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in Snippets - LilyPond

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Ancient notation 339<br />

}<br />

\new Staff ><br />

\layout {<br />

\context {<br />

\Staff<br />

\remove "Time_signature_engraver"<br />

\remove "Bar_engraver"<br />

\override Stem #'transparent = ##t<br />

\override Flag #'transparent = ##t<br />

}<br />

\context {<br />

\Voice<br />

\override Stem #'length = #0<br />

}<br />

\context {<br />

\Score<br />

barAlways = ##t<br />

}<br />

}<br />

<br />

Lorem<br />

ipsum dolor sit a met<br />

Ancient notation template – modern transcription of mensural<br />

music<br />

When transcrib<strong>in</strong>g mensural music, an <strong>in</strong>cipit at the beg<strong>in</strong>n<strong>in</strong>g of the piece is useful to <strong>in</strong>dicate<br />

the orig<strong>in</strong>al key and tempo. While today musicians are used to bar l<strong>in</strong>es <strong>in</strong> order to faster<br />

recognize rhythmic patterns, bar l<strong>in</strong>es were not yet <strong>in</strong>vented dur<strong>in</strong>g the period of mensural<br />

music; <strong>in</strong> fact, the meter often changed after every few notes. As a compromise, bar l<strong>in</strong>es are<br />

often pr<strong>in</strong>ted between the staves rather than on the staves.<br />

global = {<br />

\set Score.skipBars = ##t<br />

% <strong>in</strong>cipit<br />

\once \override Score.SystemStartBracket #'transparent = ##t<br />

% Set tight spac<strong>in</strong>g<br />

\override Score.Spac<strong>in</strong>gSpanner #'spac<strong>in</strong>g-<strong>in</strong>crement = #1.0<br />

\key f \major<br />

\time 2/2<br />

\once \override Staff.TimeSignature #'style = #'neomensural<br />

\override Voice.NoteHead #'style = #'neomensural<br />

\override Voice.Rest #'style = #'neomensural<br />

\set Staff.pr<strong>in</strong>tKeyCancellation = ##f<br />

\cadenzaOn % turn off bar l<strong>in</strong>es<br />

\skip 1*10<br />

\once \override Staff.BarL<strong>in</strong>e #'transparent = ##f

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