Amiga Computing - Commodore Is Awesome
Amiga Computing - Commodore Is Awesome
Amiga Computing - Commodore Is Awesome
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peripherals or goes" Apparently this proves<br />
ideal in a what needs to be a 'child proof'<br />
museum as there are no extra peripherals or<br />
attachments for a child to damage. It also<br />
makes interacting as simple and fuss-free as<br />
• possible.<br />
The <strong>Amiga</strong>-based InVideo system can also<br />
be found downstairs in the Panasonic Theatre.<br />
Walking in to the theatre you find a huge<br />
saeen in front of you with all manner of weird<br />
colourful things cast on to it from a video<br />
projector. This time its controlled by an A3000<br />
and once again the InVideo system comes into<br />
es own. A camera picks up the image of the<br />
chid and projects it back in full colour - unlike<br />
tre Dreams exhibit which is in one colour. One<br />
mercise involves letters of the alphabet moving<br />
around the screen - the child can reach<br />
out_ touch it, and it will turn into an object<br />
beginning with that letter - B, for example,<br />
turns into a butterfly. Ibis is great for children<br />
with disabilities" explains Hardcastle. 'It gives<br />
them a chance to interact with something eas-<br />
A similar sort of thing can be done with<br />
numbers too, and helps the younger ,age<br />
group with number recognition and learning.<br />
Mother exercise is called AirPaint which is<br />
like a human paintbox and allows the child to<br />
nidi up colours from a palette and draw them<br />
across the screen with their body.<br />
Jim Williamson is the museum's technical<br />
manager and is very pleased with how well<br />
the <strong>Amiga</strong> system works: "If we were considerrig<br />
using virtual reality again we would defi-<br />
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ID - THE WORLD<br />
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squiabon. v They also designed a game for<br />
Norkelodeon u called Eat-A-Bug which has<br />
woght on all over the States. The idea behind<br />
s<br />
its lai a child to catch one of the flies, bugs or<br />
mosquitoes<br />
e<br />
and eat it without being caught by<br />
t spoderar centipede<br />
hAs<br />
well as museums, amusement centres<br />
we e also benefiting frorn the system which has<br />
Iv Aadvantage<br />
over traditional VR in that it con<br />
te moperated<br />
by all ages, is mbust, hygienic and<br />
lesn't i need someone to supervise - this is<br />
self g illustrated in the Eureka museum where<br />
attendants a prefer to let the children roam<br />
eimugh . at will rather than having to monitor<br />
and supervise their every move,<br />
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"The children have the<br />
opportunity for a 'hands<br />
on' experience. It makes<br />
the learning process so<br />
much easier"<br />
machine and suits the task well."<br />
Not related to the <strong>Amiga</strong>, but also cleated<br />
by Friedman, is the Music Box. Children can<br />
create tunes with different parts of the body<br />
such as walking across the musical stepping<br />
stones or sitting on each stool which then lets<br />
out a honk from one of the giant horns.<br />
Walking around, you realise just how well<br />
designed Eureka is, Each section is geared to<br />
the National Curriculum and because of the<br />
variety, each age and ability seams to be<br />
catered for.<br />
'WARD WINNING<br />
Eureka are certainly on to a winning forrnula<br />
with their lively approach to learning_ Since it<br />
opened in July 1992, it has attracted over one<br />
million visitors and they hope to have this figure<br />
topping 1.5 million before Easter.<br />
Patronised by HRH The Prince of Wales, the<br />
museum has earned itself 15 top awards<br />
including the 1993 Visitor Attraction of the<br />
Year from the English Tourist Board_ In 1994<br />
they also won the National Heritage/IBM<br />
Museum of the Year award for the most imaginative<br />
use of interactive and multimedia technology.<br />
It seems that this new breed of museum<br />
is certainly in demand and people are<br />
favouring them in place of the dusty museums<br />
of the past where noise was frowned upon<br />
and touching the exhibits was definitely out of<br />
order,<br />
If you want to see Eureka for yourself it can<br />
be found in Halifax, West Yorkshire and is situated<br />
next to the railway station. It is open daily<br />
from 10am until 5pm. Prices range from E4_50<br />
for an adult to E3.50 for children aged 3 to 12.<br />
Contact them on 01422 330069 for more<br />
details.<br />
Communication is<br />
stressed in a ll sections<br />
of Eureka<br />
The sa le - chiktren<br />
must wa lk through<br />
without tr199ertng the<br />
alarm<br />
n<br />
ELIEVER ' D rIN<br />
AMIGA<br />
The Eureka museum in Halifax eis not x the only museum to see the virtues<br />
of an <strong>Amiga</strong>-based system. The h London i Transport Museum on Covent<br />
Garden is already reaping the bbenefits i using an <strong>Amiga</strong> and CD32-based<br />
t<br />
system. The CD.32s provide touch screen computers Which display<br />
various information such as the Underground hypermap. But what's particularly<br />
impressive is the 1938 Underground train simulator. The front<br />
window of the train has been replaced with a computer screen with<br />
graphics controlled by the <strong>Amiga</strong> 4000. Two other simulators of on 1890<br />
and 1992 models are controlled by A2000's.<br />
More recently, <strong>Amiga</strong> <strong>Computing</strong> covered how the London War<br />
Museum use a similar touch screen system in their building. Scala's<br />
Infochannel is used to convey information about the exhibits on to<br />
screens around the museum, There is also a Scala touch screen display<br />
used for their Civilian Dead exhibit.<br />
AMIGA COMPUTING<br />
FEBRUARY 1996<br />
The childre n enjoy the<br />
interodhm learaMg aspect<br />
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Pippo Hordstrate demonstrates the<br />
<strong>Amiga</strong><br />
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drive<br />
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