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A history of Telugu literature; - Cristo Raul

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66 A HISTORY OF TELUGU LITERATURE<br />

6. Vinukonda Vallabha (A.D. 1420- ). Vinukonda Vallabha was<br />

the son <strong>of</strong> Ravipati Tippanna. This Tippanna was the ruler <strong>of</strong> a few<br />

villages in Muliki Nadu", besides being the keeper <strong>of</strong> the crown jewels <strong>of</strong><br />

Hari Hara Raja. The poet's Krldabhiramamti, though it purports to<br />

be a translation <strong>of</strong> a drama in Sanskrit by name Premddhiramamu, is<br />

really an original composition. The author is the first <strong>Telugu</strong> poet to<br />

translate a drama as a drama, whereas till then Sanskrit dramas were<br />

translated as mere kavyas. Krldabhiramamu, like ^rinatha's<br />

Vldhinataka, is a unique piece <strong>of</strong> <strong>literature</strong> in <strong>Telugu</strong>, an original<br />

literary mode exceedingly rare. The scene is laid at Warangal. It<br />

is the story <strong>of</strong> the travels narrated by Govinda Machanna to his friend<br />

Komati Vitagramani, informing him <strong>of</strong> the scenes he had witnessed<br />

and the adventures he had met while in Warangal. He gives a<br />

delightful description <strong>of</strong> a cock-fight in the streets <strong>of</strong> Warangal.<br />

Pillalamarri Pinavirabhadriah (A.D. 1450-80). The<br />

second half <strong>of</strong> the fifteenth century produced one poet <strong>of</strong><br />

outstanding merit, who stands at the close <strong>of</strong> the era <strong>of</strong><br />

translations, summing up in himself extraordinary learning<br />

in Sanskrit, encyclopaedic knowledge <strong>of</strong> the Vedas and Ved-<br />

angas, and a widespread reputation for sanctity. Pillalamarri<br />

Pinavirabhadriah takes his place in the rank <strong>of</strong> inspired<br />

poets who owe their achievements not to laborious training,<br />

but to native talents, imparted by the favourite deity.<br />

Pinavira's family tree is adorned with many poets ;<br />

and if<br />

tradition can be trusted, the boy-prodigy had in his tenth<br />

year all the massive learning <strong>of</strong> a pandit <strong>of</strong> forty. We are<br />

told that Srinatha, who wanted to have the poet's<br />

criticism <strong>of</strong> his Naishada, had to seek him among boys playing<br />

in the street, and could hardly bring himself to believe that<br />

the poet whom reputation had made so formidable was a<br />

young lad in his teens. Yet, with one shrewd question and<br />

a sharp comment, the boy-poet sent Srinatha about his<br />

business a sadder and wiser man and rejoined his playmates,<br />

all unconscious that he had sat in judgment and condemned<br />

the greatest poet <strong>of</strong> the age. 1<br />

Pillalamarri Pinavirabhadriah was the court poet <strong>of</strong> Saluva<br />

Narasimha Razu, who was for some time the commander <strong>of</strong><br />

Virupaksha Raya, whom he supplanted, and became an<br />

independent ruler <strong>of</strong> Ana-Gonda in Bellary District. The<br />

poet was the disciple <strong>of</strong> Bharatitirta Svami, through<br />

1<br />

Seep.<br />

61 f.

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