Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan
Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan
Epics in Imprints-1.pdf - Vivekananda Kendra Prakashan
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VIVEKANANDA KENDRA PATRIKA<br />
SISTER NIVEDITA ON THE MAHABHARATA<br />
The Mahabharata is the result of the<br />
greatest of the efforts made to conserve <strong>in</strong><br />
a collected form, all the ancient beliefs and<br />
traditions of the Race. The name<br />
Mahabharata itself shows that the<br />
movement which culm<strong>in</strong>ated <strong>in</strong> the<br />
compilation of this great work had beh<strong>in</strong>d<br />
it, a vivid consciousness of the unity of<br />
the Bharata or Indian people. For this<br />
reason one f<strong>in</strong>ds <strong>in</strong> this work a great effort<br />
made to present a complete embodiment<br />
of the ideals to be found <strong>in</strong> the social<br />
organism, religion, ancient history,<br />
mythology and ethics of the Indian people.<br />
Hence, if we want to follow Indian<br />
Mythology from its dim beg<strong>in</strong>n<strong>in</strong>gs to its<br />
perfect maturity through all its multiform<br />
<strong>in</strong>termediate phases, we cannot have a<br />
better guide than the Mahabharata. For <strong>in</strong><br />
India, mythology is not mere subject of<br />
antiquarian research and disquisition;<br />
here it still permeates the whole life of the<br />
people as a controll<strong>in</strong>g <strong>in</strong>fluence. And it<br />
is the liv<strong>in</strong>g mythology which, pass<strong>in</strong>g<br />
through the stages of representation of<br />
successive cosmic processes and<br />
assum<strong>in</strong>g def<strong>in</strong>ite shapes thereafter, has<br />
4<br />
become a powerful factor <strong>in</strong> the everyday<br />
life of the people. It is this liv<strong>in</strong>g mythology<br />
that has found place <strong>in</strong> the Mahabharata.<br />
In the <strong>in</strong>fancy of the human m<strong>in</strong>d, men<br />
used to mix up their own fancies and<br />
feel<strong>in</strong>gs with the ways of bird and beast,<br />
the various phenomenon of land and water<br />
and the movements of Sun and Moon and<br />
Stars and Planets and viewed the whole<br />
universe <strong>in</strong> this humanified form. In later<br />
times, when man had atta<strong>in</strong>ed the greatest<br />
importance <strong>in</strong> the eyes of man, the glory<br />
of stellar worlds paled before human<br />
greatness.<br />
We have to deal with both these stages<br />
of mythology the <strong>in</strong>itial as well as the f<strong>in</strong>al.<br />
We have to study and get some glimpses<br />
of the primal forms which mythology<br />
assumed after pass<strong>in</strong>g through the hazy<br />
<strong>in</strong>def<strong>in</strong>itiveness of primitive age. On the<br />
other, we have to study <strong>in</strong> greater detail,<br />
the stories of the age when mythology had<br />
reached its maturity.<br />
(Extracts from “The Myths and<br />
Legends of the H<strong>in</strong>dus and Buddhists,”<br />
Advaita Ashrama, Kolkatta Nov.2001)