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Download PDF - Holy Angel University

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terns were simultaneously lit and played until their<br />

bulbs exploded or went dead; the lantern with the<br />

most number of remaining lit bulbs won. The competition<br />

lasted well until daybreak of Christmas<br />

day.<br />

The lanterns started assuming their gigantic<br />

proportions only in 1965, probably due to the competing<br />

barangays’ increasing prosperity, and of<br />

course, the Kapampangans’ natural tendency to<br />

overspend just to produce a thing of beauty.<br />

Acknowledged as the pioneer in modern lantern-making<br />

was Mario Datu of barrio Del Pilar; he<br />

is credited as the first to use iron framing for lanterns<br />

(previously they used bamboo frames) and<br />

for a more scientific mechanism to make the lights<br />

dance (previously they used only a kalakati, where<br />

one would run an iron rod against a row of nails).<br />

The rivals in the competition in those early days<br />

were Datu and Susing Maglalang of barrio San Jose.<br />

Later other names became by-words: Erning Diwa<br />

of Sta. Lucia; Emilio Dizon, Gregorio Miranda and<br />

a Mr. Santos of Del Pilar. A Mr. Linson was known<br />

for his dinukit a parul, or lanterns using paper cardboards<br />

and layers to give the impression of having<br />

been “carved.”<br />

It was Crising Valencia who invented the now-famous rotor<br />

system, in which a rotating cylinder (originally made of wood,<br />

then of copperplate, today of tin sheet covered with masking tape)<br />

is manually driven to make the lantern’s lights dance. A few years<br />

ago, a group was commissioned by the city government to computerize<br />

a giant lantern; the lantern-makers, however, have since<br />

returned to the more traditional method.<br />

The parts of a traditional San Fernando lantern are as follows:<br />

tambor (the lantern’s round middle part), siku-siku (the<br />

right-angled designs emanating from the center which give the<br />

lantern its distinctive star shape), palimbun (circular shapes on<br />

the outer rim) and puntetas (the rays of the lantern).<br />

If the San Fernando lantern dances and has psychedelic colors,<br />

the <strong>Angel</strong>es lantern is a dainty all-white star with a pair or<br />

dangling tails representing the rays of the Star of Bethlehem. The<br />

Top, the rotor system responsible for the giant lantern’s dancing lights,<br />

invented by a Kapampangan; above, the parts of a lantern<br />

tradition of lubenas in <strong>Angel</strong>es is stronger today than in San<br />

Fernando (but not quite as strong as in Mabalacat); Mariano Henson<br />

wrote that in 1830, when the first La Naval was held in <strong>Angel</strong>es,<br />

residents were already processing their lit lanterns around town.<br />

But while the lanterns of San Fernando grew in size by leaps and<br />

bounds, those in <strong>Angel</strong>es basically remained the same: small and<br />

white, with lacey cut-outs pasted on the star; they even retained<br />

the quaint fish lanterns with movable fin and tail—a vestige of<br />

the folksy past of lubenas when organizers had to use gimmicks to<br />

attract participants and impress observers. Only one person,<br />

Eulogio Catahan (a.k.a. Apung Eloy) of Brgy. Cutcut still makes<br />

fish lanterns (he also makes burarul and gurion, or kites), and<br />

only one family, in Brgy. San Nicolas, still makes the white lanterns<br />

which are unique to <strong>Angel</strong>es.<br />

Ivan Henares<br />

99

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