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s spada in armeL&B$#&B%:.&$/1:0"&8&8>1-H$L&B$dalom in ruvanje. c3-2:%8-*s*8B-B1-$*=:/& D"1.B>%'L& )(X(VW& R\WR& 7l"38&2$3&D0:g:%L&R\WR?b&2$3&D0:g:%&#:&."- 0-8"1& *:=3-/:& %".1-;3-=& !$#8*%$2& $& B$#:2"- 3#>& .& 4$1'-!& !:;:!L& messerjemL& /%"*/-!& !:;:!L&%>2"3#>L&B$#>&.&!:;:!&3"&/$3#>&-3& bodenju s sulico. ,-B1-$*:/"& f"'-:11$38/-L& 6%"/$GL& GoliathL& )8(& i:%!(& u>"%*(& VTVTL& KCJ& YZkW& RWZW& CM6& 7"3$3-!3-&"2*$%L&$/$1-&1:*"&RYTT?b&B$#:2"3#:& 2&$/1:0>&.&4$1'-!&!:;:!L&8>1-H$L&$%$+#:!& 3"&4%$'>L&B$#&B%:.&$/1:0"L&.&B$4"1$!( Das Ringersbuch& 7l"38& p>%!L& $/$1-& 1:*"& RYTT?b&!"1$&.3"3$&4:1$&$&*:=3-/"=&%>2"3#" ,-B1-$*=oj>:&K"*-$3"1:&N%"3H:L&C[V\ZYZ&7E3*$- 3-$&)"3H-$1-3$L&RYeR?b&0%-0"43-/&-*"1-#"38/:& 2:#:&B$#:2"3#"L&*(&-(&B$1$3#8/:&I$1:b&0%:$8*"1-& izvodi tega dela so v Biblioteca nazionale H:3*%"1:& 4-& C$!"L& ,-B1-$*:H"& >3-2:%8-*"%-"& di Padova in Biblioteca reale di Torino. c3-2:%8-*:-*8B-B1-$*=::/& 6(& c(& 2:3L& _>3%"& novaL&\E&WeZ&7EH=-11:&)"%$..$L&RYeS?b&0%-- 0"43-/&B$1$3#8/:&I$1:b&4:1$&0%-/".>#:&8-8*:!& B$#:2"3#"&.&%".1-;3-!-&$%$+#-b&-.I1$&#:&I:&1:*"& 1568 pod naslovom Arte dell'armi di Achille !"%$++$&)$1$O23E3. c3-2:%8-*s*8B-B1-$*=:/& i%".L& Über die Fechtkunst und den RingkampfL& )8(& WSe& 7l"38& `.g33:%L&RYeZ?b&B$#&2&$/1:0>&.&4$1'-!&!:- ;:!L&.&B$4"1$!( c3-2:%8-*s*8B-B1-$*=:/& i%".L& Ringer kunst: ;o2;;&B28&"F:'+*O&E'oF,3&7N"B-:3&2$3&E>:%- 8G"14L&RYeW?b&8-8*:!&B$#:2"3#:&B%:.&$%$+#"& – ruvanje. t8*:%%:-H=-8H=:&K"*-$3"1B-B1-$*=:/L&_>BE&"6plissimum de arte athletica – Codex Vindobonensis Palatinus& RT(ZVY& 7A">1>8& l:H*$%& )"-%L&R(&0$1$2-H"&RS(&8*(?b&B$#&B%:.&$%$+#"&.& 4$1'-!&!:;:!L&B$4"1$!L&0"1-H$L&dusakomL& 8:/-%$&3"&4%$'>&-3&8%0$!(&X.2$4&2&42:=&/3#-- '"=&=%"3-&*>4-&,"g:%-8H=:&D*""*8B-B1-$*=:/L& -3&8-H:%&,D,&`$4(&XH$3(&eWe&7R&-3&,D,&`$4(& XH$3(&eWe&V?( c3-2:%8-*:-*8B-B1-$*=::/&6(&c(&2:3L&\E&YR\& 7l"38&$13&]3">$2E-&;*O:'*2O&]*':$B'& "%6$B%-&;*O:'*2O&]*':&"&8"OO3%. Das Ringersbuch& 7l"38& p>%!L& H-%H"& RYTT?b& less known treatise on grappling&*:H=3-j>:8( )*I1*$':rdB3& M"'*$2"13& P%"2F3-& `ZU[YXY& 9/2'$2*$& !"2F*$1*2$-& QXcQ=p& "& 636I3%& $;& ':3& W'"1*"2& ;*- O:'*2O&'%"8*'*$2-&':3&E$ZF"1138&)$1$O23E3&EF:$$1p& other copies of this work are held in Biblioteca M"+*$2"13&032'%"13&8*&`$6"-&)*I1*$'3F"&k2*@3%E*taria di Padova in Biblioteca Reale di Torino. k2*@3%E*'3*'EI*I1*$':33,& 7.& k.& D3B@32-& _>3%"& 2$@"-& [/& VcY& 9/F:*113& !"%$++$-& QXcR=p& "& 636I3%& $;& the Bolognese school; the work describes a system of fighting with different weapons; the work was re-published in 1568 with under the title Arte 8311f"%6*&8*&/F:*113&!"%$++$&)$1$O23E3. k2*@3%E*'t'EI*I1*$':3,&K%"+-&wI3%&8*3&P3F:',B2E'&B28& 832&`*2O,"6>;-&!E.&VRc&9b"2E&0+C223%-&QXcY=p& combat in armour with a long sword and dagger. k2*@3%E*'t'EI*I1*$':3,&K%"+-&`*2O3%&,B2E'L&;o2;;&B28& "F:'+*O& E'oF,3& 9P"I*32& @$2& /B3%E]"18-& QXcV=p& "& system of fighting without weapons – grappling. uE'3%%3*F:*EF:3& M"'*$2"1I*I1*$':3,-& _>BE& "6>1*EE*mum de arte athletica – Codex Vindobonensis Pa- 1"'*2BE&QS.YUX&9H"B1BE&b3F'$%&!"*%-&':3&;*%E'&:"1;& $;&':3&QR':&F32'B%C=p&;*O:'*2O&]*':&&':3&1$2OE]$%8-& 8"OO3%-&E'*F,-&8BE",-&>$13&"a3&"28&E*F,13.&/&F$>C& *E&:318&"1E$&*2&)"C3%*EF:3&N'""'EI*I1*$':3,-&':"'&*E& )N)&0$8.&WF$2.&cVc9Q&*2&)N)&0$8.&WF$2.&cVc&U=. k2*@3%E*'3*'EI*I1*$':33,&&7.&k.&D3B@32-&[/&XQ[&9b"2E& D3F,oF:23%TD3I,$663%-&QXXY=p&"&ECE'36&$;&F$6- I"'&]*':&"&1$2OE]$%8-&8BE"F,-&8"OO3%-&O%">>1*2O-& ;*O:'*2O& ]*':& "& E'";;.& 5:3& ]$%,& 7B2E'& 83E& !3E- E3%;3F:'32E-& ]%*''32& IC& ':3& E"63& "B':$%-& *E& :318& *2& b3*831I3%O3%& k2*@3%E*'t'EI*I1*$':3,-& 0$8.& H"1.& O3%6.& [cS& 9F*%F"& Q[mY=-& "28& *2& )"C3%*EF:3& N'"- "'EI*I1*$':3,& B283%& )N)& 0O6& XYU& 9F*%F"& Q[YU=.& Probably the same copy is held in Universitätsbi- I1*$':3,&!o2F:32&B283%&j[&/%'.&Uc[. 5%"''"'$&8*&EF*32'*"&8f&"%63-&90"6*11$&/O%*>>"-&QXXc=p& ;*O:'*2O&]*':&"&E]$%8-&;*O:'*2O&]*':&"&E]$%8&"28& 8"OO3%-&]*':&"&:"1I3%8-&E]$%8&"28&IBF,13%.& )"C3%*EF:3& N'""'EI*I1*$':3,-& K%o28'1*F:3& )3EF:%3- *IB2O&83E&P3F:'32E-&G4QR&!&XSYm&9e$"F:*6&!3C3%-& QXmS=p&"&'3a'-&EB>>$%'38&IC&%*F:&O%">:*FE.&W'&83- EF%*I3E&"&;*O:'*2O&]*':&"&>$13&"a3-&%">*3%-&8$BI13Z :"2838&E]$%8-&8BE"F,-&"28&O%">>1*2O.&5:3&]$%,& of the same author (Gründtliche Beschreibung des P3F:'32E-& /BOEIB%O& QRSS& xG4QR& !& XSYYy-& :318& by the same library) describes a system of figh- '*2O&]*':&':3&1$2OE]$%8-&8BE"F,-&%">*3%-&8"OO3%-&
#:& 2& c3-2:%8-*s*8B-B1-$*=:/& )d3H=:3& 0$4& $.3"/$&p\&E%*(&Ve\( Trattato di scientia d' armeL&7`"!-11$&E'%-00"L& RYYe?b&B$#&.&!:;:!L&!:;:!&-3&B$4"1$!L&=:- 1:B"%4$L&!:;:!&-3&I;-*/$!( ,"g:%-8H=:& D*""*8B-B1-$*=:/L Gründtliche Beschreibung des FechtensL&@ORS&)&YTZk&7f$"- H=-!&):g:%L&RYkT?b&B:8:4-1$L&0$40%*$&.&.:1$& B$'"*-!-&'%"P-/"!-L&$&B$#:2"3#>&8&8:/-%"!-& 3"&4%$'>L&%"0-%#-L&42$%$;3-!-&!:;-L&dusakiL& in ruvanjem. Delo istega avtorja (Gründtli- H=:& ,:8H=%:-B>3'& 4:8& N:H=*:38L& E>'8B>%'& RSTT&w@ORS&)&YTZZxL&=%"3-&'"&-8*"&>8*"3$va) podaja sistem bojevanja z dolgim me- ;:!L&dusakomL&%"0-%#:!L&B$4"1$!L&%>2"3#:L& boj s palico (halbe Stange?L&=:1:B"%4$&-3&4$1go sulico (lang Spieß). Univerza v Lundu na Q2:48/:!&=%"3-&):g:%#:2&%$/$0-8&Fechtbuch 0$4&$.3"/$&)8H&E&\TVL&2&3#:!&#:&0%-/"."3& 8-8*:!& B$#:2"3#"& .& 4$1'-!& !:;:!L& dusakom&-3&%"0-%#:!b&%$/$0-8&B$'"*-#$&;>4$2-*:& ilustracije. ,"g:%-8H=:&D*""*8B-B1-$*=:/L De Veris Principiis /%'*E&4*6*F"'$%*"3-&5%"F'"'BE&I%3B*EL&@ORS&i& eWRY&7l:-3%-H=&2$3&id34:%%$4:U&l:3%-H-&"& i>3*:%%$4*L&RYkW?( c3-2:%8-*:-*8B-B1-$*=::/&6(&c(&2:3L&His True Arte of DefenseL&\E&S\V&7i-"H$!$&4-&i%"8- 8-L&RYW\?b&1:*"&RYW\&2&"3'1:I;-3$&0%:2:4:3$& delo (italijanski izvirnik je nastal leta 1570) '$2$%-&$&8-8*:!>&B$#:2"3#"&.&42$%$;3-!&!:- ;:!L&$%$+#-&3"&4%$'>L&8>1-H$L&%"0-%#:!L&B$#>& .&%"0-%#:!&-3&B$4"1$!L&%"0-%#:!&-3&01"I;:!L& %"0-%#:!&-3&I;-*/$!&*:%&*"%;$( c3-2:%8-*:-*8B-B1-$*=::/& 6(& c(& 2:3L& Paradoxes of DefenseL& \E& ReTk& 7i:$%':& D-12:%L& RYWW?b&;:0%"2&"2*$%&2:1-/&4:1&0-8"3#"&0$%"bi za argumentiranje proti italijanskemu %"0-%#>L& 4:1$& 0$3>#"& ."3-!-2:& -.*$;3-H:& $& 0%"2-13-& >0$%"B-& 42$%$;3:'"& !:;"L& B$4"1"& -3&%".1-;3-=&$%$+-#&3"&4%$'>(& M3B& 7o2E'1*F:3E& P3F:'IBF: (Jakob Sutor von ,"4:3L& RSRV?b& 4:1$& +:& 4"1:;& 0%:8:'"& 8%:- 43#:2:I/-& $0>8& 0-8"3-=& 2-%$2& $& B$#3-=& -3& B$%-13-=&2:I;-3"=L&"&'"&."%"4-&28:B-3:&0%-- 80:2/"&>2%I;"!&3"&*"&8:.3"!b&>/2"%#"&8:& O%">>1*2O-&;*O:'*2O&]*':&E'";;&9:"1I3&N'"2O3=-&:"1berd and long spear (lang Spieß). Meyer’s manuscript Fechtbuch is held by the University in Lund *2&N]3832&B283%&!EF&/&[SU.&5:3&]$%,&83EF%*I3E&"& ECE'36&$;&F$6I"'&]*':&':3&1$2OE]$%8-&8BE"F,&"28& rapier. The manuscript is beautifully illustrated. )"C3%*EF:3&N'""'EI*I1*$':3,-&43&G3%*E&H%*2F*>**E&/%- '*E&4*6*F"'$%*"3-&5%"F'"'BE&I%3B*E-&G4QR&K&cVQX& 9b3*2%*F:&@$2&Ko283%%$83T&b32%*F*&"&KB2'3%%$8'-& QXmV=. k2*@3%E*'3*'EI*I1*$':33,&7.&k.&D3B@32-&b*E&5%B3&/%'3& $;& 43;32E3-& [/& R[U& 9K*"F$6$& 8*& K%"EE*-& QXV[=p& "& '%3"'*E3& & '%"2E1"'38& *2'$& $2E-&1"2F3E-&%">*3%E-&;*O:'*2O&]*':&"&%"- >*3%&"28&8"OO3%-&%">*3%&"28&F1$",-&%">*3%&"28&IBFkler and target. k2*@3%E*'3*'EI*I1*$':33,& 7.& k.& D3B@32-& H"%"8$a3E& $;& 43;32E3-&[/&QcSm&9K3$%O3&N*1@3%-&QXVV=p&"1':$BO:& ':3&"B':$%&8*E">>%$@3E&$;&W'"1*"2&%">*3%E-&':3&]$%,& provides interesting instructions on the proper BE3&$;&"&']$Z:"2838&E]$%8-&8"OO3%&"28&@"%*$BE& pole weapons. M3B&7o2E'1*F:3E&P3F:'IBF:&9e",$I&NB'$%&@$2&)"832-& QRQU=p&':3&'%3"'*E3&*E&2$&1$2O3%&638*3@"1&]%*''32& E$B%F3&$2&6"%'*"1&"%'E-&:$]3@3%-&*'&*E&>B'&$2&':*E& list due to its content: the work deals with tech- 2*dB3E&$;&"&1$2OE]$%8-&"&8BE"F,&"28&8"OO3%. An important issue when addressing Late Medieval martial arts is certainly a question of didactics and pedagogy. The period were already familiar with the tradition of master Liechtenauer which strongly influenced the perception and methods of fighting ]*':&@"%*$BE&,*28E&$;&]3">$2E&$%&]*':$B'&':36.&_2& W'"1*"2& '3%%*'$%C& ':3& '%"8*'*$2& $;& @"%*$BE& 6"E'3%E-& EBF:& "E& P*$%3& 83*& D*I3%*-& ]"E& 3E'"I1*E:38-& ;$11$]38& by several progressive branches in the 16 th century. What is in question here is not merely a collection $;& '3F:2*dB3E-& IB'& O32B*23& F$6>13'3& ECE'36E.& 5:3& authors of written resources stress that this is noth- *2O&13EE&':"2&l%*''3%1*F:&7B2E'f 11 &$%&"&EF*32F3-&%3E3%@38& ;$%& F$B%'*3%E-& EF:$1"%E-& "%*E'$F%"'E& "28& %B13%E QU -& ':"'& *E-& *28*@*8B"1E& ]*':& ':3& %3dB*%38& >:CE*F"1- 13 *2'3113F'B"1- 14 mental and moral capabilities. The 11" ]820")>/"),)$/"4/')/'=/"m5,/">/?)"4,=>"%'"+,/"8,))/8$,=>"1*'4)"+/4"$%'E/'"4=>X/8)4n." Sigmund Ringeck, MS Dresd. C487. 12 ‘… corregiani scolari baroni principi Duchi et Re debeno essere inuitati acquesta nobile scientia…’. Filippo Vadi, De arte gladiatoria dimicandi, Codex 1324, fondo Vittorio Emanuele della Biblioteca Nazionale di Roma, fol. 2r. 13 In His true Art of Defense Giacomo di Grassi dedicates the whole chapter to the method of training for increasing the physical strength. 14 Fiore dei Liberi and Filippo Vadi consider prudentia with the symbol of compasses, (dei Liberi) and a statement ‘Da geometria lo scrimir se nasce’ the most important M I L I T A R Y H I S T O R Y ! 37
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