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in Snippets - LilyPond

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Templates 531<br />

}<br />

>><br />

\layout {<br />

ragged-right = ##t<br />

\context { \Staff<br />

% these l<strong>in</strong>es prevent empty staves from be<strong>in</strong>g pr<strong>in</strong>ted<br />

\RemoveEmptyStaves<br />

\override VerticalAxisGroup #'remove-first = ##t<br />

}<br />

}<br />

<br />

<br />

4 3<br />

<br />

4 2 <br />

One two three four five six<br />

<br />

4<br />

<br />

la la<br />

<br />

<br />

<br />

2<br />

la<br />

4 2<br />

3<br />

<br />

<br />

<br />

la<br />

<br />

dum dum dum dum<br />

Vocal ensemble template<br />

Here is a standard four-part SATB vocal score. With larger ensembles, it is often useful to <strong>in</strong>clude<br />

a section which is <strong>in</strong>cluded <strong>in</strong> all parts. For example, the time signature and key signature are<br />

almost always the same for all parts. Like <strong>in</strong> the “Hymn” template, the four voices are regrouped<br />

on only two staves.<br />

\paper {<br />

top-system-spac<strong>in</strong>g #'basic-distance = #10<br />

score-system-spac<strong>in</strong>g #'basic-distance = #20<br />

system-system-spac<strong>in</strong>g #'basic-distance = #20<br />

last-bottom-spac<strong>in</strong>g #'basic-distance = #10<br />

}<br />

global = {<br />

\key c \major<br />

\time 4/4<br />

}<br />

sopMusic = \relative c'' {<br />

c4 c c8[( b)] c4<br />

}<br />

sopWords = \lyricmode {<br />

hi hi hi hi<br />

}<br />

altoMusic = \relative c' {<br />

e4 f d e

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