New Vocabularies in Film Semiotics
New Vocabularies in Film Semiotics
New Vocabularies in Film Semiotics
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énoncé 106–7, 138, 171<br />
énonciation 106<br />
enunciation theory 107–7<br />
enunciation (narrative) 96, 106, 122<br />
enunciation (psychoanalysis) 161<br />
enunciator (Casetti) 111–11<br />
epic theater (Brecht) 202, 203<br />
episodic sequence (Metz) 42, 46<br />
equivocation (Barthes) 196–3<br />
estrangement (Wollen) 202<br />
excess (Heath) 53<br />
explanatory <strong>in</strong>sert (Metz) 41–1<br />
external analepsis 121<br />
external diegetic sound (Bordwell/<br />
Thompson) 61<br />
external focalization 91, 94<br />
external narrator 104, 115<br />
external ocularization 94<br />
external repetition (1) and (2)(Bellour)<br />
56–6<br />
extradiegetic (Genette) 39<br />
extradiegetic narration 99, 102, 103,<br />
104–4<br />
extradiegetic narrator 98–101, 103,<br />
108–8, 110, 112, 114<br />
fabula 72–6, 80, 85, 97, 108–9, 114<br />
facets of focalization (Rimmon-Kenan)<br />
90, 96<br />
family romance 157–7<br />
fantasy (unconscious) 143–2, 129–8,<br />
156–63<br />
fantasmatic process 129–8<br />
female enunciation 182<br />
female gaze 178<br />
female spectator 178–8<br />
fem<strong>in</strong><strong>in</strong>e discourse 139<br />
fem<strong>in</strong><strong>in</strong>e language 140<br />
fem<strong>in</strong><strong>in</strong>ity 139<br />
fem<strong>in</strong>ist textual practice 183<br />
fem<strong>in</strong>ist theory 176<br />
fetishism 150, 177<br />
fiction effect 146, 170<br />
fiction film (Od<strong>in</strong>) 219<br />
fictivization (Od<strong>in</strong>) 219<br />
fictionalization (Od<strong>in</strong>) 218<br />
figurativization (Od<strong>in</strong>) 218<br />
INDEX 241<br />
film language (pre-semiotic notions) 28<br />
film phrase (Eikhenbaum) 74, 80<br />
filmic fact (Metz) 35<br />
film-wish 162<br />
filter 95–5<br />
first articulation (Mart<strong>in</strong>et) 32<br />
first-person narration 89, 100<br />
fissure films (Narboni/Comolli) 200<br />
five tracks (Metz) 38<br />
fixed focalization 91<br />
focalization (Genette) 88–92<br />
focalization (Rimmon-Kenan) 90–96;<br />
(Jost) 93–3;<br />
(Chatman) 94–5<br />
focalized 88–8<br />
focalizer 88–8<br />
foreground<strong>in</strong>g (Wollen) 202<br />
formally resistant films (Narboni/<br />
Comolli) 200<br />
fort-da 132, 159<br />
frame narrator 100–101<br />
frequency 123–2<br />
frequentive 124<br />
fully diegetic speech (Metz) 61<br />
function (Propp) 81–1<br />
fundamental narrator 99, 101, 104<br />
gaze 85, 96, 164, 167–73,<br />
see also female gaze<br />
genealogy (Foucault) 215<br />
generative grammar (Chomsky) 67<br />
genetic <strong>in</strong>tertextuality 211<br />
geno-text (Kristeva) 210<br />
genre mistakes (Lotman) 212<br />
gestus 203<br />
grammatology (Derrida) 25<br />
Grand Syntagmatique 38–49, 80<br />
graphological trope 194<br />
halluc<strong>in</strong>ation/halluc<strong>in</strong>atory power 146,<br />
160<br />
hermeneutic code (Barthes) 84, 196–4<br />
hermeneutics 196<br />
heterodiegetic narrator 98<br />
heterogeneity (Heath) 54<br />
heteroglossia (Bakht<strong>in</strong>) 201<br />
histoire 96–6, 106–7, 116, 122
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