Catalogue Police the police

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Un-Claimed În “Un-Claimed”, camera de filmat acţionează ca un spectator mut în timpul procesiunii de înmormântare a unor corpuri neidentificate în oraşul Bangalore. Filmul reprezintă o documentare directă, cuprinzând o parte din calvarul decedatului anonim până la momentul îngropării sale. El prezintă procesul transformării suferite de două corpuri în drumul de la spital până la cimitir. Obiceiul este ca aceste corpuri nerevendicate să fie doar îngropate, fără a se folosi alte metode de înlăturare. Călătoria vehiculului care transportă pe stradă trupul celui decedat devine la rândul ei o procesiune anonimă, încadrată de alte maşini cu oameni ale căror vise încă mai pot prinde viaţă. Cei decedaţi sunt ascunşi în traficul haotic, ca o formă de a echivala anonimatul mulţimii cu identitatea celor decedaţi. Surekha / Editor H. A. Anilkumar “Un-Claimed” (2009 - 2010) video, sound, 10’ courtesy of the artist Un-Claimed “Un-Claimed” is a video wherein the camera acts as a mute spectator to the procedure of the burial of anonymous bodies in the city of Bangalore. The video is a straight forward documentation, framing a specific portion of the ordeal of the anonymous dead till their burial. It depicts the process of transformation of a pair of dead bodies from the hospital to the burial ground. It is regulatory to only bury the unclaimed as against other modes of disposing of the bodies. The journey of the vehicle carrying the dead on the street becomes an anonymous procession, alongside various vehicles with people carrying lively dreams. The dead lay hidden amidst the chaotic traffic, as if to equate the anonymity of the crowd as well as the identity of the dead. Surekha / Text help: H. A. Anilkumar 115
U B E R M O R G E N . C O M 116 “Superenhanced Generator” (2009-2010) interactive multimedia installation, mixed media courtesy of the artists credits: Lizvlx (Concept and Programming), Tilman Singer Wien (Programming), UBERMORGEN.COM (Design), Hans Bernhard (Concept, PR), Domenico Quarante (Theory), Lukas Heistinger (Video), Georg Tremmel (iPhone App), Wolf-Dieter-Grabner (Printing), Alistair Fuller (Photography), Stefan Nussbaumer (Acting/Performance), lores.org Wien (Technical Support, Hosting, Security), Chris Arendt (former Guantanamo Bay Prison Guard), Murat Kurnaz (Detainee Guantanamo), ISEA 2009 Belfast, IVAW ñ Iraq Veterans against the war, Cageprisoners.com, Migros Kulturprozent, Goethe Institut Nairobi (Presentation, Performance, PR), Randy Hunt New York, Alain Bieber Hamburg, Fabio Paris Art Gallery Brescia, Barbara Pitschmann/Subversiv-Messe Linz, Mamuta.org Ein Kerem, Coded Cultures Tokyo
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October 8th - November 7th, 2010 Ș
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FOREWORD ROMELO PERVOLOVICI - DIREC
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în mare parte dimensiunii scopice
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vigilant blindness, through this ki
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simultan ambele roluri - el devine
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of his own subjection.” 4 The gaz
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scenarizare a realului şi felul î
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senzorială globală a subiectului.
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eification of watching. watching th
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Deleuze was saying that, considerin
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încercat să le explice vizitatori
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THE SUBVERSIVE PANOPTICON OF THE CO
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“LaBour discipLine”. damaging t
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internet. Fenomenul este corelat cu
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ness of the Orwellian principle of
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“Altogether” (2008) DVD, mini D
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“Miliţia e cu noi!” (1981) C-t
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Decupaj de temporalitate suspendat
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& M AT H I A S j U D “War Room”
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În 2002, Peter Weibel organiza la
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“Broken Threads” (2007) video,
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I S T O B E D O N E ? ) legătura d
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cu sfârşitul unei tranziţii impo
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At the same time, the very existenc
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social recipe to be applied at the
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the chance to bring this knowledge
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“CCTeVezi” (2008) C-type print,
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25 April 2008 I have arrived in Lon
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altui instrument de observaţie la
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“Untitled”, 2005 (the former St
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V L A D N A N C ă Orice manual ban
Page 66 and 67: “The Pencil Sharpener”, from th
Page 68 and 69: My work deals with the common misus
Page 70 and 71: NEÏL BELOUfA & DORIAN GAUDIN Pe 2
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Page 74 and 75: Prezentată pentru prima oară la g
Page 76 and 77: “Le charme discret de l’autorit
Page 78 and 79: “Boutique Airports I & II” (200
Page 80 and 81: Alexandra Croitoru’s works presen
Page 82 and 83: “Remake” (2007) animation, 24
Page 84 and 85: „Populist project / Hometown Boys
Page 86 and 87: P A S C U A L S I S T O “Gaze”
Page 88 and 89: S T E f A N O G I U R I A T I Lucra
Page 90 and 91: “Animal Inside” (2009) 4 photo
Page 92 and 93: Ideea că pictura ca gen artistic e
Page 95 and 96: T H E O L I G T H A R T “The Sear
Page 97 and 98: M A X I M L I U L C A Demersul meu
Page 99 and 100: “Serial Guard” (2008) 6 pieces,
Page 101 and 102: N 5 5 “Walking 100 house” house
Page 103 and 104: MIRCEA NICOLAE “Surveillance pane
Page 105 and 106: THE BLUE NOSES GROUP În seria „A
Page 107 and 108: G O R D A N S A V I C I C Aş dori
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Page 111 and 112: LENA VON LAPSCHINA De peste doi ani
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Page 121 and 122: C A R L A C R U z Carla Cruz a cres
Page 123 and 124: D E S I R E M A C H I N E Colaborar
Page 125 and 126: C H E L S E A K N I G H T Palimpses
Page 127 and 128: GAYLAN ABDULLAH ISMAIL ”Traffic
Page 129 and 130: j I N S H A N Aşa cum observa Walt
Page 131 and 132: M I R K O S M E R D E L “Outside
Page 133 and 134: O L I V E R R E S S L E R ”What i
Page 135 and 136: M A R I E V O I G N I E R În peisa
Page 137 and 138: FILM pROf. UNIV. DR. LAURENŢIU DAM
Page 139 and 140: TUDOR LUCACIU TUDOR PETREMARIN 138
Page 141 and 142: FOTOjURNALISM
Page 143 and 144: 142 ANDREI PUNGOVSCHI IOANA MOLDOVA
Page 145 and 146: ALDO GIANNOTTI Born in Genova, Ital
Page 147 and 148: Slovenia; Tourists Welcome, Ljublja
Page 149: VLAD NANCă Born in Bucharest, Roma
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