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Top 10 Madeira (Eyewitness Top 10 Travel Guides)

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<strong>Madeira</strong>’s <strong>Top</strong> <strong>10</strong><br />

16<br />

Left Lower choir Middle 17th-century carpet tiles, Santa Clara Church Right Upper choir<br />

Convento de Santa Clara, Funchal<br />

! Gateway<br />

The arms of the Order<br />

of St Francis are carved<br />

on the 17th-century<br />

stone roundel above the<br />

ancient wooden doors of<br />

the convent gateway.<br />

Ring the bell here<br />

to be admitted. d<br />

Calçada de Santa Clara 15<br />

• Map N2 • 291 742 602 •<br />

Open <strong>10</strong>am–noon, 3–5pm<br />

Mon–Sat, <strong>10</strong>am–noon Sun • Admission €2<br />

@ Cloister<br />

This peaceful spot provided<br />

access to chapels and oratories<br />

where the nuns could pass the<br />

day in prayer. From here you can<br />

admire the cupola of the convent’s<br />

bell tower, decorated with<br />

rare 17th-century blue, white and<br />

gold ceramic tiles.<br />

£ Abbess’s Grave<br />

3<br />

4<br />

A gravestone with Gothic<br />

script marks the burial place of<br />

5<br />

0<br />

6<br />

7<br />

8<br />

Cloister<br />

1<br />

9<br />

Santa Clara Convent<br />

the convent’s first abbess,<br />

Isabel de Noronha, and<br />

her sister, Constança.<br />

As a sign of their<br />

humility, these<br />

high-born ladies<br />

(whose grandfather<br />

was Zarco – see p36)<br />

chose to be buried in a<br />

corridor where nuns<br />

would walk across their<br />

graves each day.<br />

$ Upper Choir<br />

Green Moorish tiles cover the<br />

floor of this long room, with its<br />

knotwork ceiling and gilded altar<br />

housing a statue of the Virgin. This<br />

choir was the place of daily prayer<br />

for the first community of Poor<br />

Clare nuns (the sister order to<br />

the Franciscans), who came to<br />

Santa Clara from Portugal in 1497.<br />

% Lower Choir<br />

The lower choir is lined with<br />

wooden choir-stall chairs dating<br />

from 1736, carved with winged<br />

cherubs and amusing animal<br />

heads. The painted throne was<br />

reserved for the use of the<br />

bishop and the head of the<br />

Franciscan order when either<br />

visited the convent.<br />

^ Grille<br />

Through the iron grille set in<br />

the eastern wall of the lower choir,<br />

the congregation could hear the<br />

sweet singing of the nuns, and<br />

the nuns could hear the priest<br />

say mass. The nuns had no other<br />

contact with the outside world.<br />

From the Quinta das Cruzes (see pp14–15), take the Calçada do<br />

Pico towards Funchal; the convent will be on your right.<br />

2

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