A Tribute to New York - Navarra
A Tribute to New York - Navarra
A Tribute to New York - Navarra
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Pilar San<strong>to</strong>s Tambo A <strong>Tribute</strong> <strong>to</strong> <strong>New</strong> <strong>York</strong><br />
information <strong>to</strong> allow us <strong>to</strong> ignore that particular word.<br />
c) Look at the words of this list in context and try <strong>to</strong> guess their possible<br />
meaning:<br />
i. highlights (l. 6): iii. avant-garde (l. 17):<br />
part of speech: __________ part of speech: __________<br />
___ clarifies ___ a person<br />
___ emphasises ___ a geographical term<br />
___ renews ___ a pic<strong>to</strong>rial style<br />
ii. ranging from (l. 10):<br />
part of speech: __________<br />
___ extending<br />
___ using<br />
___ buying<br />
G. Do you dare now do the same with paragraphs 3 and 4?<br />
H. Summarise the most important information of the text in around 30 or 40 words:<br />
I. JUST FOR FUN –Find the answers <strong>to</strong> the following questions as quickly as you<br />
can:<br />
a) How many names of artist can you find in the text?<br />
b) How many names of direc<strong>to</strong>rs of the museum?<br />
c) How many artistic styles and movements? 45<br />
Do you still think the text was very, very, veeeeeeery difficult?<br />
J. Follow up–writing. Below there are different <strong>to</strong>pics for composition writing.<br />
Choose any of them and approach it the way you want. Collective brains<strong>to</strong>rmings<br />
are suggested. Write about 125-150 words. Before you do, you are advised <strong>to</strong> take a<br />
look at all the previous information and <strong>to</strong> follow the suggested steps.<br />
a) Write an article <strong>to</strong> the school newspaper describing your trip <strong>to</strong> <strong>New</strong> <strong>York</strong>:<br />
what you have visited, what you have liked most/least, etc.<br />
b) Travelling abroad and meeting new people. What do you think about it?<br />
c) Museums like the British Museum (London), the Louvre (Paris) or the<br />
Metropolitan (<strong>New</strong> <strong>York</strong>) should return part of their exhibits <strong>to</strong> their<br />
countries of origin.<br />
45 Sometimes our students do not only have problems with the English language, but they also have<br />
problems with the contents of the <strong>to</strong>pics through which we try <strong>to</strong> teach them English. If we want them <strong>to</strong><br />
be able <strong>to</strong> interact more or less successfully with the texts, we might have <strong>to</strong> provide them with some<br />
cultural information.<br />
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