Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan
Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan
Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan
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the ‘deep well of strength’ to our<br />
forefathers, from which they derived—and<br />
which <strong>in</strong>spires us to derive—the ‘endur<strong>in</strong>g<br />
vitality’ of our cultural and spiritual basis<br />
as well as of our social and political life.<br />
Glory to the tw<strong>in</strong> poets whose names are<br />
lost <strong>in</strong> the morass of time, but whose<br />
message br<strong>in</strong>gs strength and peace <strong>in</strong> a<br />
thousand streams to the door of millions<br />
of men and women even to this day, and<br />
<strong>in</strong>cessantly carries silt from long-past<br />
centuries and keeps fresh and fertile the<br />
soul of India” – Rab<strong>in</strong>dranath Tagore.<br />
(Extracted from the Cultural Heritage of<br />
India, Vol.II The RKM Institute of<br />
Culture, Calcutta 1993)<br />
BOX ITEM<br />
7<br />
FEBRUARY-AUGUST 2003<br />
INFLUENCE OF THE EPICS ON INDIAN LIFE AND CULTURE (5/11)<br />
NILMADHAV SEN<br />
From a study of epic derivatives <strong>in</strong> classical and regional literature, it is<br />
very easy to imag<strong>in</strong>e how profound the epic <strong>in</strong>fluence must have been on<br />
art and culture, and on the general texture of social life. The Ramayana<br />
and the Mahabharata are, <strong>in</strong> the words of Havell, ‘as much the common<br />
property of all H<strong>in</strong>duism as the English Bible and Shakespeare belong to<br />
all English-speak<strong>in</strong>g people. The Indian epics conta<strong>in</strong> a portrait-gallery of<br />
ideal types of men and women which afford to every good H<strong>in</strong>du the highest<br />
exemplars of moral conduct, and every H<strong>in</strong>du artist an <strong>in</strong>exhaustible m<strong>in</strong>e<br />
of subject matter’.<br />
(Extracted from Cultural Heritage of India Vol.II The RKM Institute of<br />
Culture Calcutta 1993.)