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Amiga Computing - Commodore Is Awesome

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peripherals or goes" Apparently this proves<br />

ideal in a what needs to be a 'child proof'<br />

museum as there are no extra peripherals or<br />

attachments for a child to damage. It also<br />

makes interacting as simple and fuss-free as<br />

• possible.<br />

The <strong>Amiga</strong>-based InVideo system can also<br />

be found downstairs in the Panasonic Theatre.<br />

Walking in to the theatre you find a huge<br />

saeen in front of you with all manner of weird<br />

colourful things cast on to it from a video<br />

projector. This time its controlled by an A3000<br />

and once again the InVideo system comes into<br />

es own. A camera picks up the image of the<br />

chid and projects it back in full colour - unlike<br />

tre Dreams exhibit which is in one colour. One<br />

mercise involves letters of the alphabet moving<br />

around the screen - the child can reach<br />

out_ touch it, and it will turn into an object<br />

beginning with that letter - B, for example,<br />

turns into a butterfly. Ibis is great for children<br />

with disabilities" explains Hardcastle. 'It gives<br />

them a chance to interact with something eas-<br />

A similar sort of thing can be done with<br />

numbers too, and helps the younger ,age<br />

group with number recognition and learning.<br />

Mother exercise is called AirPaint which is<br />

like a human paintbox and allows the child to<br />

nidi up colours from a palette and draw them<br />

across the screen with their body.<br />

Jim Williamson is the museum's technical<br />

manager and is very pleased with how well<br />

the <strong>Amiga</strong> system works: "If we were considerrig<br />

using virtual reality again we would defi-<br />

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ID - THE WORLD<br />

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squiabon. v They also designed a game for<br />

Norkelodeon u called Eat-A-Bug which has<br />

woght on all over the States. The idea behind<br />

s<br />

its lai a child to catch one of the flies, bugs or<br />

mosquitoes<br />

e<br />

and eat it without being caught by<br />

t spoderar centipede<br />

hAs<br />

well as museums, amusement centres<br />

we e also benefiting frorn the system which has<br />

Iv Aadvantage<br />

over traditional VR in that it con<br />

te moperated<br />

by all ages, is mbust, hygienic and<br />

lesn't i need someone to supervise - this is<br />

self g illustrated in the Eureka museum where<br />

attendants a prefer to let the children roam<br />

eimugh . at will rather than having to monitor<br />

and supervise their every move,<br />

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"The children have the<br />

opportunity for a 'hands<br />

on' experience. It makes<br />

the learning process so<br />

much easier"<br />

machine and suits the task well."<br />

Not related to the <strong>Amiga</strong>, but also cleated<br />

by Friedman, is the Music Box. Children can<br />

create tunes with different parts of the body<br />

such as walking across the musical stepping<br />

stones or sitting on each stool which then lets<br />

out a honk from one of the giant horns.<br />

Walking around, you realise just how well<br />

designed Eureka is, Each section is geared to<br />

the National Curriculum and because of the<br />

variety, each age and ability seams to be<br />

catered for.<br />

'WARD WINNING<br />

Eureka are certainly on to a winning forrnula<br />

with their lively approach to learning_ Since it<br />

opened in July 1992, it has attracted over one<br />

million visitors and they hope to have this figure<br />

topping 1.5 million before Easter.<br />

Patronised by HRH The Prince of Wales, the<br />

museum has earned itself 15 top awards<br />

including the 1993 Visitor Attraction of the<br />

Year from the English Tourist Board_ In 1994<br />

they also won the National Heritage/IBM<br />

Museum of the Year award for the most imaginative<br />

use of interactive and multimedia technology.<br />

It seems that this new breed of museum<br />

is certainly in demand and people are<br />

favouring them in place of the dusty museums<br />

of the past where noise was frowned upon<br />

and touching the exhibits was definitely out of<br />

order,<br />

If you want to see Eureka for yourself it can<br />

be found in Halifax, West Yorkshire and is situated<br />

next to the railway station. It is open daily<br />

from 10am until 5pm. Prices range from E4_50<br />

for an adult to E3.50 for children aged 3 to 12.<br />

Contact them on 01422 330069 for more<br />

details.<br />

Communication is<br />

stressed in a ll sections<br />

of Eureka<br />

The sa le - chiktren<br />

must wa lk through<br />

without tr199ertng the<br />

alarm<br />

n<br />

ELIEVER ' D rIN<br />

AMIGA<br />

The Eureka museum in Halifax eis not x the only museum to see the virtues<br />

of an <strong>Amiga</strong>-based system. The h London i Transport Museum on Covent<br />

Garden is already reaping the bbenefits i using an <strong>Amiga</strong> and CD32-based<br />

t<br />

system. The CD.32s provide touch screen computers Which display<br />

various information such as the Underground hypermap. But what's particularly<br />

impressive is the 1938 Underground train simulator. The front<br />

window of the train has been replaced with a computer screen with<br />

graphics controlled by the <strong>Amiga</strong> 4000. Two other simulators of on 1890<br />

and 1992 models are controlled by A2000's.<br />

More recently, <strong>Amiga</strong> <strong>Computing</strong> covered how the London War<br />

Museum use a similar touch screen system in their building. Scala's<br />

Infochannel is used to convey information about the exhibits on to<br />

screens around the museum, There is also a Scala touch screen display<br />

used for their Civilian Dead exhibit.<br />

AMIGA COMPUTING<br />

FEBRUARY 1996<br />

The childre n enjoy the<br />

interodhm learaMg aspect<br />

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Pippo Hordstrate demonstrates the<br />

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35

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