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New Vocabularies in Film Semiotics

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PSYCHOANALYTIC THEORY 133<br />

crucial concept of the gaze is noth<strong>in</strong>g other than the object small a <strong>in</strong> the<br />

visual field.<br />

The most significant loss that structures the psyche is that symbolized by<br />

CASTRATION, and <strong>in</strong> fact Lacan sees the OEDIPAL COMPLEX as the<br />

central moment <strong>in</strong> the formation of the unconscious, a moment so crucial<br />

that it functions to re<strong>in</strong>terpret all previous structures <strong>in</strong> terms of its ma<strong>in</strong><br />

organiz<strong>in</strong>g pr<strong>in</strong>ciple: the recognition of sexual difference. Technically, the<br />

Oedipal complex refers to the organized body of lov<strong>in</strong>g and hostile<br />

wishes that the child experiences toward its parents. It gets its name from<br />

the Greek tragedy by Sophocles which, for Freud, dramatized the rivalry<br />

(and wish for death) with the parent of the same sex and sexual desire for<br />

the parent of the opposite sex that he found to be a truth of psychic life.<br />

The word COMPLEX, which refers to a group of <strong>in</strong>terconnected<br />

unconscious ideas and feel<strong>in</strong>gs that exert a dynamic effect on the behavior<br />

of the <strong>in</strong>dividual, emphasizes the <strong>in</strong>tersection of relationships rather than<br />

the (commonsense) idea of a personality disorder. In Freud, who called the<br />

Oedipal situation “the nuclear complex of the neuroses” (Freud 1963b:<br />

66), this is a decisive po<strong>in</strong>t <strong>in</strong> the structur<strong>in</strong>g of personality and the<br />

orientation of human desire, for it def<strong>in</strong>es the <strong>in</strong>dividual’s emergence <strong>in</strong>to<br />

sexed selfhood. The <strong>in</strong>fantile theory of castration is the result of the child’s<br />

perplexity over the anatomical difference between the sexes; the child<br />

considers this difference attributable to the fact that the girl’s genital has<br />

been cut off.<br />

In the pre-Oedipal stages, both male and female child are <strong>in</strong> a dyadic<br />

relation with the mother and equally share mascul<strong>in</strong>e and fem<strong>in</strong><strong>in</strong>e<br />

impulses. With the Oedipal moment, this two-term relation becomes three,<br />

and a triangle which is sexually def<strong>in</strong>ed is formed by the child and both<br />

parents. The parent of the same sex becomes a rival <strong>in</strong> the child’s desire for<br />

the parent of the opposite sex. The boy gives up his <strong>in</strong>cestuous desire for the<br />

mother because of the threat of punishment by castration perceived to<br />

come from the father; <strong>in</strong> so do<strong>in</strong>g, he identifies with his father<br />

(symbolically becomes him) and prepares to take his position of a<br />

mascul<strong>in</strong>e role <strong>in</strong> society. The forbidden desire for the mother is driven <strong>in</strong>to<br />

the unconscious, and the boy will accept substitutes for the mother/desired<br />

object <strong>in</strong> his future as an adult male. For the female, the Oedipal moment<br />

is not one of threat, but of realization—she recognizes that she has already<br />

been castrated, and, disillusioned <strong>in</strong> the desire for the father, reluctantly<br />

identifies with the mother. In addition, the Oedipal complex is far more<br />

complicated for the girl, who must change her love object from mother (the<br />

first object for both sexes) to father, whereas the boy can simply cont<strong>in</strong>ue<br />

lov<strong>in</strong>g the mother.<br />

The Oedipal complex signals the transition from the pleasure pr<strong>in</strong>ciple to<br />

the reality pr<strong>in</strong>ciple, from the familial order to society at large. The threat<br />

of castration and the Oedipal complex are the symbolic imposition of a

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