HIRE ME?!

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74 STEp 4 • Open Levels (Image > Adjustments > Levels). • Here is where you can change the value of your drawing to make the whites white and the blacks black. STEp 5 • Click on the left eye dropper in the line of three on the right. Use this eyedropper to indicate where on your image should be true black. • Click on the left eyedropper and hold Alt while you click on the spot on the drawing that should be black. • Next, use the right eyedropper to pick true white. Hold alt and pick an area on your drawing that should be pure white. STEp 6 • Erase the extra lines and smudges on the drawing and you are good to go! Now shade, color or place the sketch in your portfolio.
17 SKETCHES AFTER ADJUST<strong>ME</strong>NTS 75
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HIRE ME?! THE PORTFOLIO HANDBOOK A
Page 5 and 6:
TABLE OF CONTENTS WHAT ARE “THEY
Page 7 and 8:
THIS IS SOO-SHIN. HE’S THE TOp DO
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DUDE, I DON’T EVEN kNOW WHAT pEOp
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00 KNOW YOUR AUDIENCE kNOW YOUR AUD
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Ok...NOW WHAT? HERE ARE SOME THINgS
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01 HEALTHY HAbITS HEALTHY HABITS TI
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02 SHOWING OFF YOUR DESIGN SHOWINg
Page 20 and 21:
20 ARE YOU A CONSULTANT OR CORpORAT
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22 From top-left: Tracy Subisak’s
Page 24 and 25: 24 Matt uses dotted lines & color f
Page 26 and 27: CREATINg THE DOCUMENT 07 - USE INDE
Page 29 and 30: 07 USING INDESIGN USINg INDESIgN TH
Page 31 and 32: 08 GRIDS USE A gRID gRIDS ARE A gRE
Page 33: 08 GRIDS This is an example of a cl
Page 36 and 37: 36 Serif Sans-Serif I BE TITLE I’
Page 38 and 39: 38 LEgIBILITY The most important pa
Page 40 and 41: 40 A BAD RESUME Arbitrary graphic t
Page 43: 11 PLACING CONTENT pLACINg CONTENT
Page 46 and 47: TELLINg A STORY 13 - STORYTELLINg 1
Page 49 and 50: 13 STORYTELLING STORYTELLINg You ha
Page 51 and 52: 13 STORYTELLING pRODUCT MANUAL Anot
Page 53 and 54: 13 STORYTELLING THE CHRONOLOgICAL S
Page 55: 13 STORYTELLING Out with the OLD, i
Page 58 and 59: 58 NEGATIVE SPACE CREATE THE ILLUSI
Page 61 and 62: 15 bRAINSTORMING BRAINSTORMINg Brai
Page 63: 15 bRAINSTORMING LINkS While plotti
Page 66 and 67: 66 LINk YOUR RESEARCH... ...TO YOUR
Page 69 and 70: 17 SKETCHES SkETCHES Well here it i
Page 71 and 72: 17 SKETCHES THE NOT-SO-SExY SkETCH
Page 73: 17 STEp 1 SKETCHES SCANNINg SkETCHE
Page 78 and 79: ER” n and e ABILITY (52) EASY TO
Page 81 and 82: 19 FINALIZATION FINALIZATION Finall
Page 83 and 84: 19 FINALIZATION LINkINg YOUR INSpIR
Page 85 and 86: 19 FINALIZATION THAT’S A WRAp Dev
Page 87: I DON’T WANT TO ASk THIS gUY FOR
Page 91 and 92: 20 PROFESSIONALS wisdom from above
Page 93 and 94: 21 MING HSIEH i’m not a graphic d
Page 95 and 96: 22 KRISTEN bECK things i wish i kne
Page 97 and 98: 23 DAN CLIFTON finding inspiration
Page 99 and 100: 24 JINCE KURUVILLA storytelling fro
Page 101 and 102: Don’t get discouraged. We’ve be
Page 103 and 104: WHERE’S THAT BUTTON THAT LETS ME
Page 105 and 106: 25 INDESIGN PDF INDESIgN pDF ExpORT
Page 107 and 108: 26 SIZE REDUCTION SIZE REDUCTION FU
Page 109 and 110: 02 27 PRINTING TIPS pRINTINg TIpS H
Page 111 and 112: gOOD LUCk Portfolios are a bitch to
Page 113 and 114: THANk YOU, WE LOVE YOU We’d like
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