A history of Telugu literature; - Cristo Raul
A history of Telugu literature; - Cristo Raul
A history of Telugu literature; - Cristo Raul
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92 A HISTORY OF TELUGU LITERATURE<br />
realism <strong>of</strong> the art ; the latter is, perhaps, the last work <strong>of</strong><br />
real merit in <strong>Telugu</strong> <strong>literature</strong>. It has been described as<br />
a heap <strong>of</strong> precious gems. The polish <strong>of</strong> the language, the<br />
delicacy <strong>of</strong> sentiment, and the melody <strong>of</strong> verse combine in<br />
this poet as in no other. His style is so uniquely his own<br />
that a new name had to be coined to express its quality and<br />
it was called after his surname, '<br />
Chamakurapaka '<br />
Chamakura being also the succulent Indian curry. It is<br />
probable, though not certain, that Kavi Choudappah a<br />
moralist who stands next to Vemana and Sumati, among<br />
Sataka writers belonged to this period.<br />
Later, Muddupalani, a courtesan <strong>of</strong> Pratapa Sinha, <strong>of</strong> Tanjore<br />
(1765), composed in <strong>Telugu</strong> a kavya under the name<br />
Radhika Svantam. Kasturi Ranga Kavi dedicated his Rangara<br />
Chandamu to Ananda Rangapillai. But the greatest<br />
gift <strong>of</strong> Tanjore to the Andhra <strong>literature</strong> is Tyagaraja, the<br />
hymnologist and musician whose songs are sung all over<br />
South India.<br />
2. Madura. But it is in the eighteenth century and in the<br />
court <strong>of</strong> Vijaya Ranga Chokkanatha, the king <strong>of</strong> Madura, a<br />
descendant <strong>of</strong> Nigama Nayak, appointed by Krishnadevaraya,<br />
that we find the Southern school in full bloom. Visvanatha<br />
Nayak, father <strong>of</strong> Chokkanatha, is said to have brought<br />
many learned pandits from the north, and gave them gifts<br />
<strong>of</strong> land, thus inducing them to settle in the south. The<br />
fruits <strong>of</strong> Visvanatha's foresight were reaped by his son,<br />
Chokkanatha, who set a good example by rendering into<br />
prose Sriranga Mahdtya. Of the group <strong>of</strong> poets whose<br />
literary output not only constitutes the bulk <strong>of</strong> Southern<br />
<strong>Telugu</strong> <strong>literature</strong> but also gives the tone to the movement,<br />
Samukha Venkata Krishnappa Nayak has to his credit not<br />
less than four books, <strong>of</strong> which Jaimini Bharata, in prose,<br />
may be taken as an example <strong>of</strong> the high level <strong>of</strong> literary value<br />
attained by the Southern school. Ahalya Samkrandana,<br />
Sdrangadhara Charitra and Radhika Svantam are his<br />
other kavyas. They belong, every one <strong>of</strong> them, to the<br />
erotic type. Sesham Venkatapati's Tarasasanka belongs<br />
to the same order. The other works <strong>of</strong> the period are <strong>of</strong><br />
a religious type. Syatnakavi is the author <strong>of</strong> Rdmdyana<br />
in Vachana, Tupakula Ananta Raju composed Vishnu