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Tweaks and overrides 453 6 8 8 Tweaking grace layout within music The layout of grace expressions can be changed throughout the music using the functions add-grace-property and remove-grace-property. The following example undefines the Stem direction for this grace, so that stems do not always point up, and changes the default note heads to crosses. \relative c'' { \new Staff { $(remove-grace-property 'Voice 'Stem 'direction) $(add-grace-property 'Voice 'NoteHead 'style 'cross) \new Voice { \acciaccatura { f16 } g4 \grace { d16[ e] } f4 \appoggiatura { f,32[ g a] } e2 } } } Using alternative flag styles Alternative styles of flag on eighth and shorter notes can be displayed by overriding the stencil property of Flag. Valid values are modern-straight-flag and old-straight-flag. testnotes = { \autoBeamOff c8 d16 c32 d64 \acciaccatura { c8 } d64 r4 } \relative c' { \time 2/4 \testnotes } \override Flag #'stencil = #modern-straight-flag \testnotes \override Flag #'stencil = #old-straight-flag \testnotes \revert Flag #'stencil \testnotes
Tweaks and overrides 454 3 4 2 Using ly:grob-object to access grobs with \tweak Some grobs can be accessed “laterally” from within another grob’s callback. These are usually listed as “layout objects” in the “Internal properties” section of a grob-interface. The function ly:grob-object is used to access these grobs. Demonstrated below are some ways of accessing grobs from within a NoteHead callback, but the technique is not limited to NoteHeads. However, the NoteHead callback is particularly important, since it is the implicit callback used by the \tweak command. The example function defined below ("display-grobs") is probably not that useful, but it demonstrates that the grobs are indeed being accessed. Example console output: ——————– #-Grob Accidental - #-Grob Arpeggio - #-Grob Stem - #(define (notehead-get-accidental notehead) ;; notehead is grob (ly:grob-object notehead 'accidental-grob)) #(define (notehead-get-arpeggio notehead) ;; notehead is grob (let ((notecolumn (notehead-get-notecolumn notehead))) (ly:grob-object notecolumn 'arpeggio))) #(define (notehead-get-notecolumn notehead) ;; notehead is grob (ly:grob-parent notehead X)) #(define (notehead-get-stem notehead) ;; notehead is grob (let ((notecolumn (notehead-get-notecolumn notehead))) (ly:grob-object notecolumn 'stem))) #(define (display-grobs notehead) ;; notehead is grob (let ((accidental (notehead-get-accidental notehead)) (arpeggio (notehead-get-arpeggio notehead)) (stem (notehead-get-stem notehead))) (format (current-error-port) "~2&~a\n" (make-string 20 #\-)) (for-each (lambda (x) (format (current-error-port) "~a\n" x)) (list accidental arpeggio stem)))) \relative c' { %% display grobs for each note head: %\override NoteHead #'before-line-breaking = #display-grobs
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LilyPond Snippets The LilyPond deve
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Conducting signs measure grouping s
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Vertical line as a baroque articula
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Text . . . . . . . . . . . . . . .
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Jazz combo template . . . . . . . .
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Tweaks and overrides. . . . . . . .
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Spacing . . . . . . . . . . . . . .
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Pitches 2 Ambi
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Pitches 4 5 Changing the ambitus
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Pitches 6 Coloring notes depending
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Pitches 8 } } (make-event-chord
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Pitches 10 Numbers as eas
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Pitches 12 \fluteMusic } \new Staff
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Pitches 14 Flute Clarinet in B Horn
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Pitches 16 quoteTest = { % french h
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Pitches 18 naturalizeMusic = #(defi
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Pitches 20 } \new Staff = "down"
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Rhythms 22 } >> \layout { } \midi {
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Rhythms 24 } } b32^"baseMoment 1 16
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Rhythms 26 } } >> { \voiceOne c8
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Rhythms 28 Chan
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Rhythms 30 } } \stemOn a'2 \bar "|
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Rhythms 32 } } \new Staff { \relati
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Rhythms 34 } Engraving tremo
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Rhythms 36
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Rhythms 38 Normal flags stom flag
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Rhythms 40 Bb Sop. 2 4 6 38 +2 8
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Rhythms 42 } \normalPos R1 } \\ { c
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Rhythms 44 } (tuplet-number::non-de
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Rhythms 46 } } f8[ e] Positi
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Rhythms 48 \override Score.Rehearsa
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Rhythms 50 = 120 Printing mus
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Rhythms 52 \bar "|" g'2. } >> \new
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Rhythms 54 stopAcciaccaturaMusic =
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Rhythms 56 mensural neom
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Rhythms 58 Stemlets In some notatio
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Rhythms 60 (chain-assoc-get 'box-pa
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Rhythms 62 Using grace note slashes
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Expressive marks 64 } Alterna
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Expressive marks 66 } } >> 1 setgr
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Expressive marks 68 Changing text a
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Expressive marks 70 } \bar "|" 4
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Expressive marks 72 } Creat
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Expressive marks 74 10 50 36 C
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Expressive marks 76 } \override Tex
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Expressive marks 78 'span-type 'tex
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Expressive marks 80 #(make-dynamic-
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Expressive marks 82 } >> >> \overri
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Expressive marks 84 } { s4 s s s \m
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Expressive marks 86 } c4( d e f) \o
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Expressive marks 88 Printing hairpi
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Expressive marks 90 Snap-pizzicato
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Expressive marks 92 m) \relative c'
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Repeats 94 } >> } }
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Repeats 96 11 2 6 4 Pe
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Repeats 98 } 6 9 % Put the coda sig
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Repeats 100 4 3 Volta below
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Simultaneous notes 102 Simultaneous
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Simultaneous notes 104 C
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Simultaneous notes 106 } } >> % ori
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Simultaneous notes 108
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Staff notation 110 } } >> }
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Staff notation 112 \paper { ragged-
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Staff notation 114 pianoRH = \relat
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Staff notation 116 Changing the num
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Staff notation 118 Creating double-
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Staff notation 120 \markup \left-co
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Staff notation 122 } g f e d | \onc
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Staff notation 124 #}) %%%%%%%%%%%%
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Staff notation 126 \new Lyrics \lyr
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Staff notation 128 } } \context { \
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Staff notation 130 \new TabStaff \w
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Staff notation 132
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Staff notation 134 \transposition f
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Staff notation 136 Flute Clarinet i
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Staff notation 138 original = \rela
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Staff notation 140 \paper { system-
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Staff notation 142 Tick bar lines
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Staff notation 144 } 6 c'1 % Return
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Staff notation 146 } C C 1.--2.
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Editorial annotations 148 2 2 5 6b
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Editorial annotations 150 } \set fi
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Editorial annotations 152 #(define
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Editorial annotations 154 Creating
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Editorial annotations 156 } c4. c4
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Editorial annotations 158 } } \co
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Editorial annotations 160 } \mark \
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Editorial annotations 162 speakOff
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Editorial annotations 164 String nu
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Text 166 Text Section “Text” in
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Text 168 } \override Staff.Instrume
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Text 170 ↓ ↓ ↓ 5
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Text 172 Centering markup on note h
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Text 174 Combining dynamics with ma
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Text 176 mark can be added, giving
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Text 178 \score { \relative c'' { c
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Text 180 } "This is right-aligned"
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Text 182 Multi-measure rest markup
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Text 184 Aaa Bee Cee Dee
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Text 186 } } \line { O sacrum convi
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Text 188 % end verbatim - this comm
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Text 190 \score { \new ChoirStaff
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Vocal music 192 Vocal music Section
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Vocal music 194 } \repeat unfold 4
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Vocal music 196 here's the
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Vocal music 198 \layout { \context
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Vocal music 200 } \time 2/2 dot = \
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Vocal music 202 Changing stanza fon
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Vocal music 204 > Lyrics can c
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Vocal music 206 } } "" \paper { % S
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Vocal music 208 sopMusic = \relativ
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Vocal music 210 2 faith- fa
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Vocal music 212 } \new Lyrics \lyri
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Vocal music 214 } a4 b c d lower =
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Vocal music 216 } \new Voice = "ten
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Vocal music 218 \context Voice = "v
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Vocal music 220 } { \voiceTwo a1 ~
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Vocal music 222 } >> \new Lyric
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Vocal music 224 hi ha
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Vocal music 226 } \time 3/4 s2.*2 \
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Vocal music 228 } system-system-spa
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Chords 230 Chords Section “Chord
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Chords 232 #{ (cons (make-music 'Te
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Chords 234 } r \set figuredBassP
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Chords 236 Cross-staff chords - bea
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Chords 238 3 Cm Simple lead sheet
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Chords 240 C X X X iii X X X G
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Chords 242 C C 1.--2.
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Keyboards 244 } accTrombon = ^\mark
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Keyboards 246 } c4 d\accOrgan e f c
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Keyboards 248 This example is measu
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Keyboards 250 Fine-tuning pedal bra
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Keyboards 252 %%%%%%%%%%%% Keys'n't
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Keyboards 254 %% ------ Piano -----
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Keyboards 256 } \new Staff = "bass"
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Keyboards 258 Piano template (simpl
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Keyboards 260 } \key c \major \time
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Keyboards 262 c4 c c8[( b)] c4 } so
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Percussion 264 Percussion Section
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Percussion 266 Jazz combo template
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Percussion 268 % ------ Trombone --
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Percussion 270 % ------ Drums -----
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Percussion 272 stick = \markup { \w
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Percussion 274 } " /Encode [ 0 1 ]
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Percussion 276 } >> \bar "|" \time
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Percussion 278 8 4 3
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Fretted strings 280 Allowing finger
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Fretted strings 282 } >> c'1 c' X
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Fretted strings 284 5 3 5 1 3
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Fretted strings 286 } >> } } } (pla
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Fretted strings 288 d:6 d a:maj7 d:
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Fretted strings 290 also an abanico
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Fretted strings 292 8^\iDown 8^\iDo
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Fretted strings 294 } } i i
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Fretted strings 296 } } } \fret-dia
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Fretted strings 298 } } } (place-fr
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Fretted strings 300 } >> } } %% C m
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Fretted strings 302 } \set predefin
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Fretted strings 304 8
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Fretted strings 306 X C O O F 1
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Fretted strings 308 jazzChords = {
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Fretted strings 310 } %% ------ Pia
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Fretted strings 312 } \new PianoSta
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Fretted strings 314 Letter tablatur
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Unfretted strings 320 Unfretted str
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Unfretted strings 322 violinOne = \
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Unfretted strings 324 c2 b a1 \bar
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Winds 326 Winds Section “Wind ins
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Winds 328 Graphical and t
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Winds 330 #(print-keys-verbose 'tin
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Winds 332 6 'piccolo 'saxophone
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Ancient notation 334 a! b ces' \bar
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Ancient notation 336 fis1 ces1 \cle
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Ancient notation 338
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Ancient notation 340 } \bar "||" \s
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Ancient notation 342 } } % incipit
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Ancient notation 344 } } Discantus
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Ancient notation 346 2 hufnagel
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Ancient notation 348 } } discantusL
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Ancient notation 350 } } R1 | R1 |
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Ancient notation 352 3 8
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Ancient notation 354 } \override St
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Ancient notation 356 } } } } line-w
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Ancient notation 358 } \new Voice =
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World music 360 World music Section
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Contexts and engravers 362 Contexts
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Contexts and engravers 364 } } >> }
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Contexts and engravers 366 } g2. fi
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Contexts and engravers 368 { \repea
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Contexts and engravers 370 %%% %%%
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Contexts and engravers 372 |- Ambit
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Contexts and engravers 374 ;; accor
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Contexts and engravers 376 Engraver
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Contexts and engravers 378 } localK
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Contexts and engravers 380 } \consi
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Contexts and engravers 382 Nesting
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Contexts and engravers 384 tenorMus
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Contexts and engravers 386 } c4 c |
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Tweaks and overrides 388 Tweaks and
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Tweaks and overrides 390 Analysis b
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Tweaks and overrides 392 (note-colu
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Tweaks and overrides 394 Changing t
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Tweaks and overrides 396 } c4 b d c
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Tweaks and overrides 398 } \times 2
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Tweaks and overrides 400 } % \caden
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Page 417 and 418: Tweaks and overrides 404 \override
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Page 427 and 428: Tweaks and overrides 414 %% C major
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Page 433 and 434: Tweaks and overrides 420 } \mark "R
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Page 437 and 438: Tweaks and overrides 424 Normal Nor
Page 439 and 440: Tweaks and overrides 426 } g f e d
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Page 457 and 458: Tweaks and overrides 444 \relative
Page 459 and 460: Tweaks and overrides 446 global = {
Page 461 and 462: Tweaks and overrides 448 } } c''1._
Page 463 and 464: Tweaks and overrides 450 \new Voice
Page 465: Tweaks and overrides 452 The follow
Page 469 and 470: Tweaks and overrides 456 } \tweak #
Page 471 and 472: Tweaks and overrides 458 } >> 3 4 8
Page 473 and 474: Paper and layout 460 } } Left align
Page 475 and 476: Paper and layout 462 Book title Fir
Page 477 and 478: Paper and layout 464 Book title
Page 479 and 480: Paper and layout 466 } } } (cons (m
Page 481 and 482: Paper and layout 468 Creating blank
Page 483 and 484: Paper and layout 470 } } poet piece
Page 485 and 486: Paper and layout 472 Table of conte
Page 487 and 488: Titles 474 Titles Section “Titles
Page 489 and 490: Titles 476 Left Centered Right 2
Page 491 and 492: Spacing 478 Spacing Section “Spac
Page 493 and 494: Spacing 480 2 Table Table of conten
Page 495 and 496: Spacing 482 3 Ve
Page 497 and 498: MIDI 484 MIDI Section “MIDI outpu
Page 499 and 500: MIDI 486 r\mf \set Staff.midiInstru
Page 501 and 502: MIDI 488 } \set Staff.midiInstrumen
Page 503 and 504: Templates 490 Ancient notation temp
Page 505 and 506: Templates 492 } } fis g4.( fis16 e
Page 507 and 508: Templates 494 } \layout { \context
Page 509 and 510: Templates 496 \markup { \fill-line
Page 511 and 512: Templates 498 Hymn template This co
Page 513 and 514: Templates 500 Jazz co
Page 515 and 516: Templates 502 } bariSax = { \global
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Templates 504 c1 | c | c } bass = {
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Templates 506 Trumpet Alto Sax Bari
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Templates 508 \set PianoStaff.instr
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Templates 510 } lower = \relative c
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Templates 512 } \time 4/4 a2 c \sco
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Templates 514 8 p do p
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Templates 516 % - In jEdit Search &
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Templates 518 } } \score { \new Cho
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Templates 520 } \new Staff { \conte
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Templates 522 } \midi { } Str
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Templates 524 g2 f e1 \bar "|." }}
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Templates 526 } score-system-spacin
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Templates 528 Vocal ensemble templa
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Templates 530 } R2*2 | SoloLyrics =
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Templates 532 } altoWords = \lyricm
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