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Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan

Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan

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1<br />

FEBRUARY - AUGUST 2003<br />

THE TIRUKKURAL AND THE HINDU MYTHOLOGICAL LORE<br />

Scholar C.Arunaivadivel Mudaliar has<br />

listed a series of puranic <strong>in</strong>stances,<br />

referred to by Tiruvalluvar. The sagepoet<br />

has repeatedly stated <strong>in</strong> his work, that<br />

he pays obeisance to tradition. Mak<strong>in</strong>g use<br />

of traditionally known similies, episodes,<br />

allegories and parables is a well known<br />

technique <strong>in</strong> literature. This helps <strong>in</strong><br />

economy of expression without loss of<br />

mean<strong>in</strong>g-a vital component <strong>in</strong> literature.<br />

By us<strong>in</strong>g fairly widely, the puranic<br />

episodes, words, examples etc.,<br />

Tiruvalluvar <strong>in</strong>dicates <strong>in</strong> unmistakable<br />

terms, where his cultural, spiritual and<br />

religious loyalties lie. Comb<strong>in</strong>ed with<br />

Tiruvallurvar’s repeated assurances that<br />

he follows the traditions, these expressions<br />

that touch both the content and form of<br />

his teach<strong>in</strong>gs show that the poet is an<br />

<strong>in</strong>novator with<strong>in</strong> the broad referential<br />

terms of tradition.<br />

Verse 610 refers to Vishnu as<br />

Trivikrama. Markandeya’s victory over<br />

Yama, the God of Death, is <strong>in</strong>dicated <strong>in</strong><br />

verse 269. Shiva consum<strong>in</strong>g poison is the<br />

theme of verse 580. The Gautama-Indra<br />

episode is recalled <strong>in</strong> the Kural 25. Agastya<br />

curs<strong>in</strong>g Nagusha to become a python is<br />

<strong>in</strong>dicated <strong>in</strong> the Kural verse 899, the<br />

episode of pandava’s agnatavasa (life <strong>in</strong><br />

disguise) can be guessed from verse 935.<br />

S.Dandapani Desikar, a respected scholar,<br />

feels that verse 72 is <strong>in</strong>dicative of the story<br />

of Dadhichi or Shibhi.<br />

God as the creator of the world (1062)<br />

Vishnu as the lotus eyed (1103), Lakshmi,<br />

the Goddess of wealth (179), Her occupy<strong>in</strong>g<br />

a seat of red lotus (84, 617) are some other<br />

references confirm<strong>in</strong>g Valluvar’s verbal<br />

provenance as pauranic. Prosperity’s elder<br />

sister is wretchedness. This pair is referred<br />

A KENDRA WORKER<br />

to Shridevi and Moodevi <strong>in</strong> the Puranas.<br />

Valluvar chooses to go by that usage. A<br />

world higher, better, and happier than this<br />

is a recurr<strong>in</strong>g theme <strong>in</strong> Valluvar’s gallery<br />

of portraits of moral and charitable life.<br />

Verses 58, 86,213,966, and 1323,<br />

<strong>in</strong>variably suggest, that the reward of<br />

moral life is the <strong>in</strong>creased capacity to be<br />

aware, to be conscious, and to be blissful.<br />

Men of righteous deeds go and dwell<br />

<strong>in</strong> heaven. Heaven is <strong>in</strong>habited by devas<br />

of lustrous bodies. Indra is the chief of<br />

devas (25). Life on this earth even<br />

<strong>in</strong>fluences the skies and ra<strong>in</strong>s (18). It is<br />

obvious that Valluvar does not consider<br />

the body to be mere comb<strong>in</strong>ation of atoms<br />

and molecules. The actions of this<br />

corporeal body controlled by a discipl<strong>in</strong>ed<br />

m<strong>in</strong>d have a far-reach<strong>in</strong>g doma<strong>in</strong> of<br />

<strong>in</strong>fluence.<br />

Yama is a great divider, severer. He is<br />

called Kutruvan because he cuts the body<br />

asunder from the spirit at the time of<br />

death. Lead<strong>in</strong>g a life of penance is the way<br />

of ga<strong>in</strong><strong>in</strong>g victory over Yama. A life of<br />

compassion, non-kill<strong>in</strong>g (326) and<br />

austerities (269), will help the seeker to<br />

overcome death itself. As these victories<br />

over Yama, the God of Death, are<br />

mentioned as possible for an ascetic (a<br />

seeker of spiritual freedom—moksha), it is<br />

clear that Valluvar was only referr<strong>in</strong>g to<br />

moksha, a victory over death.<br />

On the other hand, life <strong>in</strong> hell, naraka,<br />

is the threat that Tiruvalluvar holds out<br />

for a life of ignorance, and evil actions. The<br />

verses 121 (darkness as opposed to life<br />

among devas) (168) fiery hell, (not eternal<br />

fiery hell as a translator would have it!)

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