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Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan

Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan

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HEROES IN EPICS<br />

Rama and Ravana<br />

Sisirkumar Das<br />

The most popular and venerable hero<br />

from the H<strong>in</strong>du mythology is Rama,<br />

the protagonist of the Ramayana.<br />

Despite the authors’ shift from a theocentric<br />

world to a man centric universe and<br />

grow<strong>in</strong>g resistance to the div<strong>in</strong>e halo of the<br />

characters of epic, Rama cont<strong>in</strong>ued to<br />

sh<strong>in</strong>e with glory <strong>in</strong> twentieth century as<br />

well. It is not only that new Ramayanas<br />

were be<strong>in</strong>g written by poets –both<br />

Puttappa and Vishvanatha Satyanarayana<br />

wrote Ramayanas, Ramayana Darsanam<br />

<strong>in</strong> Kannada and Srimad Ramayana<br />

Kalpavrksam <strong>in</strong> Telugu respectively –but<br />

because the way the whole life of Rama<br />

had penetrated <strong>in</strong>to the poetic language.<br />

It has become a part of the Indian poetic<br />

stoff. Ravana, the villa<strong>in</strong> of the Ramayana,<br />

too whom Michael Madhusudan Data<br />

valorized as a protest<strong>in</strong>g hero <strong>in</strong> the<br />

n<strong>in</strong>eteenth century, cont<strong>in</strong>ued to fasc<strong>in</strong>ate<br />

some poets but none could surpass the<br />

model created by Michael Madhusudan.<br />

P. Lakshmana Kavi wrote a poem <strong>in</strong> Telugu<br />

entitled Ravanadammiyamu (1915).<br />

Hardayal S<strong>in</strong>ha wrote Ravana Mahakavya<br />

(1952) <strong>in</strong> H<strong>in</strong>di, A. K. Velan wrote a play<br />

Ravanan (1948), with Ravana as the hero,<br />

<strong>in</strong> Tamil. It may be mentioned that with<br />

the consolidation of the Justice Party and<br />

the strengthen<strong>in</strong>g of Tamil Nationalsim<br />

several writers <strong>in</strong> Tamilnadu denounced<br />

Rama and glorified Ravana as a Dravidian<br />

hero.<br />

(A History of Indian Literature, Sahitya<br />

Akademi –New Delhi 1995)<br />

FEBRUARY - AUGUST 2003<br />

MAHABHARATA IN STHALA PURANAS<br />

K. Lakshmi Narayanan<br />

Caste H<strong>in</strong>dus do not take Draupadi<br />

and Pandava brothers as their<br />

major deities. They regarded them<br />

only as semi-div<strong>in</strong>e be<strong>in</strong>gs. But while<br />

compos<strong>in</strong>g Sthala Puranam of their<br />

temples, villages and cities, they brought<br />

the Pandavas as beneficiaries of the grace<br />

of major deities like Siva and Vishnu. This<br />

brought them nearer to rural Tamils and<br />

their memory is perpetuated among them.<br />

We can cite an example. The people of<br />

Vedambur, a village <strong>in</strong> Valankaiman taluk<br />

of Thanjavur district, have a Mahabharata<br />

story for the name of their village. As per<br />

their belief, their village is the place where<br />

the event of Kiratarjuna fight took place.<br />

S<strong>in</strong>ce Siva came here <strong>in</strong> the guise of Vedar<br />

(hunter) to fight with Arjuna, the place is<br />

called Vedambur. The Sthala Purana of<br />

Thirumaraikkadu Siva Temple <strong>in</strong><br />

Vedaranyam tells us that the Pandavas<br />

dur<strong>in</strong>g the time of their Vanavasa visited<br />

that place and worshipped Siva by<br />

establish<strong>in</strong>g five L<strong>in</strong>gas. The same story<br />

has been told for the deities of<br />

Jayanthisvaram Shr<strong>in</strong>e with<strong>in</strong> the<br />

Such<strong>in</strong>dram temple complex. We may cite<br />

<strong>in</strong>numerable examples for the village and<br />

temple towns of Tamilnadu.<br />

(From the Mahabharata <strong>in</strong> T/F<br />

Traditions of India I.I.A.S Shimla, 1993)

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