03.06.2013 Views

New Vocabularies in Film Semiotics

New Vocabularies in Film Semiotics

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CONTENTS<br />

Notes on the contributors ix<br />

Preface x<br />

Part I The Orig<strong>in</strong>s of <strong>Semiotics</strong> 1<br />

<strong>Semiotics</strong> and the philosophy of language 1<br />

The founders of semiotics 4<br />

Russian Formalism 10<br />

The Bakht<strong>in</strong> School 12<br />

Prague structuralism 14<br />

Jakobson’s communications paradigm 15<br />

The advent of structuralism 18<br />

Post-structuralism: the critique of the sign 23<br />

Part II C<strong>in</strong>e-semiology 29<br />

The c<strong>in</strong>ematic sign 30<br />

M<strong>in</strong>imal units and their c<strong>in</strong>ematic articulation 32<br />

C<strong>in</strong>ema: langue or langage? 34<br />

The Grand Syntagmatique 38<br />

The eight syntagmatic types 41<br />

Codes and subcodes 50<br />

Textual system 52<br />

Textual analysis 54<br />

<strong>Film</strong>ic punctuation 58<br />

The semiotics of filmic sound 61<br />

Language <strong>in</strong> the c<strong>in</strong>ema 65

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