Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan
Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan
Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan
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HEROES IN EPICS<br />
Rama and Ravana<br />
Sisirkumar Das<br />
The most popular and venerable hero<br />
from the H<strong>in</strong>du mythology is Rama,<br />
the protagonist of the Ramayana.<br />
Despite the authors’ shift from a theocentric<br />
world to a man centric universe and<br />
grow<strong>in</strong>g resistance to the div<strong>in</strong>e halo of the<br />
characters of epic, Rama cont<strong>in</strong>ued to<br />
sh<strong>in</strong>e with glory <strong>in</strong> twentieth century as<br />
well. It is not only that new Ramayanas<br />
were be<strong>in</strong>g written by poets –both<br />
Puttappa and Vishvanatha Satyanarayana<br />
wrote Ramayanas, Ramayana Darsanam<br />
<strong>in</strong> Kannada and Srimad Ramayana<br />
Kalpavrksam <strong>in</strong> Telugu respectively –but<br />
because the way the whole life of Rama<br />
had penetrated <strong>in</strong>to the poetic language.<br />
It has become a part of the Indian poetic<br />
stoff. Ravana, the villa<strong>in</strong> of the Ramayana,<br />
too whom Michael Madhusudan Data<br />
valorized as a protest<strong>in</strong>g hero <strong>in</strong> the<br />
n<strong>in</strong>eteenth century, cont<strong>in</strong>ued to fasc<strong>in</strong>ate<br />
some poets but none could surpass the<br />
model created by Michael Madhusudan.<br />
P. Lakshmana Kavi wrote a poem <strong>in</strong> Telugu<br />
entitled Ravanadammiyamu (1915).<br />
Hardayal S<strong>in</strong>ha wrote Ravana Mahakavya<br />
(1952) <strong>in</strong> H<strong>in</strong>di, A. K. Velan wrote a play<br />
Ravanan (1948), with Ravana as the hero,<br />
<strong>in</strong> Tamil. It may be mentioned that with<br />
the consolidation of the Justice Party and<br />
the strengthen<strong>in</strong>g of Tamil Nationalsim<br />
several writers <strong>in</strong> Tamilnadu denounced<br />
Rama and glorified Ravana as a Dravidian<br />
hero.<br />
(A History of Indian Literature, Sahitya<br />
Akademi –New Delhi 1995)<br />
FEBRUARY - AUGUST 2003<br />
MAHABHARATA IN STHALA PURANAS<br />
K. Lakshmi Narayanan<br />
Caste H<strong>in</strong>dus do not take Draupadi<br />
and Pandava brothers as their<br />
major deities. They regarded them<br />
only as semi-div<strong>in</strong>e be<strong>in</strong>gs. But while<br />
compos<strong>in</strong>g Sthala Puranam of their<br />
temples, villages and cities, they brought<br />
the Pandavas as beneficiaries of the grace<br />
of major deities like Siva and Vishnu. This<br />
brought them nearer to rural Tamils and<br />
their memory is perpetuated among them.<br />
We can cite an example. The people of<br />
Vedambur, a village <strong>in</strong> Valankaiman taluk<br />
of Thanjavur district, have a Mahabharata<br />
story for the name of their village. As per<br />
their belief, their village is the place where<br />
the event of Kiratarjuna fight took place.<br />
S<strong>in</strong>ce Siva came here <strong>in</strong> the guise of Vedar<br />
(hunter) to fight with Arjuna, the place is<br />
called Vedambur. The Sthala Purana of<br />
Thirumaraikkadu Siva Temple <strong>in</strong><br />
Vedaranyam tells us that the Pandavas<br />
dur<strong>in</strong>g the time of their Vanavasa visited<br />
that place and worshipped Siva by<br />
establish<strong>in</strong>g five L<strong>in</strong>gas. The same story<br />
has been told for the deities of<br />
Jayanthisvaram Shr<strong>in</strong>e with<strong>in</strong> the<br />
Such<strong>in</strong>dram temple complex. We may cite<br />
<strong>in</strong>numerable examples for the village and<br />
temple towns of Tamilnadu.<br />
(From the Mahabharata <strong>in</strong> T/F<br />
Traditions of India I.I.A.S Shimla, 1993)