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52<br />

P. S. Krøyer<br />

b. Stav<strong>an</strong>ger 1851, d. Skagen 1909<br />

"Nøgen dreng, set fra højre Side i Løb paa S<strong>an</strong>det ud mod V<strong>an</strong>det".<br />

Naked boy running on the beach towards the sea. Study for the<br />

painting "Badende drenge" (Boys bathing) from 1892. Signed <strong>an</strong>d<br />

dated S. Krøyer Skagen 92. Oil on c<strong>an</strong>vas. 61 x 43 cm.<br />

H. Chr. Christensen, A Catalogue Raisonné of the Works of P. S. Krøyer no.<br />

503. Numbers 502 to 509 in the Catalogue Raisonné are all studi<strong>es</strong> for<br />

no. 510: "Badende Drenge" (Boys bathing).<br />

Exhibited: Kunstforeningen, "P. S. Krøyer 1851-1909", 1910 no. 219.<br />

Literature: Alba Schw<strong>art</strong>z, "Skagen", 1912 <strong>an</strong>d 1913, p. 214.<br />

Proven<strong>an</strong>ce: L. Zeuthen, Lawyer.<br />

In the summers 1891-1893, Krøyer rented a former post office <strong>an</strong>d inn<br />

in the North Jutl<strong>an</strong>d town of Skagen. There he could enjoy the f<strong>es</strong>tive<br />

gatherings of the <strong>art</strong>istic colony <strong>an</strong>d take adv<strong>an</strong>tage of the m<strong>an</strong>y opportuniti<strong>es</strong><br />

for plein-air painting. It was at this point that he beg<strong>an</strong> to<br />

experiment with the colour r<strong>an</strong>ge of blue, which dominated m<strong>an</strong>y of his<br />

atmospheric pictur<strong>es</strong> in the 1890s. Among the well-known works from<br />

this period, with predominating r<strong>an</strong>ge of blu<strong>es</strong>, are, "Badende Drenge en<br />

Sommeraften ved Skagen Str<strong>an</strong>d" (Boys Bathing on a Summer Evening<br />

at Skagen Beach) 1892; the large double- portrait "Sommeraften ved<br />

Skagen Str<strong>an</strong>d. Kunstneren og h<strong>an</strong>s hustru", 1899 (The Hirschsprung<br />

Collection, Copenhagen); <strong>an</strong>d lastly "Sommeraften på Skagen Sønderstr<strong>an</strong>d"<br />

(Summer Evening at Skagen Beach), 1893 (The Skagen Museum),<br />

with the two white-clad <strong>art</strong>ist's wiv<strong>es</strong>, Marie Krøyer <strong>an</strong>d Anna Ancher.<br />

Krøyer's paintings of children bathing c<strong>an</strong> be seen in the context of the<br />

wid<strong>es</strong>pread inter<strong>es</strong>t in Vitalism which developed in the 1890s. Vitalism<br />

was a broad Europe<strong>an</strong> current of ideas which cultivated the beautiful,<br />

the vigorous, the nude body, health, strength, the masculine hero, the<br />

em<strong>an</strong>cipated wom<strong>an</strong>, light <strong>an</strong>d Nature in all its glory. B<strong>es</strong>id<strong>es</strong> captivating<br />

inter<strong>es</strong>t of painters such as Krøyer <strong>an</strong>d Willumsen, Vitalism was also<br />

adopted <strong>an</strong>d interpreted by a number of the period's sculptors, architects,<br />

composers <strong>an</strong>d writers. The painting being auctioned here is a brilli<strong>an</strong>t<br />

example of both Vitalism <strong>an</strong>d Krøyer's use of the blue colour scale.<br />

DKK 1,200,000-1,500,000 / € 160,000-200,000<br />

46 BRUUN RASMUSSEN BREdgAdE AUcTION 806

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