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Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan

Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan

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VIVEKANANDA KENDRA PATRIKA<br />

SISTER NIVEDITA ON THE MAHABHARATA<br />

The Mahabharata is the result of the<br />

greatest of the efforts made to conserve <strong>in</strong><br />

a collected form, all the ancient beliefs and<br />

traditions of the Race. The name<br />

Mahabharata itself shows that the<br />

movement which culm<strong>in</strong>ated <strong>in</strong> the<br />

compilation of this great work had beh<strong>in</strong>d<br />

it, a vivid consciousness of the unity of<br />

the Bharata or Indian people. For this<br />

reason one f<strong>in</strong>ds <strong>in</strong> this work a great effort<br />

made to present a complete embodiment<br />

of the ideals to be found <strong>in</strong> the social<br />

organism, religion, ancient history,<br />

mythology and ethics of the Indian people.<br />

Hence, if we want to follow Indian<br />

Mythology from its dim beg<strong>in</strong>n<strong>in</strong>gs to its<br />

perfect maturity through all its multiform<br />

<strong>in</strong>termediate phases, we cannot have a<br />

better guide than the Mahabharata. For <strong>in</strong><br />

India, mythology is not mere subject of<br />

antiquarian research and disquisition;<br />

here it still permeates the whole life of the<br />

people as a controll<strong>in</strong>g <strong>in</strong>fluence. And it<br />

is the liv<strong>in</strong>g mythology which, pass<strong>in</strong>g<br />

through the stages of representation of<br />

successive cosmic processes and<br />

assum<strong>in</strong>g def<strong>in</strong>ite shapes thereafter, has<br />

4<br />

become a powerful factor <strong>in</strong> the everyday<br />

life of the people. It is this liv<strong>in</strong>g mythology<br />

that has found place <strong>in</strong> the Mahabharata.<br />

In the <strong>in</strong>fancy of the human m<strong>in</strong>d, men<br />

used to mix up their own fancies and<br />

feel<strong>in</strong>gs with the ways of bird and beast,<br />

the various phenomenon of land and water<br />

and the movements of Sun and Moon and<br />

Stars and Planets and viewed the whole<br />

universe <strong>in</strong> this humanified form. In later<br />

times, when man had atta<strong>in</strong>ed the greatest<br />

importance <strong>in</strong> the eyes of man, the glory<br />

of stellar worlds paled before human<br />

greatness.<br />

We have to deal with both these stages<br />

of mythology the <strong>in</strong>itial as well as the f<strong>in</strong>al.<br />

We have to study and get some glimpses<br />

of the primal forms which mythology<br />

assumed after pass<strong>in</strong>g through the hazy<br />

<strong>in</strong>def<strong>in</strong>itiveness of primitive age. On the<br />

other, we have to study <strong>in</strong> greater detail,<br />

the stories of the age when mythology had<br />

reached its maturity.<br />

(Extracts from “The Myths and<br />

Legends of the H<strong>in</strong>dus and Buddhists,”<br />

Advaita Ashrama, Kolkatta Nov.2001)

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