june-2010

NORTH
AMERICA
HAWAII
FILM
& TELEVISION
FILMS ARE SHOWN ONLY on fl ights of three hours or longer. Movies available on most 747, 757, 767, 777, A319 and A320 aircraft fl ights.
Schedules and selections are subject to change. International Language Tracks / (S) Películas están disponsibles en Español en todas las rutas
domesticas en el canal 10.
MEXICO
& CARIBBEAN
FILM TELEVISION FILM TELEVISION
JUNE 1-15
Alice in Wonderland [V]
JUNE 16-30
How to Train Your Dragon
FILM TELEVISION FILM TELEVISION
JUNE 1-15
How to Train Your Dragon
JUNE 16-30
Alice in Wonderland [V]
Both films available on flights
between Denver/Chicago and Hawaii
JUNE 1-15
Valentine’s Day
JUNE 16-30
The Ghost Writer
EASTBOUND
JUNE 1-15
The Offi ce [T]
Anthony Bourdain:
No Reservations [T]
The Simpsons [T]
JUNE 16-30
The Big Bang Theory [T]
Hubble Final Frontier
The Middle [T]
JUNE 1-15
The Big Bang Theory [T]
Hubble Final Frontier
The Middle [T]
JUNE 16-30
The Offi ce [T]
Anthony Bourdain: No Reservations [T]
The Simpsons [T]
JUNE 1-15
30 Rock [T]
Chuck [T][V]
Man V. Food
Friends (Flashback) [T]
TELEVISION
JUNE 16-30
The Middle [T]
Life Unexpected [T]
Treasure Quest
Everybody Loves Raymond
(Flashback) [T]
JUNE 1-15
Valentine’s Day
JUNE 16-30
The Ghost Writer
JUNE 1-15
The Ghost Writer
JUNE 16-30
Valentine’s Day
Both films available on flights
between Denver/Chicago and Hawaii
JUNE 1-15
Alice in Wonderland [V]
JUNE 16-30
How to Train Your Dragon
WESTBOUND
JUNE 1-15
Two and a Half Men [T]
Raging Planet [T]
Arrested Development (Flashback) [T]
JUNE 16-30
30 Rock [T]
July 4th: Exploding Myths
Friends (Flashback) [T]
JUNE 1-15
30 Rock [T]
July 4th: Exploding Myths
Friends (Flashback) [T]
JUNE 16-30
Two and a Half Men [T]
Raging Planet [T]
Arrested Development (Flashback) [T]
FILM SOUTHBOUND TELEVISION FILM NORTHBOUND TELEVISION
JUNE 1-15
Two and a Half Men [T]
The Good Wife [T]
The Big Bang Theory
Frasier (Flashback) [T]
JUNE 16-30
The Offi ce [T]
Brothers and Sisters [T]
Man V. Food
Arrested Development (Flashback) [T]
THROUGH THE LOOKING GLASS
TIM BURTON’S WONDERLAND looks dreamy but exerts a physical
hold on the actors. The monsters are fake, but the action is real,
and that keeps things grounded. Seeing Alice trip and tumble—
and suff er one nasty, Edward Scissorhands–worthy scratch from
the animated Bandersnatch—gives a sense of peril. It’s easy for
audiences to feel that they’re actually there in Wonderland with
Alice, despite the surreal nature of the place. Ultimately, Burton,
did what he set out to, which is to provide an environment in which
it’s easy to suspend disbelief—or, in Alice’s words, believe at least
six impossible things before breakfast.—Patrick Huguenin