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Ancient notation 333 Ancient notation Section “Ancient notation” in Notation Reference Adding a figured bass above or below the notes When writing a figured bass, you can place the figures above or below the bass notes, by defining the BassFigureAlignmentPositioning #'direction property (exclusively in a Staff context). Choices are #UP (or #1), #CENTER (or #0) and #DOWN (or #-1). This property can be changed as many times as you wish. Use \once \override if you don’t want the override to apply to the whole score. bass = { \clef bass g4 b, c d e d8 c d2 } continuo = \figuremode { 4 4 4 \override Staff.BassFigureAlignmentPositioning #'direction = #UP %\bassFigureStaffAlignmentUp < _+ >4 \set Staff.useBassFigureExtenders = ##t \override Staff.BassFigureAlignmentPositioning #'direction = #DOWN %\bassFigureStaffAlignmentDown 4. 8 4 } \score { > } 6 6 5 Ancient fonts 4 Shown here are many (all?) of the symbols that are included in LilyPond’s support for ancient notation. upperStaff = \new VaticanaStaff = "upperStaff"
Ancient notation 334 a! b ces' \bar "|" % \break % 1 (8*1) \override NoteHead #'style = #'vaticana.quilisma b! des'! ges! fes! \breathe \clef "vaticana-fa1" \override NoteHead #'style = #'vaticana.plica es d \override NoteHead #'style = #'vaticana.reverse.plica c d \bar "|" % \break %2 (8*1) \override NoteHead #'style = #'vaticana.punctum.cavum es f \override NoteHead #'style = #'vaticana.lpes g as \override NoteHead #'style = #'vaticana.upes bes as \override NoteHead #'style = #'vaticana.vupes g f \override NoteHead #'style = #'vaticana.linea.punctum \once \override Staff.BarLine #'bar-extent = #'(-1 . 1) \bar "|" % \break % 3 (8*1) es d \override NoteHead #'style = #'vaticana.epiphonus c d \override NoteHead #'style = #'vaticana.cephalicus es f \override Staff.KeySignature #'glyph-name-alist = #alteration-medicaea-glyph-name-alis \override Staff.Accidental #'glyph-name-alist = #alteration-medicaea-glyph-name-alist \override Staff.Custos #'style = #'medicaea \override NoteHead #'style = #'medicaea.punctum \clef "medicaea-fa2" ces des \bar "|" % \break % 4 (8*1) e! f! ges \clef "medicaea-do2" \override NoteHead #'style = #'medicaea.inclinatum a! b! ces' \override NoteHead #'style = #'medicaea.virga b! a! \bar "|" % \break % 5 (8*1) ges fes
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LilyPond Snippets The LilyPond deve
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Conducting signs measure grouping s
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Vertical line as a baroque articula
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Text . . . . . . . . . . . . . . .
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Jazz combo template . . . . . . . .
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Tweaks and overrides. . . . . . . .
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Spacing . . . . . . . . . . . . . .
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Pitches 2 Ambi
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Pitches 4 5 Changing the ambitus
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Pitches 6 Coloring notes depending
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Pitches 8 } } (make-event-chord
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Pitches 10 Numbers as eas
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Pitches 12 \fluteMusic } \new Staff
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Pitches 14 Flute Clarinet in B Horn
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Pitches 16 quoteTest = { % french h
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Pitches 18 naturalizeMusic = #(defi
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Pitches 20 } \new Staff = "down"
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Rhythms 22 } >> \layout { } \midi {
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Rhythms 24 } } b32^"baseMoment 1 16
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Rhythms 26 } } >> { \voiceOne c8
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Rhythms 28 Chan
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Rhythms 30 } } \stemOn a'2 \bar "|
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Rhythms 32 } } \new Staff { \relati
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Rhythms 34 } Engraving tremo
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Rhythms 36
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Rhythms 38 Normal flags stom flag
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Rhythms 40 Bb Sop. 2 4 6 38 +2 8
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Rhythms 42 } \normalPos R1 } \\ { c
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Rhythms 44 } (tuplet-number::non-de
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Rhythms 46 } } f8[ e] Positi
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Rhythms 48 \override Score.Rehearsa
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Rhythms 50 = 120 Printing mus
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Rhythms 52 \bar "|" g'2. } >> \new
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Rhythms 54 stopAcciaccaturaMusic =
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Rhythms 56 mensural neom
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Rhythms 58 Stemlets In some notatio
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Rhythms 60 (chain-assoc-get 'box-pa
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Rhythms 62 Using grace note slashes
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Expressive marks 64 } Alterna
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Expressive marks 66 } } >> 1 setgr
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Expressive marks 68 Changing text a
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Expressive marks 70 } \bar "|" 4
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Expressive marks 72 } Creat
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Expressive marks 74 10 50 36 C
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Expressive marks 76 } \override Tex
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Expressive marks 78 'span-type 'tex
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Expressive marks 80 #(make-dynamic-
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Expressive marks 82 } >> >> \overri
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Expressive marks 84 } { s4 s s s \m
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Expressive marks 86 } c4( d e f) \o
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Expressive marks 88 Printing hairpi
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Expressive marks 90 Snap-pizzicato
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Expressive marks 92 m) \relative c'
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Repeats 94 } >> } }
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Repeats 96 11 2 6 4 Pe
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Repeats 98 } 6 9 % Put the coda sig
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Repeats 100 4 3 Volta below
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Simultaneous notes 102 Simultaneous
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Simultaneous notes 104 C
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Simultaneous notes 106 } } >> % ori
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Simultaneous notes 108
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Staff notation 110 } } >> }
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Staff notation 112 \paper { ragged-
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Staff notation 114 pianoRH = \relat
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Staff notation 116 Changing the num
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Staff notation 118 Creating double-
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Staff notation 120 \markup \left-co
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Staff notation 122 } g f e d | \onc
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Staff notation 124 #}) %%%%%%%%%%%%
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Staff notation 126 \new Lyrics \lyr
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Staff notation 128 } } \context { \
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Staff notation 130 \new TabStaff \w
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Staff notation 132
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Staff notation 134 \transposition f
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Staff notation 136 Flute Clarinet i
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Staff notation 138 original = \rela
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Staff notation 140 \paper { system-
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Staff notation 142 Tick bar lines
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Staff notation 144 } 6 c'1 % Return
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Staff notation 146 } C C 1.--2.
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Editorial annotations 148 2 2 5 6b
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Editorial annotations 150 } \set fi
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Editorial annotations 152 #(define
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Editorial annotations 154 Creating
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Editorial annotations 156 } c4. c4
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Editorial annotations 158 } } \co
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Editorial annotations 160 } \mark \
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Editorial annotations 162 speakOff
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Editorial annotations 164 String nu
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Text 166 Text Section “Text” in
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Text 168 } \override Staff.Instrume
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Text 170 ↓ ↓ ↓ 5
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Text 172 Centering markup on note h
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Text 174 Combining dynamics with ma
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Text 176 mark can be added, giving
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Text 178 \score { \relative c'' { c
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Text 180 } "This is right-aligned"
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Text 182 Multi-measure rest markup
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Text 184 Aaa Bee Cee Dee
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Text 186 } } \line { O sacrum convi
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Text 188 % end verbatim - this comm
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Text 190 \score { \new ChoirStaff
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Vocal music 192 Vocal music Section
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Vocal music 194 } \repeat unfold 4
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Vocal music 196 here's the
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Vocal music 198 \layout { \context
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Vocal music 200 } \time 2/2 dot = \
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Vocal music 202 Changing stanza fon
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Vocal music 204 > Lyrics can c
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Vocal music 206 } } "" \paper { % S
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Vocal music 208 sopMusic = \relativ
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Vocal music 210 2 faith- fa
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Vocal music 212 } \new Lyrics \lyri
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Vocal music 214 } a4 b c d lower =
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Vocal music 216 } \new Voice = "ten
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Vocal music 218 \context Voice = "v
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Vocal music 220 } { \voiceTwo a1 ~
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Vocal music 222 } >> \new Lyric
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Vocal music 224 hi ha
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Vocal music 226 } \time 3/4 s2.*2 \
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Vocal music 228 } system-system-spa
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Chords 230 Chords Section “Chord
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Chords 232 #{ (cons (make-music 'Te
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Chords 234 } r \set figuredBassP
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Chords 236 Cross-staff chords - bea
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Chords 238 3 Cm Simple lead sheet
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Chords 240 C X X X iii X X X G
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Chords 242 C C 1.--2.
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Keyboards 244 } accTrombon = ^\mark
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Keyboards 246 } c4 d\accOrgan e f c
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Keyboards 248 This example is measu
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Keyboards 250 Fine-tuning pedal bra
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Keyboards 252 %%%%%%%%%%%% Keys'n't
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Keyboards 254 %% ------ Piano -----
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Keyboards 256 } \new Staff = "bass"
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Keyboards 258 Piano template (simpl
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Keyboards 260 } \key c \major \time
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Keyboards 262 c4 c c8[( b)] c4 } so
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Percussion 264 Percussion Section
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Percussion 266 Jazz combo template
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Percussion 268 % ------ Trombone --
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Percussion 270 % ------ Drums -----
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Percussion 272 stick = \markup { \w
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Percussion 274 } " /Encode [ 0 1 ]
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Percussion 276 } >> \bar "|" \time
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Percussion 278 8 4 3
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Fretted strings 280 Allowing finger
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Page 299 and 300: Fretted strings 286 } >> } } } (pla
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Page 309 and 310: Fretted strings 296 } } } \fret-dia
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Page 323 and 324: Fretted strings 310 } %% ------ Pia
Page 325 and 326: Fretted strings 312 } \new PianoSta
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Page 337 and 338: Unfretted strings 324 c2 b a1 \bar
Page 339 and 340: Winds 326 Winds Section “Wind ins
Page 341 and 342: Winds 328 Graphical and t
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Page 345: Winds 332 6 'piccolo 'saxophone
Page 349 and 350: Ancient notation 336 fis1 ces1 \cle
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Page 353 and 354: Ancient notation 340 } \bar "||" \s
Page 355 and 356: Ancient notation 342 } } % incipit
Page 357 and 358: Ancient notation 344 } } Discantus
Page 359 and 360: Ancient notation 346 2 hufnagel
Page 361 and 362: Ancient notation 348 } } discantusL
Page 363 and 364: Ancient notation 350 } } R1 | R1 |
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Page 367 and 368: Ancient notation 354 } \override St
Page 369 and 370: Ancient notation 356 } } } } line-w
Page 371 and 372: Ancient notation 358 } \new Voice =
Page 373 and 374: World music 360 World music Section
Page 375 and 376: Contexts and engravers 362 Contexts
Page 377 and 378: Contexts and engravers 364 } } >> }
Page 379 and 380: Contexts and engravers 366 } g2. fi
Page 381 and 382: Contexts and engravers 368 { \repea
Page 383 and 384: Contexts and engravers 370 %%% %%%
Page 385 and 386: Contexts and engravers 372 |- Ambit
Page 387 and 388: Contexts and engravers 374 ;; accor
Page 389 and 390: Contexts and engravers 376 Engraver
Page 391 and 392: Contexts and engravers 378 } localK
Page 393 and 394: Contexts and engravers 380 } \consi
Page 395 and 396: Contexts and engravers 382 Nesting
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Contexts and engravers 384 tenorMus
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Contexts and engravers 386 } c4 c |
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Tweaks and overrides 388 Tweaks and
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Tweaks and overrides 390 Analysis b
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Tweaks and overrides 392 (note-colu
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Tweaks and overrides 394 Changing t
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Tweaks and overrides 396 } c4 b d c
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Tweaks and overrides 398 } \times 2
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Tweaks and overrides 400 } % \caden
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Tweaks and overrides 402
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Tweaks and overrides 404 \override
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Tweaks and overrides 406 } >> } }
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Tweaks and overrides 408 #f)) #(def
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Tweaks and overrides 410 \relative
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Tweaks and overrides 412 \\ {
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Tweaks and overrides 414 %% C major
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Tweaks and overrides 416 } \overrid
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Tweaks and overrides 418 } >> } }
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Tweaks and overrides 420 } \mark "R
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Tweaks and overrides 422 #:hspace 7
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Tweaks and overrides 424 Normal Nor
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Tweaks and overrides 426 } g f e d
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Tweaks and overrides 428 } \clef "b
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Tweaks and overrides 430 M
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Tweaks and overrides 432 Percent re
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Tweaks and overrides 434 }
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Tweaks and overrides 436 } R1 >
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Tweaks and overrides 438 \new Staff
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Tweaks and overrides 440 ) \overrid
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Tweaks and overrides 442 3 5
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Tweaks and overrides 444 \relative
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Tweaks and overrides 446 global = {
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Tweaks and overrides 448 } } c''1._
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Tweaks and overrides 450 \new Voice
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Tweaks and overrides 452 The follow
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Tweaks and overrides 454 3
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Tweaks and overrides 456 } \tweak #
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Tweaks and overrides 458 } >> 3 4 8
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Paper and layout 460 } } Left align
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Paper and layout 462 Book title Fir
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Paper and layout 464 Book title
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Paper and layout 466 } } } (cons (m
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Paper and layout 468 Creating blank
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Paper and layout 470 } } poet piece
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Paper and layout 472 Table of conte
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Titles 474 Titles Section “Titles
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Titles 476 Left Centered Right 2
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Spacing 478 Spacing Section “Spac
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Spacing 480 2 Table Table of conten
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Spacing 482 3 Ve
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MIDI 484 MIDI Section “MIDI outpu
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MIDI 486 r\mf \set Staff.midiInstru
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MIDI 488 } \set Staff.midiInstrumen
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Templates 490 Ancient notation temp
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Templates 492 } } fis g4.( fis16 e
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Templates 494 } \layout { \context
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Templates 496 \markup { \fill-line
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Templates 498 Hymn template This co
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Templates 500 Jazz co
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Templates 502 } bariSax = { \global
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Templates 504 c1 | c | c } bass = {
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Templates 506 Trumpet Alto Sax Bari
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Templates 508 \set PianoStaff.instr
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Templates 510 } lower = \relative c
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Templates 512 } \time 4/4 a2 c \sco
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Templates 514 8 p do p
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Templates 516 % - In jEdit Search &
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Templates 518 } } \score { \new Cho
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Templates 520 } \new Staff { \conte
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Templates 522 } \midi { } Str
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Templates 524 g2 f e1 \bar "|." }}
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Templates 526 } score-system-spacin
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Templates 528 Vocal ensemble templa
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Templates 530 } R2*2 | SoloLyrics =
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Templates 532 } altoWords = \lyricm
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