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in Snippets - LilyPond

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World music 360<br />

World music<br />

Section “World music” <strong>in</strong> Notation Reference<br />

Arabic improvisation<br />

For improvisations or taqasim which are temporarily free, the time signature can be omitted and<br />

\cadenzaOn can be used. Adjust<strong>in</strong>g the accidental style might be required, s<strong>in</strong>ce the absence of<br />

bar l<strong>in</strong>es will cause the accidental to be marked only once. Here is an example of what could be<br />

the start of a hijaz improvisation:<br />

\<strong>in</strong>clude "arabic.ly"<br />

\relative sol' {<br />

\key re \kurd<br />

\accidentalStyle "forget"<br />

\cadenzaOn<br />

sol4 sol sol sol fad mib sol1 fad8 mib re4. r8 mib1 fad sol<br />

}<br />

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Makam example<br />

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Makam is a type of melody from Turkey us<strong>in</strong>g 1/9th-tone microtonal alterations. Consult the<br />

<strong>in</strong>itialization file ‘ly/makam.ly’ for details of pitch names and alterations.<br />

% Initialize makam sett<strong>in</strong>gs<br />

\<strong>in</strong>clude "makam.ly"<br />

\relative c' {<br />

\set Staff.keySignature = #`((6 . ,(- KOMA)) (3 . ,BAKIYE))<br />

c4 cc db fk<br />

gbm4 gfc gfb efk<br />

fk4 db cc c<br />

}<br />

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Pr<strong>in</strong>t<strong>in</strong>g text from right to left<br />

It is possible to pr<strong>in</strong>t text from right to left <strong>in</strong> a markup object, as demonstrated here.<br />

{<br />

b1^\markup {<br />

\l<strong>in</strong>e { i n g i r u m i m u s n o c t e }<br />

}<br />

f'_\markup {<br />

\override #'(text-direction . -1)<br />

\l<strong>in</strong>e { i n g i r u m i m u s n o c t e }<br />

}

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