in Snippets - LilyPond

More documents

Recommendations

Info

Fretted strings 287 C X O O 1 2 3 X 1 C 2 3 4 1 iii M 3 C 1 4 3 2 1 D X X O 12 3 Defining predefined fretboards for other instruments Predefined fret diagrams can be added for new instruments in addition to the standards used for guitar. This file shows how this is done by defining a new string-tuning and a few predefined fretboards for the Venezuelan cuatro. This file also shows how fingerings can be included in the chords used as reference points for the chord lookup, and displayed in the fret diagram and the TabStaff, but not the music. These fretboards are not transposable because they contain string information. This is planned to be corrected in the future. % add FretBoards for the Cuatro % Note: This section could be put into a separate file % predefined-cuatro-fretboards.ly % and \included into each of your compositions cuatroTuning = #`(,(ly:make-pitch 0 6 0) ,(ly:make-pitch 1 3 SHARP) ,(ly:make-pitch 1 1 0) ,(ly:make-pitch 0 5 0)) dSix = { } dMajor = { } aMajSeven = { } dMajSeven = { } gMajor = { } \storePredefinedDiagram #default-fret-table \dSix #cuatroTuning #"o;o;o;o;" \storePredefinedDiagram #default-fret-table \dMajor #cuatroTuning #"o;o;o;3-3;" \storePredefinedDiagram #default-fret-table \aMajSeven #cuatroTuning #"o;2-2;1-1;2-3;" \storePredefinedDiagram #default-fret-table \dMajSeven #cuatroTuning #"o;o;o;1-1;" \storePredefinedDiagram #default-fret-table \gMajor #cuatroTuning #"2-2;o;1-1;o;" % end of potential include file /predefined-cuatro-fretboards.ly #(set-global-staff-size 16) primerosNames = \chordmode {
Fretted strings 288 d:6 d a:maj7 d:maj7 g } primeros = { \dSix \dMajor \aMajSeven \dMajSeven \gMajor } \score { > \new TabStaff \relative c'' { \set TabStaff.stringTunings = #cuatroTuning \primeros } \layout { \context { \Score \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 16) } } \midi { }
Page 1 and 2:
LilyPond Snippets The LilyPond deve
Page 3 and 4:
Conducting signs measure grouping s
Page 5 and 6:
Vertical line as a baroque articula
Page 7 and 8:
Text . . . . . . . . . . . . . . .
Page 9 and 10:
Jazz combo template . . . . . . . .
Page 11 and 12:
Tweaks and overrides. . . . . . . .
Page 13 and 14:
Spacing . . . . . . . . . . . . . .
Page 15 and 16:
Pitches 2 Ambi
Page 17 and 18:
Pitches 4 5 Changing the ambitus
Page 19 and 20:
Pitches 6 Coloring notes depending
Page 21 and 22:
Pitches 8 } } (make-event-chord
Page 23 and 24:
Pitches 10 Numbers as eas
Page 25 and 26:
Pitches 12 \fluteMusic } \new Staff
Page 27 and 28:
Pitches 14 Flute Clarinet in B Horn
Page 29 and 30:
Pitches 16 quoteTest = { % french h
Page 31 and 32:
Pitches 18 naturalizeMusic = #(defi
Page 33 and 34:
Pitches 20 } \new Staff = "down"
Page 35 and 36:
Rhythms 22 } >> \layout { } \midi {
Page 37 and 38:
Rhythms 24 } } b32^"baseMoment 1 16
Page 39 and 40:
Rhythms 26 } } >> { \voiceOne c8
Page 41 and 42:
Rhythms 28 Chan
Page 43 and 44:
Rhythms 30 } } \stemOn a'2 \bar "|
Page 45 and 46:
Rhythms 32 } } \new Staff { \relati
Page 47 and 48:
Rhythms 34 } Engraving tremo
Page 49 and 50:
Rhythms 36
Page 51 and 52:
Rhythms 38 Normal flags stom flag
Page 53 and 54:
Rhythms 40 Bb Sop. 2 4 6 38 +2 8
Page 55 and 56:
Rhythms 42 } \normalPos R1 } \\ { c
Page 57 and 58:
Rhythms 44 } (tuplet-number::non-de
Page 59 and 60:
Rhythms 46 } } f8[ e] Positi
Page 61 and 62:
Rhythms 48 \override Score.Rehearsa
Page 63 and 64:
Rhythms 50 = 120 Printing mus
Page 65 and 66:
Rhythms 52 \bar "|" g'2. } >> \new
Page 67 and 68:
Rhythms 54 stopAcciaccaturaMusic =
Page 69 and 70:
Rhythms 56 mensural neom
Page 71 and 72:
Rhythms 58 Stemlets In some notatio
Page 73 and 74:
Rhythms 60 (chain-assoc-get 'box-pa
Page 75 and 76:
Rhythms 62 Using grace note slashes
Page 77 and 78:
Expressive marks 64 } Alterna
Page 79 and 80:
Expressive marks 66 } } >> 1 setgr
Page 81 and 82:
Expressive marks 68 Changing text a
Page 83 and 84:
Expressive marks 70 } \bar "|" 4
Page 85 and 86:
Expressive marks 72 } Creat
Page 87 and 88:
Expressive marks 74 10 50 36 C
Page 89 and 90:
Expressive marks 76 } \override Tex
Page 91 and 92:
Expressive marks 78 'span-type 'tex
Page 93 and 94:
Expressive marks 80 #(make-dynamic-
Page 95 and 96:
Expressive marks 82 } >> >> \overri
Page 97 and 98:
Expressive marks 84 } { s4 s s s \m
Page 99 and 100:
Expressive marks 86 } c4( d e f) \o
Page 101 and 102:
Expressive marks 88 Printing hairpi
Page 103 and 104:
Expressive marks 90 Snap-pizzicato
Page 105 and 106:
Expressive marks 92 m) \relative c'
Page 107 and 108:
Repeats 94 } >> } }
Page 109 and 110:
Repeats 96 11 2 6 4 Pe
Page 111 and 112:
Repeats 98 } 6 9 % Put the coda sig
Page 113 and 114:
Repeats 100 4 3 Volta below
Page 115 and 116:
Simultaneous notes 102 Simultaneous
Page 117 and 118:
Simultaneous notes 104 C
Page 119 and 120:
Simultaneous notes 106 } } >> % ori
Page 121 and 122:
Simultaneous notes 108
Page 123 and 124:
Staff notation 110 } } >> }
Page 125 and 126:
Staff notation 112 \paper { ragged-
Page 127 and 128:
Staff notation 114 pianoRH = \relat
Page 129 and 130:
Staff notation 116 Changing the num
Page 131 and 132:
Staff notation 118 Creating double-
Page 133 and 134:
Staff notation 120 \markup \left-co
Page 135 and 136:
Staff notation 122 } g f e d | \onc
Page 137 and 138:
Staff notation 124 #}) %%%%%%%%%%%%
Page 139 and 140:
Staff notation 126 \new Lyrics \lyr
Page 141 and 142:
Staff notation 128 } } \context { \
Page 143 and 144:
Staff notation 130 \new TabStaff \w
Page 145 and 146:
Staff notation 132
Page 147 and 148:
Staff notation 134 \transposition f
Page 149 and 150:
Staff notation 136 Flute Clarinet i
Page 151 and 152:
Staff notation 138 original = \rela
Page 153 and 154:
Staff notation 140 \paper { system-
Page 155 and 156:
Staff notation 142 Tick bar lines
Page 157 and 158:
Staff notation 144 } 6 c'1 % Return
Page 159 and 160:
Staff notation 146 } C C 1.--2.
Page 161 and 162:
Editorial annotations 148 2 2 5 6b
Page 163 and 164:
Editorial annotations 150 } \set fi
Page 165 and 166:
Editorial annotations 152 #(define
Page 167 and 168:
Editorial annotations 154 Creating
Page 169 and 170:
Editorial annotations 156 } c4. c4
Page 171 and 172:
Editorial annotations 158 } } \co
Page 173 and 174:
Editorial annotations 160 } \mark \
Page 175 and 176:
Editorial annotations 162 speakOff
Page 177 and 178:
Editorial annotations 164 String nu
Page 179 and 180:
Text 166 Text Section “Text” in
Page 181 and 182:
Text 168 } \override Staff.Instrume
Page 183 and 184:
Text 170 ↓ ↓ ↓ 5
Page 185 and 186:
Text 172 Centering markup on note h
Page 187 and 188:
Text 174 Combining dynamics with ma
Page 189 and 190:
Text 176 mark can be added, giving
Page 191 and 192:
Text 178 \score { \relative c'' { c
Page 193 and 194:
Text 180 } "This is right-aligned"
Page 195 and 196:
Text 182 Multi-measure rest markup
Page 197 and 198:
Text 184 Aaa Bee Cee Dee
Page 199 and 200:
Text 186 } } \line { O sacrum convi
Page 201 and 202:
Text 188 % end verbatim - this comm
Page 203 and 204:
Text 190 \score { \new ChoirStaff
Page 205 and 206:
Vocal music 192 Vocal music Section
Page 207 and 208:
Vocal music 194 } \repeat unfold 4
Page 209 and 210:
Vocal music 196 here's the
Page 211 and 212:
Vocal music 198 \layout { \context
Page 213 and 214:
Vocal music 200 } \time 2/2 dot = \
Page 215 and 216:
Vocal music 202 Changing stanza fon
Page 217 and 218:
Vocal music 204 > Lyrics can c
Page 219 and 220:
Vocal music 206 } } "" \paper { % S
Page 221 and 222:
Vocal music 208 sopMusic = \relativ
Page 223 and 224:
Vocal music 210 2 faith- fa
Page 225 and 226:
Vocal music 212 } \new Lyrics \lyri
Page 227 and 228:
Vocal music 214 } a4 b c d lower =
Page 229 and 230:
Vocal music 216 } \new Voice = "ten
Page 231 and 232:
Vocal music 218 \context Voice = "v
Page 233 and 234:
Vocal music 220 } { \voiceTwo a1 ~
Page 235 and 236:
Vocal music 222 } >> \new Lyric
Page 237 and 238:
Vocal music 224 hi ha
Page 239 and 240:
Vocal music 226 } \time 3/4 s2.*2 \
Page 241 and 242:
Vocal music 228 } system-system-spa
Page 243 and 244:
Chords 230 Chords Section “Chord
Page 245 and 246:
Chords 232 #{ (cons (make-music 'Te
Page 247 and 248:
Chords 234 } r \set figuredBassP
Page 249 and 250: Chords 236 Cross-staff chords - bea
Page 251 and 252: Chords 238 3 Cm Simple lead sheet
Page 253 and 254: Chords 240 C X X X iii X X X G
Page 255 and 256: Chords 242 C C 1.--2.
Page 257 and 258: Keyboards 244 } accTrombon = ^\mark
Page 259 and 260: Keyboards 246 } c4 d\accOrgan e f c
Page 261 and 262: Keyboards 248 This example is measu
Page 263 and 264: Keyboards 250 Fine-tuning pedal bra
Page 265 and 266: Keyboards 252 %%%%%%%%%%%% Keys'n't
Page 267 and 268: Keyboards 254 %% ------ Piano -----
Page 269 and 270: Keyboards 256 } \new Staff = "bass"
Page 271 and 272: Keyboards 258 Piano template (simpl
Page 273 and 274: Keyboards 260 } \key c \major \time
Page 275 and 276: Keyboards 262 c4 c c8[( b)] c4 } so
Page 277 and 278: Percussion 264 Percussion Section
Page 279 and 280: Percussion 266 Jazz combo template
Page 281 and 282: Percussion 268 % ------ Trombone --
Page 283 and 284: Percussion 270 % ------ Drums -----
Page 285 and 286: Percussion 272 stick = \markup { \w
Page 287 and 288: Percussion 274 } " /Encode [ 0 1 ]
Page 289 and 290: Percussion 276 } >> \bar "|" \time
Page 291 and 292: Percussion 278 8 4 3
Page 293 and 294: Fretted strings 280 Allowing finger
Page 295 and 296: Fretted strings 282 } >> c'1 c' X
Page 297 and 298: Fretted strings 284 5 3 5 1 3
Page 299: Fretted strings 286 } >> } } } (pla
Page 303 and 304: Fretted strings 290 also an abanico
Page 305 and 306: Fretted strings 292 8^\iDown 8^\iDo
Page 307 and 308: Fretted strings 294 } } i i
Page 309 and 310: Fretted strings 296 } } } \fret-dia
Page 311 and 312: Fretted strings 298 } } } (place-fr
Page 313 and 314: Fretted strings 300 } >> } } %% C m
Page 315 and 316: Fretted strings 302 } \set predefin
Page 317 and 318: Fretted strings 304 8
Page 319 and 320: Fretted strings 306 X C O O F 1
Page 321 and 322: Fretted strings 308 jazzChords = {
Page 323 and 324: Fretted strings 310 } %% ------ Pia
Page 325 and 326: Fretted strings 312 } \new PianoSta
Page 327 and 328: Fretted strings 314 Letter tablatur
Page 333 and 334: Unfretted strings 320 Unfretted str
Page 335 and 336: Unfretted strings 322 violinOne = \
Page 337 and 338: Unfretted strings 324 c2 b a1 \bar
Page 339 and 340: Winds 326 Winds Section “Wind ins
Page 341 and 342: Winds 328 Graphical and t
Page 343 and 344: Winds 330 #(print-keys-verbose 'tin
Page 345 and 346: Winds 332 6 'piccolo 'saxophone
Page 347 and 348: Ancient notation 334 a! b ces' \bar
Page 349 and 350: Ancient notation 336 fis1 ces1 \cle
Page 351 and 352:
Ancient notation 338
Page 353 and 354:
Ancient notation 340 } \bar "||" \s
Page 355 and 356:
Ancient notation 342 } } % incipit
Page 357 and 358:
Ancient notation 344 } } Discantus
Page 359 and 360:
Ancient notation 346 2 hufnagel
Page 361 and 362:
Ancient notation 348 } } discantusL
Page 363 and 364:
Ancient notation 350 } } R1 | R1 |
Page 365 and 366:
Ancient notation 352 3 8
Page 367 and 368:
Ancient notation 354 } \override St
Page 369 and 370:
Ancient notation 356 } } } } line-w
Page 371 and 372:
Ancient notation 358 } \new Voice =
Page 373 and 374:
World music 360 World music Section
Page 375 and 376:
Contexts and engravers 362 Contexts
Page 377 and 378:
Contexts and engravers 364 } } >> }
Page 379 and 380:
Contexts and engravers 366 } g2. fi
Page 381 and 382:
Contexts and engravers 368 { \repea
Page 383 and 384:
Contexts and engravers 370 %%% %%%
Page 385 and 386:
Contexts and engravers 372 |- Ambit
Page 387 and 388:
Contexts and engravers 374 ;; accor
Page 389 and 390:
Contexts and engravers 376 Engraver
Page 391 and 392:
Contexts and engravers 378 } localK
Page 393 and 394:
Contexts and engravers 380 } \consi
Page 395 and 396:
Contexts and engravers 382 Nesting
Page 397 and 398:
Contexts and engravers 384 tenorMus
Page 399 and 400:
Contexts and engravers 386 } c4 c |
Page 401 and 402:
Tweaks and overrides 388 Tweaks and
Page 403 and 404:
Tweaks and overrides 390 Analysis b
Page 405 and 406:
Tweaks and overrides 392 (note-colu
Page 407 and 408:
Tweaks and overrides 394 Changing t
Page 409 and 410:
Tweaks and overrides 396 } c4 b d c
Page 411 and 412:
Tweaks and overrides 398 } \times 2
Page 413 and 414:
Tweaks and overrides 400 } % \caden
Page 415 and 416:
Tweaks and overrides 402
Page 417 and 418:
Tweaks and overrides 404 \override
Page 419 and 420:
Tweaks and overrides 406 } >> } }
Page 421 and 422:
Tweaks and overrides 408 #f)) #(def
Page 423 and 424:
Tweaks and overrides 410 \relative
Page 425 and 426:
Tweaks and overrides 412 \\ {
Page 427 and 428:
Tweaks and overrides 414 %% C major
Page 429 and 430:
Tweaks and overrides 416 } \overrid
Page 431 and 432:
Tweaks and overrides 418 } >> } }
Page 433 and 434:
Tweaks and overrides 420 } \mark "R
Page 435 and 436:
Tweaks and overrides 422 #:hspace 7
Page 437 and 438:
Tweaks and overrides 424 Normal Nor
Page 439 and 440:
Tweaks and overrides 426 } g f e d
Page 441 and 442:
Tweaks and overrides 428 } \clef "b
Page 443 and 444:
Tweaks and overrides 430 M
Page 445 and 446:
Tweaks and overrides 432 Percent re
Page 447 and 448:
Tweaks and overrides 434 }
Page 449 and 450:
Tweaks and overrides 436 } R1 >
Page 451 and 452:
Tweaks and overrides 438 \new Staff
Page 453 and 454:
Tweaks and overrides 440 ) \overrid
Page 455 and 456:
Tweaks and overrides 442 3 5
Page 457 and 458:
Tweaks and overrides 444 \relative
Page 459 and 460:
Tweaks and overrides 446 global = {
Page 461 and 462:
Tweaks and overrides 448 } } c''1._
Page 463 and 464:
Tweaks and overrides 450 \new Voice
Page 465 and 466:
Tweaks and overrides 452 The follow
Page 467 and 468:
Tweaks and overrides 454 3
Page 469 and 470:
Tweaks and overrides 456 } \tweak #
Page 471 and 472:
Tweaks and overrides 458 } >> 3 4 8
Page 473 and 474:
Paper and layout 460 } } Left align
Page 475 and 476:
Paper and layout 462 Book title Fir
Page 477 and 478:
Paper and layout 464 Book title
Page 479 and 480:
Paper and layout 466 } } } (cons (m
Page 481 and 482:
Paper and layout 468 Creating blank
Page 483 and 484:
Paper and layout 470 } } poet piece
Page 485 and 486:
Paper and layout 472 Table of conte
Page 487 and 488:
Titles 474 Titles Section “Titles
Page 489 and 490:
Titles 476 Left Centered Right 2
Page 491 and 492:
Spacing 478 Spacing Section “Spac
Page 493 and 494:
Spacing 480 2 Table Table of conten
Page 495 and 496:
Spacing 482 3 Ve
Page 497 and 498:
MIDI 484 MIDI Section “MIDI outpu
Page 499 and 500:
MIDI 486 r\mf \set Staff.midiInstru
Page 501 and 502:
MIDI 488 } \set Staff.midiInstrumen
Page 503 and 504:
Templates 490 Ancient notation temp
Page 505 and 506:
Templates 492 } } fis g4.( fis16 e
Page 507 and 508:
Templates 494 } \layout { \context
Page 509 and 510:
Templates 496 \markup { \fill-line
Page 511 and 512:
Templates 498 Hymn template This co
Page 513 and 514:
Templates 500 Jazz co
Page 515 and 516:
Templates 502 } bariSax = { \global
Page 517 and 518:
Templates 504 c1 | c | c } bass = {
Page 519 and 520:
Templates 506 Trumpet Alto Sax Bari
Page 521 and 522:
Templates 508 \set PianoStaff.instr
Page 523 and 524:
Templates 510 } lower = \relative c
Page 525 and 526:
Templates 512 } \time 4/4 a2 c \sco
Page 527 and 528:
Templates 514 8 p do p
Page 529 and 530:
Templates 516 % - In jEdit Search &
Page 531 and 532:
Templates 518 } } \score { \new Cho
Page 533 and 534:
Templates 520 } \new Staff { \conte
Page 535 and 536:
Templates 522 } \midi { } Str
Page 537 and 538:
Templates 524 g2 f e1 \bar "|." }}
Page 539 and 540:
Templates 526 } score-system-spacin
Page 541 and 542:
Templates 528 Vocal ensemble templa
Page 543 and 544:
Templates 530 } R2*2 | SoloLyrics =
Page 545 and 546:
Templates 532 } altoWords = \lyricm
show all

in Snippets - LilyPond

Create successful ePaper yourself

Delete template?

Save as template?