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Kapampangans crowd around the replica image after its canonical crowning in 1956 in San Fernando. (Jojo Valencia)<br />

The people of Baliti graciously lent the image of<br />

their parish patroness for the first year of provincial<br />

processions. However, when it wasn’t returned in<br />

time for their barrio fiesta, and when talk circulated<br />

that the image did not belong to them anymore but<br />

to the entire province, their mood turned from<br />

gracious to sour to indignation<br />

its, Bishop Guerrero, who had arrived in<br />

Baliti to pick up the image, was politely<br />

told by Baliti’s parish priest, Fr. Generoso<br />

Pallasigui, that his parishioners would not<br />

allow the image to leave the parish again.<br />

Msgr. Jose de la Cruz, now 92, who was<br />

present in the meeting, said in a recent<br />

interview that Fr. Pallasigui was quite worried<br />

that “blood would flow” if Bishop<br />

Guerrero insisted on taking the image<br />

away. (Apparently the people and their<br />

officials had made their feelings clear to<br />

the priest earlier.)<br />

Msgr. De la Cruz recalls that the bishop<br />

decided right then and there to have a replica<br />

made. “Considering that Baliti was<br />

Huk-infested at that time,” Msgr. De la<br />

Cruz said, “the bishop thought it wise to<br />

let the matter rest. Besides, the Cruzada<br />

92<br />

was intended to bring the people closer to<br />

God, not away from Him.”<br />

Msgr. De la Cruz was the director of the<br />

radio program Ing Siuala nang Maria (The<br />

Voice of Mary) at the time. He said the<br />

people may have reacted to an earlier comment<br />

he had made on the program that “no<br />

single parish owns the Virgen de los<br />

Remedios. Every parish that the image visits<br />

owns it in the duration of the visit. She<br />

belongs to the entire diocese.” The comment<br />

is canonically sound because all church<br />

edifices and all artifacts found inside are<br />

technically the property of the diocese.<br />

The first replica was thus hastily made;<br />

it was carved by the Siocos of San<br />

Fernando. It was so well made that when<br />

the processions began for the Cruzada’s<br />

Year 2 in late 1953, the people did not re-<br />

alize it was a different image. Bishop<br />

Guerrero next decided to apply to the<br />

Vatican for permission to have the image<br />

canonically crowned.<br />

The criteria for a canonical coronation<br />

of a religious image are: (a) there must be<br />

widespread devotion around the image; and<br />

(b) the image must have proven antiquity.<br />

It was the second criterion that made Msgr.<br />

De la Cruz pause. Which of the two images<br />

should be canonically crowned, the antique<br />

Baliti image or the new replica to which<br />

popular devotion had now been transferred?<br />

Bishop Guerrero told the priest,<br />

“Just pray, Pepe.”<br />

On September 8, 1956, more than<br />

70,000 Kapampangans witnessed the canonical<br />

coronation of the replica, performed<br />

by the Pope’s emissary to the<br />

Philippines,Msgr. Egidio Vagnozzi, held on<br />

capitol grounds in San Fernando.<br />

After that, the popular devotion around<br />

the crowned image of the Virgen de los<br />

Remedios grew even more. Towns that<br />

were visited often kept the image way beyond<br />

the allotted period, which slowed<br />

down the intinerary. It took 10 years or<br />

more before the image returned to the<br />

same town, which was why people pulled

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