the demo Tony adds sound effects,<br />
hp synchs vocals from the original rushes and<br />
narration, as well as a stereo musical backing<br />
track. After adding and synching samples.<br />
Tony moves on to the mix down process.<br />
As mentioned eadier, Ligh!wave and<br />
Toaster tutorials are what Desktop<br />
Images are best known for, and in<br />
an attempt to build on their existing<br />
success they've now targeted a<br />
specific, and often lucrative area for<br />
many commercial animators.<br />
Flying logos may lack the glamour of<br />
Babylon5 or RoboCop but they're nevertheless<br />
the bread and butler that<br />
keep many an animator in business. As<br />
a result, who better to take you through<br />
the finer points than the maestro of the<br />
flying logo Mr Tony Stutterheim.<br />
During Tony's inside guide you're<br />
shown some interesting tips on how to<br />
make more effective use of the cameras<br />
within layout. However, the<br />
video's real strength has to be Tony's<br />
explanation on how to create the kind<br />
of effects that make the difference<br />
between enthusiasts and professionals,<br />
while avoiding the sort of mistakes and<br />
production methods that can put hours,<br />
Instant<br />
PHOPiti5P<br />
detailing all the necessary skills needs to link<br />
tracks for automated lades and pans.<br />
In short, after Tony's excellent introduction<br />
- which takes up roughly 14 of the tape -<br />
you should be well versed in the Timeline<br />
Cuelist, Digital Waveform Editor, Automated<br />
if not days on the job. As well as layout<br />
hints, Tony also offers some essential<br />
tips for making the most of modeller<br />
when creating actual logos and adding<br />
bevels. However it's back in layout<br />
where most of the real points are<br />
scored, with the most valuable information<br />
being how to produce streak<br />
effects, the use of null objects and the<br />
creation of the ubiquitous moving<br />
sheen effect.<br />
Being an experienced Lightwave<br />
user, I must admit to being slightly<br />
disappointed with the overall content,<br />
as the majority of the tape will almost<br />
certainly run over familiar ground for<br />
anyone who's been using Lightwave<br />
regularly.<br />
Having said that, there are some real<br />
pearls in among the more obvious<br />
examples - with the most notable<br />
being the aforementioned moving<br />
sheen effect. Like most, I've had a<br />
bash at this effect and met with less<br />
Product:<br />
Studio 16 Pro Audio<br />
for Video<br />
Product:<br />
Pro Flying Logo<br />
Techniques<br />
Supplier:<br />
Premier Vision<br />
Price:<br />
5:38.95 each<br />
Tel:<br />
0171 721 7050<br />
than favourable results. Fortunately,<br />
Tony does have an easy solution which<br />
I guarantee will leave many animators<br />
slapping their foreheads in a 'why didn't<br />
I think of that' manner<br />
Like it's counterpart, the tape concludes<br />
with a separate section, during<br />
Torus dosing address attention turns,<br />
rather ironically, to WaveMaker_<br />
If you're a regular reader you may<br />
recall that WaveMaker is a standalone<br />
Lightwave add-on, designed by Tony,<br />
in conjunction with Axiom software. For<br />
those who are unfamiliar with the product,<br />
WaveMaker is a highly automated<br />
flying logo generator The irony is that<br />
WaveMaker largely negates the need<br />
for any practical modelling and design<br />
skills when it comes to quality flying<br />
logo animation.<br />
Admittedly. WaveMaker couldn't<br />
replicate the techniques covered in the<br />
tape, but after Tony's guided tour it's<br />
very tempting to put your new found<br />
<strong>Amiga</strong> <strong>Computing</strong><br />
MAY 1995<br />
a m Lqa<br />
1715 month the 5potlight fd115 on<br />
the aril latot 117 Well tuition<br />
for lightulaue and Studio 16 —<br />
Mixer, Sample List and of course the<br />
Recorder. To put the icing, or rather the marketing<br />
on the cake, Tony's efforts are followed<br />
by a rather brief, but nevertheless<br />
informative overview by David Scharf.<br />
During Mr Scharf's section you're taken<br />
through a basic tutorial on adding ambient<br />
sound and removing unwanted elements in<br />
the original rushes. In short, useful but not<br />
exactly inspiring stuff.<br />
However, overall, and primarily thanks to<br />
Tony Shannon, the tape does offer some<br />
excellent advice and tricks of the trade. I've<br />
been running Studio16 for quite some time<br />
and would still be happy to cough-up the<br />
necessary cash for this kind of essential<br />
information. Highly recommended.<br />
knowledge aside and simply invest in a<br />
copy ot WaveMaker.<br />
Obviously, there's been some serious<br />
horse trading when it comes to<br />
content. Stilt it must be said the overall<br />
package does deliver the goods, especially<br />
for those who are either new to<br />
Lightwave or make their money exclusively<br />
from corporate and commercial<br />
animation.