june-2010
june-2010
june-2010
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22<br />
JUNE <strong>2010</strong> | UNITED.COM<br />
ST. PETERSBURG, RUSSIA<br />
DANCING SCREEN<br />
Next time fans of 3-D<br />
technology see a willowy<br />
hero jump out of their<br />
screens, it won’t necessarily<br />
be a blue Na’vi warrior. On<br />
a cool night in downtown St.<br />
Petersburg, the Mariinsky<br />
Ballet, better known in<br />
the West as the legendary<br />
Kirov, is set to join the ranks<br />
of Vincent Price horror<br />
fl icks and the recent James<br />
Cameron blockbuster by<br />
becoming the world’s fi rst<br />
ballet to televise a live<br />
performance in 3-D.<br />
The Mariinsky Theater<br />
has been outfi tted with<br />
high-tech cameras for a gala<br />
concert, a medley of the<br />
company’s most acclaimed<br />
works, which is being<br />
broadcast for free across<br />
most of Europe. For viewers<br />
dispatches<br />
Hunkering in the shadow of the elevated J train, which rattles past the rooftops of Richmond<br />
Hill, Cameo Pet Shop isn’t your run-of-the-mill animal emporium.<br />
With its vintage fi sh food posters and century-old mechanical cash register, little has<br />
changed here since owner Steve Gruebel returned from the Vietnam War in 1970 and took<br />
over from his father. Thousands of cats, dogs, birds and fi sh have come and gone since then—<br />
all except one, a hulking, scarred, snaggletoothed black pacu fi sh named Buttkiss, who has<br />
resided in a tank at the front of the store since John Lindsey was mayor.<br />
Having just celebrated his 44th birthday—including a festive party that turned out dozens of longtime neighbors—<br />
QUEENS, NEW YORK<br />
Star Fish<br />
who have yet to buy a 3-D<br />
TV (just about everyone),<br />
the organizers have set up<br />
viewing salons in Paris,<br />
Moscow and here in St.<br />
Petersburg.<br />
The house lights dim,<br />
the curtain opens, and after<br />
the orchestra quietly plays<br />
the fi rst bars of Swan Lake,<br />
Mariinsky prima donna<br />
Ulyana Lopatkina takes<br />
the stage. For once, the<br />
best seat in the house isn’t<br />
the tsar’s box but the foyer<br />
outside the auditorium.<br />
That’s where Mariinsky’s<br />
superstar artistic director<br />
Valery Gergiev and assorted<br />
other theatrical VIPs don<br />
specially designed glasses<br />
and take in the show on<br />
a giant 3-D fl at-screen.<br />
Immediately after the<br />
exhibition concert ends, the<br />
theater kicks off the 10th<br />
Mariinsky International<br />
Ballet Festival with the<br />
premiere of Anna Karenina.<br />
Unfortunately for viewers<br />
in Moscow and Paris, that<br />
performance can only be<br />
seen the old-fashioned<br />
way—by ticket holders.<br />
Sports channels have<br />
already embraced 3-D,<br />
with ESPN, Discovery and<br />
Sky Sports all jumping<br />
on the bandwagon; now<br />
high culture is getting in<br />
on the act. New York's<br />
Metropolitan Opera<br />
has been simulcasting<br />
performances in HD since<br />
2006, but the Mariinsky<br />
appears to have taken<br />
the technological lead.<br />
“We need to continue to<br />
experiment,” Gergiev says<br />
with a smile, promising that<br />
this is only the beginning for<br />
the 150-year-old theater.<br />
— JAKE RUDNITSKY<br />
Buttkiss is probably the oldest pet fi sh in New York. How old is he? He’s so old that he has arthritis in his gills, and one<br />
regular customer swears he’s developed glaucoma in one eye. Gruebel isn’t convinced. “How can a fi sh get glaucoma?” he<br />
asks—adding with a wink that fi sh oil is often used to treat the disease in humans.<br />
The cloudy lens, he contends, is from Buttkiss rubbing up<br />
against the sides of his 75-gallon aquarium. After offering to<br />
demonstrate, Gruebel turns and peers into the tank. On the<br />
other side of the glass, Buttkiss approaches, “wags” his tailfi n<br />
playfully and darts back and forth, rubbing along the sides of<br />
the tank like a clumsy puppy.<br />
Gruebel bought the fi sh from a wholesaler in 1967 and sold<br />
him a year later. In 1970, after Buttkiss outgrew his owner’s<br />
tank, Gruebel welcomed him back to the pet store.<br />
Since then, the fi sh has become a neighborhood fi xture—not<br />
to mention Gruebel’s loyal sales partner, one who can reliably<br />
identify new customers. “If you walk in the door and say, ‘Holy<br />
cow, look at that fi sh!’ then I know you’ve never been here<br />
before. Because everybody knows Buttkiss.”—PETER KOCH